For over forty years, Ozric Tentacles have carved out a universe entirely their own. From their roots on the UK's free festival circuit to becoming one of the defining names in experimental rock, the Ozrics have spent more than four decades charting a wonderfully offbeat course through prog, space rock, electronica & beyond, creating an instantly recognisable musical world that has inspired generations of musicians & listeners alike. ‘Harmonic Mind’, the band's 17th studio album, is another welcome chapter in that ever-evolving story. Named after the geometric structure & harmonic nature of existence, the album sees the Ozrics once again weaving together soaring guitar melodies, intricate rhythms, lush synth textures & deep, hypnotic grooves into the kind of free-flowing psychedelic odyssey that has become their trademark.

Originally released in Italy as "Vol. 1," then re-released under a slightly different title as "Live - The Greats Hits" in Brazil. Thoroughly mediocre collection of live recordings, for completionists only. Recorded live in 60s and 70s.

C.B. Busser’s 1978 solo debut Movies drenches its symphonic-meets-psych soundscapes in glorious Mellotron, conjuring the laid-back Teutonic grandeur of Schicke, Führs & Fröhling and Novalis, with jazzy, Camelesque detours along the way. A one-man tour de force on every instrument, it’s undercut only by uneven CSN style folk numbers and weaker vocal tracks, leaving a fine Swiss-prog gem that shines brightest in its atmospheric instrumentals.

Premonition is an early cassette release by Anglo-Dutch experimental rock pioneers The Legendary Pink Dots, originally issued by Flowmotion in 1982 and restored/reissued by the band in 2014. Capturing a transitional phase for the group, founder Edward Ka-Spel was joined by guitarist/songwriter Michael Marshall, bassist Roland Callaway, drummer Keith Thompson, and sound engineer Pat Bermingham, whose Space Echo manipulations lend the release its wild, immersive atmosphere. Blending early synth-pop, psychedelic space-rock, and ambient noise experiments, the album bridges the gap between their earliest tape releases and their signature dark-wave sound. The 2014 edition restores the original tape sequence—including the rare first-lineup track Before The End featuring April White and The Silverman—while retaining bonus material like Love Puppets (Version 1).

Originally released in 1997, Vanishing Point is Glasgow band Primal Scream's seventh album and one of their most exhilarating. Recorded at the North London studio built by the band's Andrew Innes and Bobby Gillespie, nicknamed 'the bunker', the Scream were at the top of their game during these sessions. It was the first of their albums to feature the late, great Mani from Stone Roses on bass and they concocted a slightly menacing, cosmic journey that is of stark contrast to their retro rock beginnings. On their swaggering cover of Hawkwind's 'Motorhead' Gillespie sings the first verse through a Darth Vader-style voice effect and the production pairs rough cut Carl Craig-type drums with marching feet samples from the Pistols' 'Holiday In The Sun', while 'If They Move Kill Em' has a spook rock meets dub feel and splashes of wah pedal for a groove-led escape. For them to largely park the need to fit the structure of pop music and still have the critical and commercial success they had with this album is quite something.

STRAWBERRY ALARM CLOCK's forthcoming album WHERE'S ONE? would be remarkable enough as the first collection of all-new music from the psych-rock legends since their '60s heyday, but there's much more to it than nostalgia. The band's current lineup is almost certainly uniquely bonafide among their '60s peers, featuring five members from their original run of four albums from 1967-1969: MARK STEPHEN WEITZ (keyboards), RANDY SEOL (drums/percussion), GEORGE BUNNELL (bass), GENE GUNNELS (drums/percussion), and STEVE BARTEK (guitar, flute, sitar and production, also well-known as a founding member of Oingo Boingo) plus guitarist HOWIE ANDERSON who's been a full member since their 1986 reunion. The decades of musical chemistry are a key part of what keeps the band so compelling to fans of all ages, onstage (as evidenced by the multigenerational crowds attending the band's live shows, often at the Whisky on LA's Sunset Strip where it all began) and on this record. But what makes WHERE'S ONE? so much more than just a trip down memory lane is a sense of adventure, experimentation and ambition that few from their generation can conjure with such thrilling results.

Atomic Rooster are a British rock band originally formed by members of The Crazy World of Arthur Brown, organist Vincent Crane and drummer Carl Palmer. Their history is defined by two periods: the early-mid-1970s and the early 1980s. The band went through radical style changes, but they are best known for the hard, progressive rock sound of their hit singles, "Tomorrow Night" (UK No. 11) and "Devil's Answer" (UK No. 4), both in 1971. In 2016 Atomic Rooster reformed with permission from Crane's widow, with the new line-up featuring two members from the various 1970s incarnations of the band.

Long Lost Friend: The Best of Dave Mason is a comprehensive nineteen-track retrospective released in 1995 by Legacy and Columbia Records. Highlighting the English singer-songwriter and former Traffic guitarist's prolific tenure with Columbia Records across seven studio albums, the collection charts his transition from early 1970s acoustic-leaning FM rock to polished late-seventies soft rock and AOR pop. The album features his biggest solo hits, including the iconic radio classic We Just Disagree, Let It Go, Let It Flow, and his soulful cover of Will You Still Love Me Tomorrow. Anchored by standout originals like Baby…Please and Split Coconut, alongside vibrant live renditions of signature Traffic-era anthems Feelin' Alright, Only You Know And I Know, and Bob Dylan's All Along The Watchtower, this digitally remastered anthology remains an essential showcase of Mason's melodic songwriting and refined guitar work.

Collected is an expansive 3-CD compilation released by Universal Music, offering a definitive retrospective of the pioneering British band The Moody Blues across nearly forty years of music history. Tracing their evolution from early British Invasion R&B through their trailblazing orchestral art rock and eighties adult contemporary successes, the collection gathers 54 digitally remastered highlights. Disc one features foundational cuts from the "Classic Seven" albums era, including symphonic rock landmarks such as Nights In White Satin, Tuesday Afternoon, Question, and Ride My See-saw. The second and third discs delve into late seventies hits, key solo side-projects—such as Justin Hayward and John Lodge's Blue Jays, Jeff Wayne's War of the Worlds centerpiece Forever Autumn, and solo works—alongside massive 1980s radio anthems like Your Wildest Dreams and The Voice. Closing with rare early Decca singles like Go Now and Fly Me High, this comprehensive box set serves as the ultimate career-spanning primer for progressive pop and art rock enthusiasts.

Barn Sessions Volume One is a collection of 11 songs from Four80East's catalogue, newly-recorded live off the floor in their barn just outside of Toronto. Augmented by horn and string sections, these recordings capture a truly special vibe in a unique space, with great performances from some of Canada's finest musicians. Four80East is a Canadian electro jazz ensemble from Toronto, Ontario, with Rob DeBoer (keyboards, bass and guitar) and Tony Grace (percussion); accompanied by various session musicians. Although Four80East began as a studio concept, they have evolved into a live act. Their music is known for its percussive, melodic flow and bass grooves.

Filling The Gap is a massive box set compilation released by Psychic Circle that serves as a treasured archive for enthusiasts of obscure late-sixties and early-seventies psych-rock sounds. Spanning across five meticulously curated discs, this collection unearths rare singles, forgotten gems, and hard-to-find tracks from a diverse assembly of underground acts including Lincoln St. Exit, Writing On The Wall, The Blues Magoos, and many others. Each volume traverses through fuzzy guitar riffs, swirling organ passages, trippy studio experimentation, and raw garage rock energy that bridged the transition from mid-sixties garage pop to the heavy psychedelic underground scene. From fiery protopunk stompers to dreamlike acid-rock ballads, the compilation highlights the rich diversity of the era's counterculture music. Perfect for serious rock archivists and dedicated psych-rock collectors, this collection offers a deep, satisfying dive into the forgotten corners of vintage rock history, preserving an essential slice of musical innovation that shaped the heavy rock evolution.

The Seeds & A Web of Sound brings together two quintessential albums from one of the most influential raw rock bands of the sixties onto a single releases package. Originating from the vibrant Los Angeles underground scene, Sky Saxon and his bandmates pioneered an uninhibited, fuzzy, and hypnotic sound that laid the groundwork for both psychedelic rock and the proto-punk movement. This compilation pairs their self-titled 1966 debut—a relentless barrage of raw guitar riffs, buzzing organ lines, and raspy vocals featuring timeless classics—with their second album from the same year, which pushed their sonic boundaries even further with longer dynamic jam structures and experimental arrangements. The collection delivers a masterclass in primitive energy, driving rhythms, fuzz-tone guitar distortion, and distinctively rebellious attitude. Essential for fans of mid-sixties garage rock, this release offers an immersive deep dive into the formative years of an iconic group whose infectious hooks and intense garage psychedelia continue to resonate with generations of rock enthusiasts and modern indie musicians worldwide.

Psychedelia: A Herbal Mixture Of Psychedelic Remedies And Freakout Fantoms is an expansive five-CD box set released in 2015 by the renowned reissue label Rubble Records. Gathering sixty-seven rare tracks across more than three hours of playing time, this landmark collection compiles five distinct volumes from Rubble's legendary psych-archival catalog, including Oil Emulsion Slyde, The Fairy Feller's Master Stroke, Memories, The Great Ramses In His Egyptian Temple of Mysteries, and Mynd The Gap. Dedicated to the golden age of late-1960s and early-1970s underground rock, the compilation offers a breathtaking deep dive into the obscure, experimental, and magical corners of British, European, and global freakbeat and psychedelic pop-rock. Featuring cult acts, unreleased studio gems, fuzz-drenched guitars, swirling organ textures, and whimsical studio production, the collection includes standout contributions from bands like Junior's Eyes, The Matadors, Fire, The Tickle, Kippington Lodge, The Mirage, and The Nashville Teens. Meticulously curated for hardcore psych collectors and sonic explorers, this box set stands as a definitive treasury of rare psychedelic rock heritage.