Robyn Hitchcock is a rock’n’roll surrealist. Born in London on March 3rd, 1953 he describes his songs as “pictures you can listen to”. As much a child of Dali, De Chirico, and JG Ballard as of his 1960s musical heroes, he is a master of the absurd, reveling in the beauty of the unexpected. His first publicly visible band The Soft Boys (1976 – 81) has remained an influential art-rock touchstone for generations of musicians. “I just want to be an obscure cult fringe,” he told the NME in 1978; the NME didn’t believe him, but he’s been true to his ambition.

The 5th CD of Nuremberg's finest (and one of Germany's greatest) contents their early singles, soundtracks to films and TV productions including a lot of previously unreleased tracks to satisfy their numerous fans. Wonderful songs influenced by the beat era and the psychedelic music of the late 60's. Funny and competent lyrics combined with fresh and well played music show the great talent of the band playing on a very high standard. Excellent sound quality, informative booklet.

Esoteric Recordings is pleased to announce the release of a 4 CD clamshell boxed set that gathers together all the recordings made for the classic “Potatoland” album by Spirit. The album was born in 1973 following the release of guitarist Randy California’s “Kaptain Kopter and the Fabulous Twirlybirds” album (made shortly after his departure from Spirit). To promote his solo album California assembled a band to tour featuring original Spirit drummer Ed Cassidy and bass guitarist Larry “Fuzzy” Knight. Initially playing concerts in the Los Angeles area, the trio recorded two live performances at the studios of KPFK-FM in September 1972. Soon after the trio reverted to the name Spirit to undertake live work in Europe. Following these concerts Randy California and Ed Cassidy began work on the album “The Adventures of Kapt. Kopter and Commander Cody in Potatoland”…

They made one of the rarest albums of the psychedelic era (a copy recently sold on eBay for just under £4,000), while their two singles included one of the genre’s most enduring surrender-to-the-void creations in the much-compiled ‘The Otherside’. Nevertheless, so little information has ever surfaced about Apple that UK underground rock guide book Galactic Ramble described them as “probably the only legendary UK psych band still shrouded in mystery”. Finally, however, we have some kind of closure with this first-ever band-approved reissue of “An Apple A Day”, which also includes mono mixes of their aforementioned brace of single releases. ..

Charisma were a band from the Hartford, Connecticut area, and were very typical of the confused American year of 1970. It basically means that bands were throwing any and everything against the wall hoping it would stick - or in practical terms - obtaining radio airplay. And Charisma falls in line with their mix of blues, hard rock, progressive, psych, and old fashioned rock and roll. It's a mess basically. But some of these albums had gems in the midst of the ordinary, and that's where we come in. Charisma has a strong Hammond organ and overall keyboard presence, and there are a couple of tracks that display this in an instrumental progressive rock format ('Street Theatre', 'Ritual Dance of the Reptiles'). There are other very good proto-prog/bluesy numbers in 'Leopold's Ghost' and 'The Age of Reptiles'. The rest is take it or leave it…

Robin Trower's third album, 1975's For Earth Below is less consistent than the previous two but still contains much excellent material; the Beat Goes On label's reissue teams it with 1976's Live, a truly fine set recorded in Sweden.

No one except psychedelic Renaissance man Alexander "Skip" Spence could have created an album such as Oar. Alternately heralded as a "soundtrack to schizophrenia" and a "visionary solo effort," Oar became delegated to cut-out and bargain bins shortly after its release in the spring of 1969. However, those who did hear it were instantly drawn into Spence's inimitable sonic surrealism. As his illustrious past in the Jefferson Airplane, Quicksilver Messenger Service, and Moby Grape would suggest, this album is a warped blend of acid folk and far-out psychedelic rock. While these original compositions do draw heavily from those genres, each song has the individuality of a fingerprint, and Spence performed and produced every sound on the album himself at Columbia studios in Nashville in the space of less than two weeks…

For their 26th album, King Gizzard and The Lizard Wizard swap the widescreen concepts of their recent albums for the intimacy of six good friends collaborating on the most bonhomie-laden set they’ve yet committed to wax. For Flight b741, bandleader Stu Mackenzie says King Gizzard “wanted to make something that was primal, instinctual, more ‘from the gut’ – just people in a room, doing what feels right. We wanted to make something fun.”

How could a combo named the Insect Trust be anything other than eclectic? Hoboken Saturday Night (1970) was the second of two platters from an interesting aggregate whose core consisted of multi-instrumentalists Luke Faust (harmonica, banjo, electric piano, fiddle), Trevor Koehler (baritone sax, soprano sax, piccolo, sewer drum, flute), Robert Palmer (alto sax, clarinet, recorder), Nancy Jeffries (vocals), and Bill Barth (lead guitar, steel guitar). The rhythm section was fleshed out by a sizable and equally diverse coterie of session musicians such as jazz legend Elvin Jones (drums), Bernard "Pretty" Purdie (drums), Charles "Buddy" Nealy (drums), Donald MacDonald (drums), William Folwell (bass, trumpet), Bob Bushnell (bass), Ralph Casale (rhythm guitar), and Hugh McCracken (rhythm guitar). Collectively, they touched upon facets of the singer/songwriter, psychedelic, and folk-rock subgenres, while somehow eluding them all…

Great UK underground heavy psych rock album from 1969 recorded by a trio from Lancashire. Well structured songs with fine melodies similar in places to Cream but with the odd swathe of mellotron lending an early progressive touch. Much loved by collectors of UK underground music this album is well worth checking out…Highly recommended.