Deep in the jungle of Guadalcanal in the South Pacific, scattered among tall trees and thick, razor-sharp grasses, are the rusting remains of a World War II-era fighter plane. A fragment of the tail still bears traces of the light blue paint of U.S. Navy aircraft of the period, and the number 5192. Research confirms that the plane is the doomed Wildcat flown by James "Pug" Southerland in one of the most heroic and legendary dogfights in aviation history.

Before the arrival of Carlos Santana's eponymous band, the San Francisco rock scene drew the inspiration for its jam-oriented music mainly from blues, rock, and Eastern modalities. Santana added Latin music to the mix, forever changing the course of rock & roll history. On their groundbreaking debut album, the group mix Latin percussion with driving rock grooves. Santana's unique guitar style, alternately biting and liquid, vies with the multiple percussionists for the sonic focus. Unlike later efforts, Santana's first album features an abundance of loose, collective compositions based on a couple of simple riffs ("Jingo," "Soul Sacrifice"). This approach allows for Santana and his bandmates to flex their improvisational muscles to fine effect. The high-energy level on Santana is infectious - the laid-back feel of other '60s San Francisco groups was clearly not for Carlos and co.

Éric Demarsan (aka Éric de Marsan), born on October 2, 1938 in Paris, is a French film score composer.After working as arranger for composers Michel Magne then François de Roubaix (including on Le Samouraï) he scored L'Armée des ombres (aka Army of Shadows) in 1969 then Le Cercle rouge (aka The red circle) in 1970 , both by director Jean-Pierre Melville.After that, he scored numerous movies for other great directors like Jean-Pierre Mocky, Costa-Gavras or Patrice Leconte.Éric Demarsan also composed many songs, the Pop Symphony album under pseudonym Jason Havelock, as well as some musics for sound and light shows.Since 2000 he works frequently with director Guillaume Nicloux and then Hervé Hadmar.

Princes who have been turned into Dwarfs seek the red shoes of a lady in order to break the spell, although it will not be easy. A parody with a twist.

Joanna Lumley travels across two of the most enigmatic countries in the Caribbean – Cuba and Haiti – to explore, uncover and share the hidden gems that these countries have to offer

Steve McGarrett returns home to Oahu, in order to find his father's killer. The governor offers him the chance to run his own task force (Five-0). Steve's team is joined by Chin Ho Kelly, Danny "Danno" Williams, and Kono Kalakaua.

Sketch is an innovative and fresh look at vector drawing. Its intentionally minimalist design is based upon a drawing space of unlimited size and layers, free of palettes, panels, menus, windows, and controls. Though simple to use, it offers powerful vector drawing and text tools like perfect Boolean operations, symbols, and powerful rulers, guides, and grids.

This reissue combines two similar Doris Day albums originally released on Columbia Records, You're My Thrill and Young at Heart, originally issued in 1949 and 1954 respectively. The 24 tracks include such pop standards as "You Go to My Head," "Bewitched, Bothered & Bewildered, "Imagination," and "Someone to Watch Over Me." Those who appreciate easy listening pop will find this a welcome addition to their collection.

Following the critically acclaimed release of The Cormorant I this Fall, Brooklyn-based art pop project SAN FERMIN today announce the March 27 release of The Cormorant I & II, the second and final installment in their latest dual-part album. Introducing the project with the October release of The Cormorant I and garnering critical acclaim from NPR, Consequence of Sound, Paste, TIME and UPROXX, San Fermin now return with eight new tracks that encompass the full scope of The Cormorant story. The resulting 16-track collection completes the narrative set out by The Cormorant I, expanding on bandleader Ellis Ludwig-Leone's questions of identity, growth and its ever-changing variations.