Marking 40 years of The Jesus And Mary Chain, Glasgow Eyes was recorded at Mogwai’s Castle of Doom studio in Glasgow, where Jim and William continued the creative process that resulted in their previous album, 2017’s Damage and Joy, becoming their highest charting album in over twenty years. What emerged is a record that finds one of the UK’s most influential groups embracing a productive second chapter, their maelstrom of melody, feedback and controlled chaos now informed more audibly by their love for Suicide and Kraftwerk and a fresh appreciation of the less disciplined attitudes found in jazz.

After the groundbreaking new edition of the legendary and iconic compilation "My Pussy Belongs To Daddy" from 1957, Ebalunga!!! presents the exquisite solo album "Girlesque" by the incomparable Faye Richmonde. Originally released in 1959, "Girlesque" once again captures the attention of the audience with its unique blend of genres and provocative song titles. Without succumbing to vulgarity, Faye Richmonde maintains sophistication, ease and witty humor, playing with memorable melodies and captivating the listener with the depth of her voice.

Four CD set. Features both of the concerts performed by Rick Wakeman, the English Rock Ensemble and the English Chamber Choir at the London Palladium. In February 2023, Rick Wakeman performed two sell out concerts at the London Palladium which celebrated his most acclaimed work as a solo artist and as a member of Yes. The first concert saw Rick Wakeman, the English Rock Ensemble and the English Chamber Choir, conducted by Guy Protheroe perform his first solo work, ‘The Six Wives of Henry VIII’ and ‘The Myths and Legends of King Arthur and the Knights of the Round Table’, while the second night’s concert featured a set of classic Yes material and ‘The Meeting’ (originally performed by Anderson, Bruford, Wakeman And Howe), along with the multi-platinum-selling solo work ‘Journey to the Centre of the Earth’. The concerts were some of the most memorable of Rick’s career.

Dealing from the Bottom of the Deck is a compelling electric blues album by American blues artist Bobby Little, released in 2024 through Untouchable Productions. Spanning eight well-crafted tracks over thirty-five minutes, the album delivers a gritty, soulful exploration of modern blues rooted deeply in traditional storytelling and raw instrumental showmanship. Driven by expressive guitar work, tight rhythm arrangements, and impassioned vocal delivery, the record captures the authentic grit and emotional depth of contemporary blues. Opening with the hard-hitting groove of Nothing but Trouble, the album moves effortlessly between slow-burning blues ballads and uptempo rhythm-and-blues tracks. Standout cuts like the title track Dealing from the Bottom of the Deck and the clever Fast Food Mama showcase Little's sharp songwriting talent, while tunes such as Jack & Jim and Sometimes I Get High bring humor, grit, and soulful reflection to the forefront. The album closes with the evocative When Robert Made His Deal, paying homage to legendary blues folklore. Produced with a clean yet organic sound, Dealing from the Bottom of the Deck is a rewarding listen for aficionados of electric blues, soul-blues, and traditional American roots music.

Through an inimitable voice that the New York Times touts as, “a smooth, dark alto possessed of qualities you might associate with barrel-aged bourbon or butter-soft leather,” acclaimed vocalist and songwriter Lizz Wright sings with a soaring reflection of the cultural fabric of America. Wright is one of the great modern American singers with an illustrious 20-year career transcending social divides with her focus on love and a deep sense of humanity.

Al Di Meola's "Twentyfour," is a testament to creativity. Conceived during the tumultuous times of the pandemic, what started as a simple acoustic project evolved into something much grander. Al's initial intention to craft a reflective acoustic album on the challenges of the time expanded exponentially as he found himself unable to resist the allure of boundless musical exploration.

The multi-award-winning tenor saxophonist, bandleader and composer Nubya Garcia’s new album, Odyssey, is out Sept. 20 (Concord Jazz). Following her critically acclaimed debut album, SOURCE, Odyssey is a majestic feat that blends orchestral arrangements with R&B, jazz and dub. Produced by Garcia in collaboration with Kwes, Garcia returns with Joe Armon-Jones (keys), Daniel Casimir (bass), Sam Jones (drums). Featured guests include Esperanza spalding, Georgia Anne Muldrow and more.

Born in 1968, Arve Henriksen studied at the Trondheim Conservatory from 1987-1991, and has worked as a freelance musician since 1989.

Meshell Ndegeocello’s 2nd Blue Note album No More Water: The Gospel of James Baldwin is a striking homage to the eminent writer and activist James Baldwin to be released on his Centennial: August 2, 2024. Ndegeocello’s transformative music and collaborative spirit ignites this genre-bending work that is at once a musical experience, a church service, a celebration, a testimonial, and a call to action. Co-produced by Meshell and guitarist Chris Bruce, the album also features frequent collaborators Justin Hicks, Kenita Miller-Hicks, Josh Johnson, Jebin Bruni, Abe Rounds, Jake Sherman, and Julius Rodriguez, as well as powerful spoken word performances by poet and activist Staceyann Chin and Pulitzer Prize-winning author Hilton Als.

Discovered while working as a publishing assistant at Mute Records, Nerina Pallot signed to Polydor Records and released her first album in 2001. The release of her critically acclaimed second album, Fires, drew comparisons with Joni Mitchell, Fiona Apple and Tori Amos, and spawned hit singles Everybody's Gone To War and Sophia, plus Brit Award and Ivor Novello nominations.

The making of Congo Funk!, our long-awaited journey to the musical heart of the African continent, took the Analog Africa Team on two journeys to Kinshasa and one to Brazzaville. Selected meticulously from around 2000 songs and boiled down to 14, this compilation aims to showcase the many facets of the funky, hypnotic and schizophrenic tunes emanating from the two Congolese capitals nestled on the banks of the Congo River.