Originally released around the turn of the millennium, Musick to Play in the Dark featured a restarted Coil at bay, with original members John (later Jhonn) Balance (R.I.P.) and Peter Christopherson joined by synthesist/bassist Thighpaulsandra, and Drew McDowall (replaced by Rose McDowall on the second volume). These are long-form works, collections of mood pieces in several modes, and what’s interesting (and somewhat predictable) is that the patience displayed while shifting in between these modes creates a tension and space that feels… almost removed from music by a step, as if the performance decided to slowly back away from Coil at a respectful, totality-fearing distance (or maybe it was the psychic force of their music that pushed it all back)…

Tonight is definitely the night, the mood and the company are just right. So, if you’ve lit the candles and poured the wine, all you need to do now is put on the exotic, passionate and intimate sounds of Simply Erotica and prepare to turn private fantasy into sensual reality.

Departure from the Northern Wasteland, a classic of the progressive electronic genre, contains four pieces that are almost perfect in their realization of the sequencer as a compositional tool. Hoenig took the concept of repetitive music further than most anyone in his homeland and claimed his inspiration was drawn from American minimalist composers Philip Glass, Steve Reich, and Terry Riley. The title track is a sublime 20-minute journey through ever-changing melodic and rhythmic phase relationships, creating the vivid sensation of a train ride through misty Northern European landscapes. "Hanging Garden Transfer" then speeds things up a little and is therefore less ideally suited for falling asleep (or waking you up). "Voices of Where" makes the picture of Path Finder on the desolate planet of Mars, appear before the mind’s eye, searching for any proof of life: not a single beat, just wonderful dreamscapes…

Alan Parsons was 19 years old when he landed a job at the world famous Abbey Road Studios, an important first step on his journey to becoming a world class engineer, producer and artist. Following his beginnings with George Martin and The Beatles, his contribution to Pink Floyd's classic 'The Dark Side Of The Moon' earned him worldwide attention. As a producer he had many hits with Pilot, John Miles, Ambrosia and Al Stewart. Together with his manager and creative partner at the time, Eric Woolfson, he developed the Alan Parsons Project. Following their debut album "Tales Of Mystery And Imagination" (1976), they released a series of hit albums; namely "I Robot" (1977), "Pyramid" (1978), "The Turn of a Friendly Card" (1980), "Eye in the Sky" (1982), "Ammonia Avenue" (1984), "Vulture Culture" (1985), "Stereotomy" (1986) and "Gaudi" (1987).

"Biophilia" is the seventh studio album from the unique artist from Iceland and the first since 2007's "Volta." The themes of the songs have a certain "sci-fi" feel to them, her early performances of the new material were described as "meditation on the relationship between music, nature and technology." The sound is a retreat from the daring if uneven "Volta" and is probably closest to the "Vespertine" sound, with the occasional hint of "Medulla". This album would be closest to Vespertine as a basic description, with the wintry electronic sound replaced by a more serene, slightly warmer sound. Beats are toned down just a bit. Bjork's penchant for wildness and sometimes harsh sounds is toned down even more in favor of the natural beauty of her singing voice. Here she relaxes her vocal eccentricities perhaps more than ever, relying on the natural ability of her "normal" voice.

Deluxe Re-Release des 1990'er Meilensteins des Künstlers Jon Hassell, der World-Fusion mit Einflüssen aus frühem Hip Hop zu einem futuristischem Sci-Fi-Funk verband und Ideengeber für Brian Enos Klassiker "My Life In The Bush Of Ghosts" mit David Byrne war. Das Dreifachset enthält des weiteren ein bislang unveröffentlichtes Live-Konzert von 1989 in einer Abmischung von Brian Eno, sowie diverse Outtakes, Demos und Neuinterpretationen zeitgenössischer Musiker (patten, 808 State, Some Truths). Für das Vinyl wurde das 1990 Originalalbum neu als Doppelformat für verbesserten Groove- und Basssound geschnitten und enthält als Downloadcode zusätzlich noch einmal das gesamte Material der Dreifach-CD.

Klaus Schulze, one of the most illustrious exponents of the kraut-electronic musical current, was born on the 4th of August 1947, right in Berlin, the heart of the entire action. He has also used the alias Richard Wahnfried. He was briefly a member of the electronic band Tangerine Dream as well as cofounding Ash Ra Tempel before a pioneering and prolific solo career of 40+ albums (totalling 110+ CDs) in 30+ years.
In 1969, Klaus Schulze was the drummer of one of the early incarnations of Tangerine Dream for their debut album Electronic Meditation. In 1970 he left this group to form Ash Ra Tempel with Manuel Göttsching. In 1971, he chose again to leave a newly-formed group after only one album, this time to mount a solo career…

Limited CD and Blu-ray edition. 2021 release of Jean-Michel Jarre's ground-breaking New Year's Eve live performance Welcome To The Otherside which combined life-like concert visuals in VR with a real live studio performance, introduced a mixed-media approach which was the first of it's kind. The performance includes tracks from his recent Grammy-nominated opus Electronica, as well as new reworked versions of his classics, Oxygène and Equinoxe.

His Majesty’s Pop Life (subtitled "The Purple Mix Club") is a compilation album of Prince’s studio work, initially released in 1985 as a promotional record in Japan only, following the commercial release of Around The World In A Day and its associated singles. At that time, it was Prince’s third promotional compilation album (after a 1984 sampler and Strange Tales From the Rain). His Majesty’s Pop Life was re-released worldwide in a limited quantity (14 000 copies) for the Record Store Day on 13 April 2019, becoming Prince’s eight compilation album and the fifth posthumous release. In 2020, the album received a wider retail release in Japan only, including its first release on CD.

Georg Deuter is a German New Age composer known for his innovative blend of acoustic and electronic instruments, ethnic influences, and nature sounds.
Like many artists in the contemporary instrumental realm, Deuter mixes acoustic and electronic instruments, ethnic influences, and sounds from nature - only he's been doing it since the early '70s. His style is characterized by gentle melodies and joyful rhythms that render his music accessible even as he presents an intriguing blend of Eastern and Western styles…

A Bath Full of Ecstasy is a fresh, invigorating and essential new chapter in Hot Chip's career, taking in their huge breadth of influence and melody as only Hot Chip can. You can hear the pleasure the band had in creating this album and they want to pass on that feeling to the listener. It is time to get lost in A Bath Full of Ecstasy.

Three CD set. NOW Music is proud to present 58 more essential singles from the incredible year in Pop that was 1990, 'NOW - Yearbook Extra 1990'. Opening with a defining anthem 'Freedom! '90' from George Michael, Disc One features a blend of Pop gems and soulful ballads. Includes tracks by The B-52's, Duran Duran, Belinda Carlisle, Jane Child, Deacon Blue, Tears For Fears, Robert Palmer feat. UB40, Roxette, Eurythmics, Oleta Adams, Tina Turner, Gloria Estefan, Paul Young, Elton John, David A. Stewart and Candy Dulfer, Aztec Camera, The Cure, The Farm, The Soup Dragons, The Beloved, Primal Scream, Soul II Soul, Snap!, LL Cool J, MC Hammer, Poison, Billy Idol, Cher, the Pretenders, Jason Donovan, Craig McLachlan, Bros, New Kids On The Block, Paula Abdul, Technotronic, Big Fun, and many others.

Daft Punk quickly rose to acclaim in 1993 by adapting a love for first-wave acid house and techno to their younger roots in pop, indie rock, and hip-hop. The combined talents of DJs Guy-Manuel de Homem-Christo and Thomas Bangalter as Daft Punk have been responsible for the most memorable and genre-defying house hits of the last decade. Musique Vol 1 1993-2005 offers for the first time their collected singles and several rare remixes.

Once again finding harmony and creating alchemy between seeming opposites, on Volta Björk is bold but thoughtful, delicate yet strong, accessible and avant. The intricacy and complexity of projects like Medúlla and Drawing Restraint 9 suggested that she might have left the more direct side of her work behind, but Volta's opening track and lead single, "Earth Intruders," puts that notion to rest: the song literally marches in, riding a bubbling, ritualistic beat courtesy of Timbaland and Konono No. 1's electric thumb-pianos. Björk howls "Turmoil! Carnage!" like incantations over the din, and after several albums' worth of beautiful whispers, it's a joy to hear her raise her voice and volume like this. "Wanderlust" follows and provides the yin to "Earth Intruders"' yang, its horns and brooding melody giving it the feel of a moodier, more contemplative version of "The Anchor Song"…

In a slipcase, thin 2xCD case w/booklet. 2-2 is mistitled "He's Shredding Skin" (fixed here). 2-3 is the full album version (unlike other Blow Monkeys compilations, which utilize the single edit). Digging Your Scene: The Best of The Blow Monkeys is a double greatest hits album, released on 4 February 2008 by British band The Blow Monkeys. Led by singer, guitarist, piano and keyboard player Dr. Robert, the group formed in the early 1980s and disbanded in 1990. After that, Dr. Robert went on to pursue a solo career. The Blow Monkeys recently reformed, with the aim of touring and releasing a brand new album. The 36 tracks included on this double compilation were originally featured on the band's first five studio albums, and most of them were also released as singles, the most successful ones including "It Doesn't Have to Be This Way" (which reached Number 5 in the UK Singles Chart in 1987, their highest position ever), and "Digging Your Scene" (climbing to Number 12 in 1986, this song represented their first British, American and worldwide hit, also making it to Number 14 in the US Billboard Hot 100, Number 7 in the US Hot Dance Club Play, and Number 25 in Germany).