Cut straight on the heels of Bad Company's 1974 debut - just a matter of three months later; not quite long enough to know how big a success the first LP would be - Straight Shooter is seemingly cut from the same cloth as its predecessor. It is, after all, a tight collection of eight strong, steady, heavy rockers that never, ever proceed in a hurry, but from the moment "Good Lovin' Gone Bad" kicks off the proceedings, it's clear that Bad Company have decided to expand their palette this second time around. Where Bad Company was stark, minimalist hard rock, Straight Shooter bears lots of different, vibrant colors: acoustic guitars are used for light and shade, guitars are channeled through chorus pedals, pianos and organs alternate with the occasional wash of strings, and the entire thing feels bigger and bolder than before…

Stick To Your Guns hold a mirror up to society's ills without blurring its ugliness. In an attempt to unapologetically trumpet real change, the Southern California quintet - Jesse Barnett (vocals), Andrew Rose (bass), Adam Galindo (drums), Chris Rawson (guitar), and Josh James (guitar) - never shy away from speaking or screaming unpopular truths from the purest place. Founded in 2003, Stick To Your Guns have always written and performed with a sense of urgency, their socially conscious message hitting as hard as their signature hybrid of hardcore, punk, and metal. After releasing on many acclaimed labels such as Century Media, Pure Noise, and End Hits, 2025 sees the release of their new album on SharpTone Records. This partnership promises to bring their potent blend of activism and music to an even broader audience, amplifying their call for change and social justice.

As the title implies, this McCoy Tyner release is a low-key, after-hours affair. Far removed from the intensity of work with then-boss John Coltrane, Tyner stretches out on a fine mix of standards and bebop classics. The pianist, of course, always had his own fleet and rich way with ballads, in spite of the galvanizing marathon solos he became known for on live dates and his later experimental recordings with Coltrane. His ballad style is even touched with a bit of sentimentality, which thankfully is kept in check by a bevy of tasteful lines. Backed by the topnotch rhythm tandem of bassist Steve Davis and drummer Lex Humphries, Tyner finds the room to develop classic statements on highlights like Monk's "'Round Midnight," Ellington and Strayhorn's "Satin Doll," and Parker's "Star Eyes." On more easeful tracks like "For Heaven's Sake," Tyner utilizes his block chord approach to meditative and romantic effect…

Present From Nancy (1970). 2008 digitally remastered and expanded edition of the Dutch Prog Rock quartet's debut album, originally released in 1970. Featured on the soundtrack of the film Control (the Ian Curtis/Joy Division bio-pic), interest in the band is at an all time high. Led by keyboardist Robert Jan Stips (later of The Nits), Inspired by the work of Soft Machine and Caravan, the group recorded a quartet of master works. Eccentric, accomplished and unique, Supersister could run circles around almost any other band of the era.
To the Highest Bidder (1971). First ever UK CD release for this classic album from the masters of Dutch prog rock. Remastered from the original tapes, with four bonus tracks. Recently featured in the soundtrack of the film Control about Joy Division, Supersister were one of the most original groups to emerge in Holland in the late 1960s…

2012 collection from the New Wave icons compiled by German Electronic duo Blank & Jones. Features remixes and album versions of their biggest hits including 'Do You Really Want to Hurt Me', 'Miss Me Blind', 'Karma Chameleon' and many others.
Few new wave groups were as popular as Culture Club. During the early '80s, the group racked up seven straight Top Ten hits in the U.K. and six Top Ten singles in the U.S. with their light, infectious pop-soul. Though their music was radio-ready, what brought the band stardom was Boy George, the group's charismatic, cross-dressing lead singer. George dressed in flamboyant dresses and wore heavy makeup, creating a disarmingly androgynous appearance that created a sensation on early MTV…

Mighty Mo Rodgers (real name Maurice Rodgers) was born in Indiana where his father owned a club that featured blues performers. When Rodgers wasn't studying classical piano he was checking out the blues artists that played there. Growing up, Rodgers was deeply affected by the mid-'60s soul music from the Memphis-based Stax label. Using Stax as an influence, Rodgers started his first band while in high school called the Rocketeers. Upon entering Indiana State College, Rodgers fronted another band, the Maurice Rodgers Combo, playing Wurlitzer piano and incorporating originals with cover versions of popular songs from the era. He finally decided to quit college, move to L.A., and give music his full-time attention…

CD reissue of the debut album from the British Blues legends featuring 10 bonus tracks. Recorded live at the Marquee Club in 1964, the line-up of the band was their best-ever and featured Eric Clapton, Chris Dreja, Jim McCarty, Keith Relf and Paul Samwell-Smith.
Five Live Yardbirds was the first important - indeed, essential - live album to come out of the 1960s British rock & roll boom. In terms of the performance captured and the recording quality, it was also the best such live record of the entire middle of the decade. Five Live Yardbirds was a popular album, especially once Eric Clapton's fame began to spread after he left the band.

Bridgewater's heartfelt tribute to Ella Fitzgerald is a resounding testament not only to the legendary jazz vocal icon, but also to Bridgewater's own faithful singing style, rich in Ella's tonal quality particularly on the high end. Her inflections are also quite natural, rather than self-effacing or forced. Some of the tracks vary in group size, as duo (with Kenny Burrell), trio (with Lou Levy leading on piano), or combo (with Milt Jackson, Antonio Hart, Grady Tate, Slide Hampton, and brother Cecil Bridgewater). Nine of the total 13 cuts have big-band backing, or orchestral settings arranged and conducted by John Clayton. "Midnight Sun" is perhaps the best of all ballads, and here Dee Dee sings with ravishingly lush, near-frightening efficiency…

This 40th anniversary edition is a 4CD+2xDVD package. The album has been remixed by Steven Wilson, with his stereo mix appearing on the first CD. Three further CDs offer a host of unreleased recordings and a previously unreleased live concert performed in The Netherlands in March 1980.
Stormwatch marked the end of an era in Jethro Tull's history, as the last album on which longtime members Barriemore Barlow, John Evan, and David Palmer participated, and the final appearance of bassist John Glascock, who played on three of the cuts (Anderson supplied the bass elsewhere) and died following open-heart surgery a few weeks after its release. Anderson's inspiration seemed to be running out here, his writing covering environmental concerns ("North Sea Oil") and very scattershot social topical criticism ("Dark Ages")…

The basic core of tracks making up Brian Eno's Music for Films was originally assembled in 1976 for inclusion in a promotional LP of prospective cues sent to film directors. In early 1978, a bit before Music for Airports, Editions EG released Music for Films with little more than Eno's cryptic comment: "some of it was made specifically for soundtrack material, (and) some of it was made for other reasons but found its way into films." As with most things Eno, this led to a good deal of speculation and controversy. One filmmaker long ago stated, "All of that is crap - this music was never used in any films," and another film student who had tried out some of the cues: "this is the worst music for films ever. These cues don't synch to anything"…

Roxy Music release an expanded edition of their ground-breaking debut album to mark its 45th anniversary. The Super Deluxe Edition includes rare and previously unavailable material never-heard-before outside of Roxy’s inner circle. Audio includes the original album, BBC Sessions & In Concert performance, 1971 demo tape and ‘In-Session’ performances. Package also includes a 136 page hard-cover book including unseen photographers and memorabilia.
Falling halfway between musical primitivism and art rock ambition, Roxy Music's eponymous debut remains a startling redefinition of rock's boundaries. Simultaneously embracing kitschy glamour and avant-pop, Roxy Music shimmers with seductive style and pulsates with disturbing synthetic textures…

Bury Tomorrow have long been a jewel in the crown of British heavy music. Their last offering, The Seventh Sun, marked a turning point for the Southampton crew, almost a reset after a rocky period, and the beginning of an exciting new chapter. This rejuvenation can be felt on their brutal eighth studio album, Will You Haunt Me, With That Same Patience. It marks a brooding evolution, with the band taking a pitch-black dive into emotional collapse and catharsis, and possibly their their most captivating record yet.
Their sound has become even more expansive, for one thing. Opener To Dream, To Forget produces an eerie vibe, as a fast-paced drum’n’bass-ish beat slowly marches in before erupting into a gargantuan riff, and a song chomping at the bit…

The populist Dizzy Gillespie gets full rein in this lively, happy collection of tunes exploring rhythms and idioms from the Caribbean. Gillespie is in an ebullient mood, even offering some sly lead calypso vocals on three numbers (perhaps his lighthearted presidential "campaign" of 1964 contributed to the high spirits; the sessions began a day after Election Day). Much of the material comes from Dizzy's band on the session - which includes the formidable James Moody on tenor and flute, Kenny Barron on piano, and percussionist Kansas Fields - and there are some genuine calypsos by Joe Willoughby to round out the package. The cut with the biggest quota of fun is "Barbados Carnival," with guitarist Chris White doubling as a calypso singer, and the lengthy "Trinidad, Goodbye" offers the largest amount of straight-ahead playing.

5 years after the release of their debut album Amenophis re-formed with a slightly larger line-up including the addition of female vocalist Elke Moehrle who has a very distinct and kind sounding voice. Instrumentally "You and I" is a highly symphonic album and in many ways carries a sound not unlike the early Asgard albums… but more symphonic and not as dark. Musically this album is keyboard centric but does still capture some excellent guitar, bass and drum interplay. Album contains both instrumental and vocalized songs which adds a nice variety to the album. Overall a fine album with some well crafted and original songs.

Ethno-classical project Adiemus was spearheaded by composer/conductor Karl Jenkins, a longtime member of prog-rock innovators the Soft Machine. The concept originated as a piece Jenkins penned for Delta Airlines television commercial, its fusion of ethnic vocals and orchestral backing proving so popular with consumers that a full-length Adiemus album, 1995's Songs of Sanctuary, was created with the aid of vocalist Miriam Stockley and the London Philharmonic Orchestra. The record was a hit on both popular and classical charts.
The concept of the album was to create modern music using classical forms, such as rondo and ternary, and not individual songs. To further the universal aspect of the music, all the vocals are written as vowel and consonants sounds. The voice here is used as simply another instrument with which to make music and not to convey a lyric message…