If your a casual listener or a new but impressed listener to Mr Miller then this is a great sorta/kinda hits anthology and it has some really great songs…

Tonight is the sixteenth studio album by David Bowie, released in 1984. It followed his most commercially successful album, Let's Dance. He described the album, released immediately after his previous album's tour wrapped up, as an effort to "keep my hand in, so to speak," and to retain the new audience that he had recently acquired…

Most '60s bubblegum groups were faceless studio concoctions, made up of hired professionals and given nominal group identities after the fact. The Archies made no pretense of being a real band in the first place - their music, including the smash hit "Sugar, Sugar," was "performed" by the animated TV cartoon characters spun off from Archie comics. In reality, of course, they were a studio concoction made up of hired professionals (most notably lead singer Ron Dante), but in this case, they weren't technically faceless.
The Archies (1968) is their debut studio album.

We’re delighted to release this 2CD Expanded Edition of Laura Branigan’s 3rd studio album, “Self Control”, originally released in 1984 on Atlantic Records.

Hamilton Leithauser has proven himself as a master collaborator and solo artist throughout his nearly 20 year career. Following his time as the frontman of the Walkmen, Leithauser released the critically acclaimed collaboration with Rostam I Had a Dream That You Were Mine in 2016. The album debuted at #1 on Billboard's Heatseekers Chart, #1 New Artist Album, and was named one of the Year's Best by Pitchfork, Esquire, NPR, and more. His latest work and second solo record The Loves of Your Life was written and produced by Hamilton in his home studio and is a collection of stories about real people he's met over his years living in New York City.

Usually the name Gold: Greatest Hits means "avoid this album." Many times small labels will buy the rights to some obscure songs by a big-name artist and then release it under that very title. But despite the name, this collection keeps the crap in the middle of the album, buried between the good stuff. In fact, this is a really good retrospective of this band. The dark and lonely ballads that Karen Carpenter sang take center stage, pushing brother Richard's pop contributions to the background. The album starts strong enough, featuring several of their biggest hits, including "Superstar," "Rainy Days and Mondays," "Goodbye to Love," and "It's Going to Take Some Time." And the album ends with more big hits, such as "Top of the World," "(They Long to Be) Close to You," and "We've Only Just Begun"; even their Klaatu cover, "Calling Occupants of Interplanetary Craft," makes it. But the middle is a danger zone of filler, featuring forgettable tracks like "Please Mr. Postman" and its ilk. But this collection has the requisite amount of good Carpenters songs to make it worthwhile, and anyone who does not have these songs on album should give this a listen.

Never Let Me Down is the seventeenth studio album by David Bowie, released in April 1987 by EMI America. Bowie conceived the album as the foundation for a theatrical world tour, writing and recording most of the songs in Switzerland. He considered the record a return to rock 'n' roll music…

Fleetwood Mac, one of rock s most enduring, beloved and successful bands, circulate another round of Rumours with expanded and deluxe versions of the album in celebration of its 35th anniversary. Rumours made the band one of the most iconic bands of the 1970s and garnered wide critical praise, earned the Grammy® for Album of the Year, and has now sold more than 40 million copies worldwide since its 1977 debut…

Sugary, commercial pop/rock isn't necessarily a bad thing, and in fact can be fairly enjoyable in the right hands. But Wilson Phillips are much too sweet for their own good. This debut album – which amazingly went five-times platinum during the early 1990s – is about as lightweight and sophomoric as it gets. Chynna Phillips' weak singing on such homogenized, mundane fluff as "Impulsive," "The Dream Is Still Alive," and the chart-topping "Hold On" isn't even remotely convincing. Compared to Phillips' saccharine performances on "You're in Love" (another major hit) and "A Reason to Believe," even Tiffany and Debbie Gibson's debut albums have some bite.