Three CD set. Following 2021's Musik Music Musique 2. 0 set, the third volume in the series looks at the electronic pop scene as it came to dominate the airwaves. A period which saw the 1980's credible musical landscape evolve from gritty post-punk to shamelessly aspirational polished pop. Featuring countless artists who would become household names (many of which remain active today) alongside lesser-known scene mainstays, independent innovators and novelty opportunists, Musik Music Musique 3. 0 explores the evolution of synth pop from anything resembling a 'scene' into the standard musical form of the day, soon to be embraced by everybody from power balladeers to quasi-rock stadium acts. From chart staples and nightclub anthems to rarities, curios and collectables, this set gives equal airtime to all, basking in the breadth of ideas and innovation being explored as the musical world moved towards the mid-80s.

With It's My Life, Talk Talk proved that they could pull off an entire album of strong material. With The Colour of Spring, they took it one step further, moving to a near-concept song cycle, following the emotional ups and downs of relationships and pondering life in general. Musically, they built on the experimental direction of the previous album with interesting rhythms, sweeping orchestration, complex arrangements, and even a children's chorus to create an evocative, hypnotic groove. Though the songs were catchier on the earlier efforts and the ambient experimentation was more fully achieved later on, The Colour of Spring succeeded in marrying the two ideas into one unique sound for their most thoroughly satisfying album.

Classic 1982 Chicago studio session also featuring Buddy Guy - plus stunning live tracks and previously unreleased three track studio session.

Known for his mariachi-inspired easy listening sound, trumpeter Herb Alpert is one of the most successful instrumental performers in pop history. He is also one of the entertainment industry's canniest businessmen, having co-founded A&M Records – a label that ranks among the most prosperous artist-owned companies ever established – with partner Jerry Moss. Collection includes: The Lonely Bull (1962); South Of The Border (1964); Whipped Cream & Other Delights (1965); !!Going Places!! (1965); What Now My Love (1966); S.R.O (1966); The Beat Of The Brass (1968); Rise (1979); Fandango (1982); Bullish (1984); Keep Your Eye On Me (1987); Classics, Volume 1 (1987); Steppin' Out (Featuring Lani Hall) (2013); In The Mood (2014); Come Fly With Me (2015).

Premiata Forneria Marconi's Live History 1971-1981 (also known as 10 Anni Live 1971-1981) is a comprehensive 4-CD anthology capturing the evolution of Italy's premier prog band, showcasing high-energy performances from their symphonic peak through their late-70s jazz-fusion shift. It is praised for its historical breadth, though hindered by inconsistent bootleg-quality sound and repetitive tracks.

With his beautiful, Lester Young-inspired tone, his grace with a melody, and his willingness to gently push boundaries, tenor saxophonist Stan Getz was known as "The Sound" for good reason. Coming to fame with the Woody Herman band in the '40s, he held his own through both the swing and bebop eras, then found renewed commercial success in the early '60s when a João Gilberto collaboration, "The Girl from Ipanema," was a big hit and ushered in a bossa nova boom. Getz loved playing with bold young players like Chick Corea and Stanley Clarke, and he didn't shy away from new technology, championing the Echoplex for a time. This wonderful set includes the albums he recorded for Columbia Records between 1972 and 1979 (most of which he produced himself), as well as the soundtrack LP to a Dutch film called Forest Eyes from 1979, and a bonus disc of Getz at Carnegie Hall for the 40th anniversary of the Woody Herman band…

The Style Council were an English pop band formed in Woking in 1982 by Paul Weller, the former lead vocalist, principal songwriter and guitarist with the rock band the Jam, and keyboardist Mick Talbot. Weller started the project to escape the restrictions of the Jam, and to explore a more arty, European, jazzier direction, which encompassed pop, hip hop, and soul. The permanent line-up grew to include drummer Steve White and Weller's then-girlfriend, vocalist Dee C. Lee. Other artists such as Tracie Young, Tracey Thorn (Everything but the Girl) and drummer/percussionist Steve Sidelnyk also performed and collaborated with the group. As with Weller's previous band, most of the London-based group's hits were in their homeland, where they scored seven top 10 hits. The band also had hit singles and albums in Australia and New Zealand during the 1980s.

This anthology, which tries to sum up Isao Tomita's recordings for the Red Seal Label, actually managed to give a fairly complete panorama of his work. Tomita can be thought of as the precursor of ambient music - but unlike people who think that ambient is a sustained 23 minute sine wave, here music has Direction. Granted, most of the stuff is synthesized renditions of "impressionistic" classical works, but the imaginative use Isao makes of his array of synths (most of this stuff was recorded in the early 70's, so we're talking about modular synths mainly - long before computer programming was available). The sonic pallete fits perfectly, and he makes good use of repetitive arpeggiator sequences to get a pulse going - and then he works his magic, specially in the arranging department. A truly unique - and sadly underestimated - artist.

DGM has long promised to bring the King Crimson Collectors' Club to 50 discs and we are pleased to announce a combined Club 49/50 to complete this special series. This CD/DVD set is packaged in a jewel case with much not-to be-missed material, including recently discovered live footage. The CD/DVD package features the complete final two shows played on July 11, 1984, partly used for the Absent Lovers release. The CD contains entirely unreleased tracks. The DVD contains both shows in full, as well as two sections of footage filmed by legendary bassist and stick player Tony Levin in 1982. The first footage shows approximately 25 minutes taken from the stage at the Place De Nations Montreal on 5th August 1982 (Please note that the footage is grainy.) The second portion of footage (some grainy, most is much clearer in resolution) is a real gem from shows at The Pier in New York and in Asbury Park, NJ, with backstage footage, narrated by Tony himself, showcasing backstage antics of the band as well as sound check and some cheeky footage of the cars being packed and artists preparing to leave the next day. The second footage runs just over 19 minutes.

When it comes to vocal jazz, the ladies win. 'Body and Soul' features great jazz standards sung by some of the best-known and most influential female jazz vocalists in history. Ella Fitzgerald, Billie Holiday, Nina Simone, Dinah Washington, Sarah Vaughan.

Live in New York 1985 (also known as Live at the Speakeasy) is a live album by singer-songwriter Suzanne Vega, documenting a pivotal performance recorded on April 17, 1985. The concert took place at the SpeakEasy club in Greenwich Village, New York, during the same week her self-titled debut album was released.