Newly discovered live performance by Bill Evans Trio, featuring Eddie Gomez - bass & Eliot Zigmund - drums. The previously unreleased concert took place on June 20, 1975, at Oil Can Harry's, Vancouver, BC. Captured for radio host Gary Barclay, it was aired on his popular CHQM jazz show. For nearly half a century, the tapes lay forgotten - until now. Thanks to audio restoration by Plangent Processes & mastering by Paul Blakemore, it sounds just as fresh today as it did in 1975.

THE BIGGEST ROCK SHOW EVER HEADLINED BY THE MIGHTY QUEEN Queen headlined two nights of the 10-day Rock In Rio festival in 1985, the biggest music festival in history. Also headlining both nights were AC/DC, Yes, and Rod Stewart. Queen played on January 11 and 18, but they hit the stage around 2am each night, technically dating the performances 12th and 19th respectively. The band also set a record for paying attendances, playing to at least 250,000 people each night - the biggest audiences they would ever play for. Some sources suggest up to 350,000 attended on the first night. After the show, EMI threw a party in Queen's honour at the Copacabana Palace Hotel. On the beach outside the hotel, some fans had gathered for a candle-lighting vigil, where 1,500 candles spelled out the word Queen . Brian May, who was coming out of the hotel when this event was taking place, was apparently very touched by the gesture and after he lit the last few candles, he stayed around to sign autographs. A 60-minute compilation of both nights of Queen In Rio would be transmitted live on local radio, and from this recording comes this exceptional CD containing the best of Queen In Rio 1985, released here for the first time.

A powerful transatlantic convergence, "Live At The Blue Note New York" captures Theon Cross's electrifying US debut at the legendary club-one of the first jazz albums recorded there in over two decades. Featuring standout performances by Isaiah Collier, James Russell Sims, and Nikos Ziarkas, this live set channels deep musical chemistry into a bold, spiritual statement of modern jazz.

Bang! Records announces Thinking Of Another Place, Lou Reed´s first triple-live vinyl LP from 1976's Rock´n´Roll Heart USA tour. A superb performance recorded for radio broadcast, restored and remastered, Reed plays seven tracks from that album alongside songs from Transformer (1972), Berlin (1973), Sally Can´t Dance (1974, and Coney Island Baby (1975), as well as some excellent Velvet Underground thrown in for good measure. Absolutely killer live performance with high sound quality, released in a trifold jacket with extensive liner notes by Jaime Gonzalo and Nina Antonia, including previously unseen photography courtesy of Bob Bery and rare live posters and magazine covers from those days courtesy of Gonzalo. Recorded at Civic Theatre, Akron, Ohio (USA), October 23rd, 1976. Edition of 500, released under license from Easy Action Records. Personnel: Lou Reed - vocals and guitar; Michael Fonfara - keyboards; Bruce Yaw - bass; Marty Fogel - sax; Michael Suchorsky - drums.

Sir Thomas Beecham was one of the most important orchestra conductors of the 20th century, exerting a huge impact on the entire field of classical music – and the way people listen to it, and the way people have been exposed to it – through his performances, recordings, and the two major orchestras that he founded. Beecham was born in 1879, the son of Sir Joseph Beecham, the maker of a popular and profitable brand of patent medicine.

The Carpenters' box set retrospective From the Top is a 67-track, four-CD set running under 3 ½ hours (which means it could have fit on three CDs) that traces Richard and Karen Carpenter's musical efforts from the formation of the Richard Carpenter Trio in 1965 to Karen's final recording session in April 1982. This is Richard's compilation; he introduces it and writes a track-by-track commentary, and has also done a lot of refurbishing, remixing 40 tracks and providing "additional recording" on many. The set proceeds chronologically, and most of the 20 previously unreleased tracks date from the '60s, as the group's emerging sound can be traced in demos. The Carpenters' hitmaking period of 1970-75 is extensively covered from the last quarter of the first disc to the start of the third, with most of their big hits included, though Richard excludes a few without comment. Also included are many album tracks that sometimes match the quality of the singles. Richard includes a couple of the Carpenters' singles from the second half of the '70s, and devotes the rest of the third disc and most of the fourth to excerpts from stray projects – Christmas albums, TV specials, Karen's solo album (which Richard carefully notes went unreleased "at Karen's behest"). As such, there is necessarily a fall-off in the set's quality. But by sequencing the songs chronologically, choosing only the ones he wants, and remaking them to his satisfaction, Richard is telling his version of the Carpenters' story, chronicling his band's rise and fall, which occurred in artistic and commercial terms well before his sister's death.

The Alban Berg Quartet was founded in 1971 and within a decade was established as one of the finest string quartets in the world. It was known for its large recorded sets of the complete quartets of many masters of the genre.Its founding members were all part of a Viennese chamber orchestra, who, while getting together to play chamber music, discovered the musical rapport essential to founding a great quartet. Deciding to honor a Viennese composer in their choice of names, they selected Alban Berg, one of the members of the group of atonal composers known as the Second Viennese School.

Hilda Sehested, Nancy Dalberg, and Tekla Griebel Wandall – all born in the latter half of the 19th century – each left behind a body of chamber music as captivating as it is nearly forgotten. On this revelatory album of world premiere recordings, Ensemble MidtVest brings their voices to life with clarity, depth, and conviction. Many of these works, previously unpublished and unperformed, now emerge from obscurity for the first time.

Maestro Mikhail Pletnev conducts his own, never before published composition: the 14 Memoires musicales (2024). He set his childhood memories to music in 14 musical images that captivate the listener like a colourful kaleidoscope.
Mikhail Pletnev’s trumpet concerto is dedicated to trumpeter Sergei Nakariakov, who is also the soloist in this concert recording.

Nicolai Gedda – possessor of one of the widest-ranging repertoires ever, phenomenal technique, and a bright, resonant voice with clarion high notes and a seductive mezza voice – had one of the finest singing careers of the 20th century. He excelled in music of English, French, German, Italian, Russian, American, and Swedish composers, and was equally adept in traversing styles from the Baroque to the contemporary; he was as noted a performer of oratorio and songs as of opera. His performances were masterpieces of authentic style, from language and diction to phrasing. While performing Samuel Barber's Vanessa, in which he created the role of Anatol, critics consistently acclaimed his diction as the finest in the cast, even though he shared the stage with Rosalind Elias and Eleanor Steber – both native speakers of English. Gedda's father was Russian, his mother Swedish, and in 1929 his parents moved to Leipzig, where his father became cantor and choirmaster of a Russian Orthodox Church.

Bruce Springsteen Bruce Springsteen once said he intended to make an album with words like Bob Dylan that sounded like Phil Spector with vocals like Roy Orbison's, a nifty summary of many, but not all, of his artistic ambitions and a key to his appeal. Unlike any other singer/songwriters saddled with the appellation of "the new Dylan" in the early '70s, Springsteen never hid how he was raised on '60s AM radio. He loved rock & roll, whether it was the initial blast from the '50s or the mini-symphonies from the days before the Beatles or the garage rockers that surfaced in the wake of the British Invasion, and all this could be heard within his wild, wooly collective E Street Band, a group who debuted on his second album, 1973's The Wild, The Innocent & The E Street Shuffle, and who would support him throughout most of his career.

Bruce Springsteen Comme Elvis Presley, Bob Dylan, Neil Young et quelques autres, Bruce Springsteen dépasse les frontières du genre musical dans lequel on tenterait de l’encager. Au fil de ses albums, le kid du New Jersey est devenu un symbole, tant musical qu’idéologique. Marchant sur les traces de son idole Dylan, le Boss s’est lancé dans des instantanés souvent poignants de cette bannière étoilé froissée, de l’american dream souvent maltraité, bref la chronique d’une Amérique de la marge, dont il reste l’un des plus étincelants ambassadeurs… Rares sont les musiciens ayant une aura aussi développée auprès de leur public que lui.

The album is the 121st edition of the UK Now series. The album contains 44 chart hits at the time of the album's release. NOW That’s What I Call Music! 121 is designed and signed as a reference on your choice of several exchangers file. Remember Monday, Morgan Wallen, Addison Rae, Levi Heron, Olivia Dean, Alex Warren.

Recorded live Massey Hall, Toronto, Canada, Dec 7th 1984. Fan Club of Taiwan. Promotional use only.

2CD bootleg that has been circulating amongst Clash fans for a long time: CD1 is the infamous Mick Jones version of the eventual album "Combat Rock", commonly referred to as "Rat Patrol From Fort Bragg." CD2 features a number of related outtakes, instrumentals, and live tracks from the Combat Rock/RPFFB era. On the first two tracks of CD1 the names in parentheses are alternate titles. Almost all of these tracks feature different arrangements, alternate lyrics, extra verses, or a combination of the three,when compared with the versions eventually released– in addition to the tracks that were never released in the first place.