There's truly enough warmth and good vibes to go around on Red Hot Chili Peppers' 12th full-length, Unlimited Love. Not only did the band re-form their seminal lineup, welcoming guitarist John Frusciante back into the fold after a decade-long absence, but they also reunited with longtime production guru Rick Rubin, who was swapped out for Danger Mouse on their last album, 2016's The Getaway. With the gang back together, there's a palpable joy born from the energy of four buddies just having fun in the studio.

Disc One: From the concerts at The Rainbow Theatre, London on 18th March 1977, and at The Portsmouth Locarno on 20th March 1977. Disc Two: From the concert at The Agora Club, Cleveland, Ohio on 11th November 1974. A live Marc Bolan and T. Rex album was never released during Marc's lifetime. He claimed that he felt it unfair to expect fans to buy the same material more than once, and a multitude of contractual problems also kept his hands tied. This has often been due to the quality of the source tapes - a problem that has been largely unavoidable.

On this, their second album for A&M, Humble Pie proved that they were not the "minor league Rolling Stones" as people often described them. Led by the soulful Steve Marriot, the Pie was a great band in every sense of the word. Although Peter Frampton elevated himself to superstar status in just a few years, this album proves what an excellent lead guitarist he was. The record has an undeniable live feel to it, due in part to Glyn Johns' humble yet precise recording, framing the group as if they were a boogie version of the Band. When all of these elements come together on songs such as "Sour Grain" and "Stone Cold Fever," it's an unbeatable combination.

Celine Dion is an album by Canadian singer Celine Dion, released on 31 March 1992. It is her second English studio album and 17th in total. It includes the Grammy and Academy Award-winning song "Beauty and the Beast." Dion's real international breakthrough came when she paired up with Peabo Bryson to record the title track to Walt Disney Pictures animated film Beauty and the Beast (1991). The song captured a musical style that Dion would utilize in the future: sweeping, classical and soft rock influenced ballads with soft instrumentation.

The brief heyday of the Anhaltinische Hof in Zerbst (Saxony-Anhalt) coincided with the work of its court Kapellmeister Johann Friedrich Fasch. The benevolent and prudent Prince Johann August von Anhalt-Zerbst (1677-1742) expanded his court orchestra and engaged outstanding musicians for this purpose.

As glam rock debut albums go, you'll have to search a long way to find one that outclasses Suzi Quatro's opening shot. Though her fame and, of course, her hit singles thus far were based around songwriters Nicky Chinn and Mike Chapman's guileless ability to crank out the classics, away from the glare of TV and radio play the pair allowed Quatro and partner Len Tuckey full rein. The result was an album of several very distinct parts, inextricably linked by the sheer power of the Quatro personality. The heart of Suzi Quatro lies in the band's choice of covers.

In BIS' Chinoiserie, pianist Jenny Lin brings one of the most compelling and relevant themed recitals to be heard on disc in years, a collection of pieces by Western composers that attempts to explore the subject of China in some regard, not only musically but culturally.

One of the great jazz trumpeters of all time, Freddie Hubbard formed his sound out of the Clifford Brown/Lee Morgan tradition, and by the early '70s was immediately distinctive and the pacesetter in jazz.

Although they're best known as the Ocean, this Berlin, Germany, outfit's original name is perhaps more fitting - the Ocean Collective - as they are a hefty eight members strong. And on the group's 2007 release, Precambrian, the Ocean continue to specialize in a hard-hitting approach that touches upon such similar styles as extreme metal and doom metal. But unlike the majority of groups that fall under either of these two categories, the Ocean are not a one-dimensional band. No siree, as such styles as prog ("Neoarchean") and even Middle Eastern-esque soundscapes ("Siderian") are used to create some much needed shelter - albeit momentary - from all the fury. However, don't be fooled into thinking that Precambrian is all about surprise detours - ditties such as the album-opening "Hadean" and "Paleoachean" are instant headbanging highlights…