To Our Children's Children's Children is the fifth album by the Moody Blues, released in November 1969. The album was the first released on the group's newly formed Threshold record label, which was named after the band's previous album from the same year, On the Threshold of a Dream. It was inspired by the 1969 Moon landing. Drummer Graeme Edge remembers, "It was a very exciting time. Man had just gone to the moon and we thought of the album as a sort of time capsule - all our thoughts and feelings about living in such an epoch-making era." Keyboardist Mike Pinder adds, "To me, we were creating a rocket for every person who wants to go to the moon but couldn't, and would get to do so with the earphones on or the stereo turned up, lying on their backs on the carpet." The album was one of those listened to, on cassette tape, by the crew of Apollo 15 in 1971.

Esoteric Recordings is proud to announce the release of a new re-mastered limited edition deluxe expanded boxed set of the classic album Ammonia Avenue by The Alan Parsons Project.
First released in February 1984, Ammonia Avenue was the seventh album by The The Alan Parsons Project, the brainchild of composer, musician and manger Eric Woolfson and celebrated producer and engineer Alan Parsons. The inspiration for the album title came from a visit Woolfson had made to the ICI Chemical plant in Billingham, England after meeting ICI chairman Sir John Harvey-Jones on a flight from New York. Upon visiting the plant, Eric Woolfson noticed a long street called Ammonia Avenue, devoid of people and trees and dominated by miles of pipes.
The album sessions featured the contribution of musicians such as Ian Bairnson (guitars), David Paton (bass), Stuart Elliott (drums) with Eric Woolfson playing keyboards and lead vocals on four of the album’s nine songs. Colin Blunstone, Chris Rainbow and Lenny Zakatek also provided lead vocals on the remaining songs. Ammonia Avenue would become one of the biggest selling albums for The Alan Parsons Project, attaining gold status in many European countries and the USA.
This deluxe edition comprises 3CDs, a Blu-Ray disc (NTSC / Region Free) and vinyl edition of a new stereo mix of Ammonia Avenue as two 12-inch 45rpm discs (cut at Abbey Road Studios). The set has been newly re-mastered from the original master tapes under the supervision of Alan Parsons and features an additional 53 bonus tracks drawn from Eric Woolfson’s song-writing diaries, studio session out-takes and stunning new 5.1 surround sound & stereo mixes from the original multi-track master tapes by Alan Parsons plus the promotional videos of ‘Don't Answer Me’ & ‘Prime Time’.
This stunning set also houses a lavish illustrated book with a new essay with unseen photos and features recollections from Alan Parsons, the Woolfson family and from musicians Ian Bairnson and David Paton. It also includes a reproduction poster and a reproduction press kit folder. This deluxe edition of Ammonia Avenue is the definitive treatment of a special album.

Former Clearlight's leader Cyrille Verdeaux comes back, after a too long absence. Dedicated to the planet's survival, "Messenger Of The Son" (1984) displays some lyrical and romantic streamings down of keyboards. His sense of melody reminds the best passages of "Visions". "Rhapsodies Pour La Planète Bleue", from which four titles are included on this welcome Musea reissue, have originally been recorded during the year 1986.

Taï Phong is a bit of an oddity, as it is a French band founded by Vietnamese brothers Kahn and Taï Ho Tong. The sound is comparable to Camel, and Novalis, but the most telling description is 'France's answer to Barclay James Havest.' The first incarnation came together in 1972, and included an American and a German (keep telling yourself this is a French band). They were in the process of recording, when contract disputes broke out. Because the brothers refused the terms (thus leaving them without a deal), the other two members left. Soon after, they would be replaced by keyboardist Jean Alain Gardet, and the now famous (or infamous) Jean-Jacques Goldman. Yes, he is the man responsible for several of Céline Dion's hits.

This band hails from Florida with influences of early Genesis and Gentle Giant as well. It was formed in 1976 by Rick Leonard, Rodney Best, Doroccas, J. David Boyko, and Gary Chambers. Excellent vocals by Doroccas are the stronger characteristics here. Hard Rock driven passages are constant on this unique album of this fabulous band. Babylon is firmly set in the ways of the classic 70's bands, with great analogue keyboard work and extraordinarily adept musicianship. They released only one album in 1978 and broke up that same year.

Semiramis is one of the most bizarre and talented one-album Italian acts from the 70s. Their prog offer is astonishingly "schizophrenic", since it is founded upon a trategy of brutal contrast between the very heavy (delirious guitar solos and riffs, red hot rhythm patterns) and the realms of acoustic sensibility (acoustic and classical guitars interludes, gentle drops on vibes, string synth layers). The musicianship is top-notch, flawlessly responding to the demands of the complex compositions and fast paced rocky sections. Semiramis' sound is reminiscent (to a certain degree) of Balleto di Bronzo, UT-era New Trolls, PFM and Metamorfosi, though you can tell that Semiramis has got a peculiar musical "insanity" of their own, an "insanity" that allows them to push the boundaries of sympho prog to extravagant levels of tension, contrast and dissonance.

Delivered in the wake of Phil Collins' massive success as a solo star, Invisible Touch was seen at the time as a bit of a Phil Collins solo album disguised as a Genesis album, and it's not hard to see why. Invisible Touch is, without a doubt, Genesis' poppiest album, a sleek, streamlined affair built on electronic percussion and dressed in synths that somehow seem to be programmed, not played by Tony Banks. In that sense, it does seem a bit like No Jacket Required, and the heavy emphasis on pop tunes does serve the singer, not the band, but it's not quite fair to call this a Collins album, and not just because there are two arty tunes that could have fit on its predecessor, Genesis.

Esoteric Recordings is pleased to announce the release of a 4 CD clamshell boxed set that gathers together all the recordings made for the classic “Potatoland” album by Spirit. The album was born in 1973 following the release of guitarist Randy California’s “Kaptain Kopter and the Fabulous Twirlybirds” album (made shortly after his departure from Spirit). To promote his solo album California assembled a band to tour featuring original Spirit drummer Ed Cassidy and bass guitarist Larry “Fuzzy” Knight. Initially playing concerts in the Los Angeles area, the trio recorded two live performances at the studios of KPFK-FM in September 1972. Soon after the trio reverted to the name Spirit to undertake live work in Europe. Following these concerts Randy California and Ed Cassidy began work on the album “The Adventures of Kapt. Kopter and Commander Cody in Potatoland”…

Live at WOMAD 1982 is a live album by the English rock musician Peter Gabriel comprising material from his 16 July 1982 performance for the first WOMAD festival, which took place at the Bath & West Showground in Somerset. The album received a digital release on 8 August 2025. It was a simple idea; to create a festival out of all the brilliant music and art made all over the world, stuff made outside of the mainstream – music that wasn’t getting on the radio and was even harder to find in record stores… the very first WOMAD Festival took place at the 240-acre Bath and West Showground, Somerset, UK over the weekend of 16–18 July, 1982. With the dream ‘not to sprinkle world music around a rock festival, but to prove that these great artists could be headliners in their own right’.

Melancholic and reflective, Kevin Ayers' third solo effort, Whatevershebringswesing (this time sans the Whole World as a collective), finds the ultimate underachiever languishing in a realm of ballads, free (for the most part) from the façade and pretensions of prog rock that plagued the previous project. Released in January 1972, Whatevershebringswesing was Ayers' most commercially accessible album to date. The opening track, the "There Is Loving" suite, was both apropos and deceptive. The song picks up nicely from the previous album, linked by its Soft Machine/prog rock sound and fronting the lyrics from the single "Butterfly Dance"; however, for the very same reason, this was a deceptive opener for an album that was far removed from the prog subgenre…

In Search of the Lost Chord is the album on which the Moody Blues discovered drugs and mysticism as a basis for songwriting and came up with a compelling psychedelic creation, filled with songs about Timothy Leary and the astral plane and other psychedelic-era concerns. They dumped the orchestra this time out in favor of Mike Pinder's Mellotron, which was a more than adequate substitute, and the rest of the band joined in with flutes, sitar, tablas, and cellos, the playing of which was mostly learned on the spot. The whole album was one big experiment to see how far the group could go with any instruments they could find, thus making this album a rather close cousin to the Beatles' records of the same era.