THE BIGGEST ROCK SHOW EVER HEADLINED BY THE MIGHTY QUEEN Queen headlined two nights of the 10-day Rock In Rio festival in 1985, the biggest music festival in history. Also headlining both nights were AC/DC, Yes, and Rod Stewart. Queen played on January 11 and 18, but they hit the stage around 2am each night, technically dating the performances 12th and 19th respectively. The band also set a record for paying attendances, playing to at least 250,000 people each night - the biggest audiences they would ever play for. Some sources suggest up to 350,000 attended on the first night. After the show, EMI threw a party in Queen's honour at the Copacabana Palace Hotel. On the beach outside the hotel, some fans had gathered for a candle-lighting vigil, where 1,500 candles spelled out the word Queen . Brian May, who was coming out of the hotel when this event was taking place, was apparently very touched by the gesture and after he lit the last few candles, he stayed around to sign autographs. A 60-minute compilation of both nights of Queen In Rio would be transmitted live on local radio, and from this recording comes this exceptional CD containing the best of Queen In Rio 1985, released here for the first time.

School's Out catapulted Alice Cooper into the hard rock stratosphere, largely due to its timeless, all-time classic title track. But while the song became Alice's highest-charting single ever (reaching number seven on the U.S. charts) and recalled the brash, three-and-a-half-minute garage rock of yore, the majority of the album signaled a more complex compositional directional for the band. Unlike Cooper's previous releases (Love It to Death, Killer), which contained several instantly identifiable hard rock classics, School's Out appears to be a concept album, and aside from the aforementioned title track anthem, few of the other tracks have ever popped up in concert. That's not to say they weren't still strong and memorable; while such cuts as "Gutter Cat vs. the Jets," "Street Fight," "My Stars," and "Grande Finale" came off like mini-epics with a slightly progressive edge…

Flamboyant British icons of the 1970s whose nasty fusion of heavy metal, glam rock, and sneering cynicism influenced many punk bands. Collection includes: 'Mott The Hoople' (1969); 'Mad Shadows' (1970); 'Wildlife' (1971); 'Brain Capers' (1971); 'All The Young Dudes' (1972); 'Mott' (1973); 'The Hoople' (1974); 'Live' (1974) 30th Anniversary Edition 2004; 'Rock And Roll Queen' (1974); 'Drive On' (1975); 'Greatest Hits' (1976); 'Two Miles From Heaven' (1980); 'The Ballad Of Mott: A Retrospective' (1993); 'Fairfield Halls, Live 1970' (2007).

'The Doors announced themselves to the world with a near-perfect debut album,' writes veteran rock journalist Ben Fong-Torres in his notes for this unprecedented box. Indeed, The Doors' self-titled 1967 debut recorded in late '66 struck awe in fans and critics alike, and heralded the arrival of the one the most original and daring bands ever. Through five more studio albums, The Doors were fronted by the legendary Jim Morrison, and continually pushed the boundaries of contemporary music and popular culture. To mark the band's 40th anniversary, Rhino salutes their legacy with a 12-disc box housing remastered & expanded editions of these six album masterpieces.

A comprehensive box set that reaches back to the band's pub rock roots and into the present.
- A celebration of the 40+ years Girlschool rocked the world, beginning with their independently released 45 disc "Take It All Away" and "It Could Be Better."CD 4 features many rare B-sides and non-album cuts as well as demos from 1978 to 2002 and CD 5 features an extremely rare live Painted Lady recording from before Girlschool.

For fans of: The Runaways, Rock Goddess. First time that this show has been made officially available on CD in a new, exclusive CD. Filmed at the Camden Palace on December 7th, 1984, this recording captured the London-based Queen’s of heavy metal, Girlschool, while they were midway through recording their 1985 album, ‘Running Wild’. After a run of classic albums for Bronze Records, home of Motorhead and Uriah Heep, Girlschool had been signed to American major label, Mercury Records. Featuring Cris Bonnaci on lead guitar, and vocalist Jackie Bodimead, alongside founder members Kim McAuliffe and Denise Dufort, with bassist Gil Weston, unsurprisingly this set features a total of five songs – ‘Running Wild’, ‘Are You Ready?’, ‘Nowhere To Run’, ‘Love Is A Lie & Can’t You See’ - from the yet to be released ‘Running Wild’, their first album without lead guitarist and lead singer Kelly Johnson. This raucous, hour-long set was originally filmed for TV, while acting as a useful promotional tool for the imminent US release (inexplicably, the album wouldn’t receive an official release outside of the States until 2015, when it was made available on CD for the first time by HNE). Featuring liner notes from Rich Davenport, based on new interviews with Kim McAuliffe.

Alice Cooper was oorspronkelijk een band onder leiding van zanger Vincent Damon Furnier. De band pionierde een theatrale en gewelddadige soort heavy metal, bedoeld om te shockeren. Hoewel de visuele effecten zeer belangrijk waren voor hun impact, was de muziek bijna net zo herkenbaar, gedreven door rauwe, eenvoudige riffs en melodieën afgeleid van niet alleen guitar pop uit de jaren 60 maar tevens show tunes. Het was de meest fundamentele en aangrijpende rock & roll, zelfs wanneer de band zich in psychedelica en art rock waagden. Nadat de oorspronkelijke groep uiteen viel en Furnier een solocarrière als Alice Cooper begon, verloor zijn muziek veel van het theatrale vermogen en werd het gewoon heavy metal.

These all-new 3CD ‘Essential’ ranges bring together from some of our most-celebrated artists. Packaged in a slick and glossy gatefold sleeve.

Status Quo’s twenty fifth album Heavy Traffic signalled a new era according to guitarist Rick Parfitt, and saw song writer Bob Young contribute for the first time in years. The album charted at no.15 in the UK album charts and featured tracks such as Jam Side Down, All Stand up and Creepin Up on You.

Salisbury is the second album released by British rock band Uriah Heep. The album features forays into both jazz-fusion on "The Park", and progressive rock on the band's first large-scale composition, the 16-minute title track featuring a 24-piece orchestra. It also includes the largely acoustic ballad "Lady In Black." The connection of the artwork to the title is readily explained. Salisbury Plain in Wiltshire, England, is an Army training-area. On the front of the album sleeve is a British Chieftain tank. The original LP release was a gatefold-sleeve. Inside is a b/w picture of a British tank of the First World War, over which were printed Hensley's comments on each track. Later reissues would be in a single sleeve. The American release featured a different sleeve image, as did the original Canadian pressings. Future Canadian pressings used the UK artwork.

All credit to Gary Moore for having the courage to leap into the relative unknown with A Different Beat. It is indeed greatly removed from anything he had released prior to 1999. Perhaps it was the new-found freedom from the guitarist's contract with Virgin that fuelled the change of direction–that and Moore's obvious affinity with outfits along the lines of Apollo 440 and Fatboy Slim (to whom "Fatboy" is a tribute).

Blue Öyster Cult Ce n'est pas une perle nacrée qui se cache sous la coquille de cette huître préciseuse, mais plutôt plutôt un son gras, qui transpire à travers les amplis chauffés à blanc.

Following the triumphant success of their 50th Anniversary celebration, BOC are back with the eagerly anticipated 50th Anniversary Live – Third Night, the last and final installment of the live album celebrating the band’s 50th Anniversary. This electrifying performance, which includes the band’s third album Secret Treaties performed back to back is set to hit the shelves in late 2024, promises to be a spectacular follow-up to the band’s historic three-night stint at Sony Hall in NYC.

After gaining some recognition from the success of the band's previous album, Bachman-Turner Overdrive got around to recording Not Fragile. Not only had one of the three Bachman brothers (Tim, the rhythm guitarist) left the band to BTO's advantage, but Randy Bachman and C.F. Turner had clearly grown musically. To the album's benefit, most of the material on Not Fragile are the band's much-liked rock anthems, ranging from the hyper-distorted title track, through the famous but far more timid song "You Ain't Seen Nothing Yet." Indeed, for hard rock fanatics, it doesn't come much better than on Not Fragile. Randy's electrifying lead guitar is here more raucous than ever before, as are his rowdy vocals (particularly noticeable on the predictable, but fun "Sledgehammer"). The man steals the show on Not Fragile through his extensive and often astounding guitar solos…

Though not nearly as celebrated as Led Zeppelin, Black Sabbath, Uriah Heep, or Deep Purple, Budgie was one of the finest heavy metal bands of the early to mid-'70s. The British power trio, formed in 1968, was influenced by Cream in the beginning, but by the time this self-titled debut album was released in 1971, Budgie was obviously paying close attention to Sabbath and Zep. In fact, it's hard to miss the impact that Robert Plant had on Budgie lead singer/bassist Burke Shelley. For those seriously interested in metal's development, bombastic treasures like "Homicidal Suicidal,"and "Nude Disintegrating Parachutist Woman" are essential listening.