Talk about rockers rollin'! This fantastic four-CD set from the veteran British rockers includes all 75 of their A-sides (many of them being radio edits not available on the original albums) plus Jump That Rock (Whatever You Want), their 2008 collaboration with the German techno act Scooter. Love 'em or hate 'em, Status Quo have been rockin' the charts for four decades. While they remain living legends and rock icons in the U.K., Europe, South America, and elsewhere, they can't even get arrested in the States! The "hip" U.K. press love to take as many potshots at them as possible, which is all the more reason to loveQuo. But we all know that, deep down (deeper and down), those critics probably have a soft spot for quite a few of Quo's hits but will never admit to it in public. At any rate, the band has always managed to maintain a certain quality level that may not always touch the stars, but, at the least, will always rock the house!

Every man's death diminishes us all, but the death of a man so close to completing his greatest achievement and the summation of his life's work diminishes us all greatly – very, very greatly. When Emil Gilels died in 1985, he had completed recordings of most but not all of Beethoven's piano sonatas, released here in a nine-disc set. What's here is unimaginably good: superlative recordings of 27 of the 32 canonical sonatas, including the "Pathétique," "Moonlight," "Waldstein," "Appassionata," "Les Adieux," and the majestic "Hammerklavier," plus the two early "Electoral" Sonatas and the mighty Eroica Variations. What's missing is unimaginably priceless: five of the canonical sonatas, including the first and – horror vacui – the last. But still, for what there is, we must be grateful. Beyond all argument one of the great pianists of the twentieth century, Gilels the Soviet super virtuoso had slowly mellowed and ripened over his long career, and when he began recording the sonatas in 1972, his interpretations had matured and deepened while his superlative technique remained gloriously intact straight through to the last recordings of his final year.

Digitally remastered 3 CD set containing three classic albums from the Canadian Rock veterans: Wheatfield Soul (1969), Canned Wheat (1969) and Shared The Land (1970). What makes Wheatfield Soul so sought after is inventive themes that found their way onto later albums. 'These Eyes' remains timeless; it is the song that stands out as the masterpiece on this creative album. Canned Wheat introduced several of the bands most remembered songs and still sounds incredibly fresh, a product from the days of Classic Rock. Recorded in the aftermath of Randy Bachman's departure, Share The Land was a better album than anyone expected. It was the biggest selling original album in their career. Burton Cummings is in excellent voice and the new double lead guitar team of Kurt Winter and Greg Leskiw gave the band a greater range than they had before.

3 CD deluxe editon set of 2008 release of Bob Dylan Vol. 8 Tell Tale Signs: The Bootleg series with rare and unleashed material from 1989 - 2006. A treasure-trove of 39 songs spanning 3 discs, Tell Tale Signs features previously unreleased recordings and alternate versions of tracks from sessions which generated some of Bob Dylan's most acclaimed and commercially successful albums from the last two decades, including Time Out Of Mind, 'Love And Theft', Modern Times and Oh Mercy.

The contents of the EMI box are too numerous to list but all the sonatas, variations, and most short pieces are here: absent is the London Sketchbook, which is trite juvenalia.

2002 box-set featuring the Cranberries first four studio albums. Each of the four discs contains one of the Cranberries' albums from the decade, Everybody Else Is Doing It, So Why Can't We?, No Need to Argue, To the Faithful Departed, and Bury the Hatchet, followed by five or six bonus tracks that were released originally as single B-sides, remixes, or on various-artists albums. Four standard jewel cases housed in a slipcase.

For fans of Sviatoslav Richter, it does not much matter if the sound is not all that great and it does not much matter if the repertoire is the same repertoire as always. It does not even matter much if the performances are not the greatest Richter ever recorded. For fans of Sviatoslav Richter, the only thing that matters is that there are new Richter recordings because that all by itself means that they will be some of the greatest performances of the greatest repertoire ever recorded. And this five-disc set of Sonatas by Beethoven, Schubert, and Liszt does not disappoint. With recordings dates from 1961 through 1975 and recording venues all in the USSR and its empire, the sound is hard and harsh. But with repertoire ranging from the last three Beethoven Sonatas through Schubert's last Sonata to Liszt's only Sonata, the music has the supreme masterpieces of the Romantic repertoire. And while there are Richter performances here and there that may arguably exceed these, Richter's performances here are as virtuosic, as expressive, as profound, and as transcendent as any he ever recorded. Which makes them some of the greatest performances of the greatest repertoire ever recorded.

Portraits is a three-disc, 61-track box set covering Emmylou Harris' entire career for Reprise and Warner Records, which spans from 1974 to 1992. Not only does the box select highlights from classic albums like Luxury Liner, Roses in the Snow, and Blue Kentucky Girl, but it also features her early duets with Gram Parsons and selections from the Trio album she recorded with Dolly Parton and Linda Ronstadt. Portraits doesn't dwell too long on unreleased material – there are only five unearthed tracks on the entire set – preferring to sketch out a full overview of her career. While there might be a few favorite tracks missing, the box nevertheless fulfills its goals quite nicely – anyone looking for a comprehensive compilation of Emmylou's career will not be disappointed.

Firma Melodiya presents a set of rare recordings by Emil Gilels.The world knows many talented pianists and a few great masters who tower above them all. Emil Gilels is one of them. The titans of piano like Gilels are borne once in a century. Those were the kind of reviews that accompanied Gilels throughout his pianistic career beginning with his victory at the all-union competition in 1933 in Moscow. However, this set will open new sides to Gilelss repertoire even to those who is well acquainted with his recordings. We will hear Emil Gilels as an ensemble musician.The titan of piano, who roused the audiences and orchestras, was able to turn into a fine chamber musician, a wonderful ensemble partner as though he dissolved his brightest individuality in a piece he performed. The more so because Gilelss partners were truly brilliant soloists such as Yakov Flier and Yakov Zak (piano), Elizaveta Gilels (violin), musicians from the Beethoven Quartet Dmitri Tsyganov (violin), Vadim Borisovsky (viola) and Sergei Shirinsky (cello). The set features compositions from various periods.

2010 four CD anthology from the British Blues legend. John Mayall's band, The Bluesbreakers, were undoubtedly a hot-house for the British Blues scene in the late '60s and early `70s and it's quite staggering when you examine the roll call of floating members who served their apprenticeship with John Mayall including Jack Bruce, Eric Clapton, Mick Fleetwood, Peter Green, Keef Hartley, John McVie, Mick Taylor and Steve Winwood. This lavish box set contains 74 tracks, all newly remastered from the original master tapes, including five tracks released in Europe on CD for the first time. The 40-page booklet features sleevenotes by Mark Powell with rare and previously unseen photographs.

Cheap Trick may no longer be playing the stadiums that the group's monumental talent surely warrants, but they do have one of the most loyal cult followings in all rock & roll. Thus, when Epic Records decided to release a four-disc box set celebrating the quartet's 20th anniversary with the label, someone there was smart enough to let the band put together a collection for the collectors. Which means 32 of the 64 tracks here are previously unreleased, including many live cover tunes (Beatles, Velvet Underground), demo takes, and a few things only a fan would want. Some hits are here (including "Surrender"), but, as a good example, there's no "He's a Whore," which Cheap Trick probably figured their fans should already own.

The organ can often take a back seat in the pecking order of great Jazz instruments but underappreciate it at your peril. The likes of Jimmy Smith, Jack McDuff, Booker T and Ray Charles, to name but a few, made the instrument their own while crafting jazz cuts of dazzling brilliance.

Rarely has the primal excitement of the electric blues guitar been so voraciously and expertly illustrated on one compilation than on Screaming And Crying, renowned British blues buff Neil Slaven s monumental homage to the music which shaped both his life and a whole generation. Over three discs and 75 tracks, the set straddles the spectrum of the electrified blues which fuelled the British R&B boom of the 1960s and beyond, mixing much-feted names such as Chuck Berry and Bo Diddley with more deliciously obscure outings by the likes of Doctor Ross and Guitar Shorty. Slaven s liner notes outline the story behind the roughshod classics which bust out of the set, whether screaming with the joy of musical release, or crying in a pool of despair, both amplified through jacked-up guitar strings.

This luxury bounded box (13x13x2″) contain 12 CD for a total of 236 tracks, almost all the live tracks recorded by Billie Holiday along her career. It’s an essential item for those who want to explore this side of her discography. It contains almost all the tracks mentioned below in this live discography.

A much-needed look at an overlooked side of the genius of Quincy Jones – not his jazz work, not his productions for famous soul artists, but instead his huge legacy of soundtrack material – a part of Q's career that really took off in the 60s! By the time he started working in films, Jones had already had a decade under his belt as one of the hippest arrangers, leaders, and composers in jazz – and the film business really respected those talents, and allowed Quincy to bring some really fresh styles into play – modes that really opened up the vibe of American cinema, and also paved the way for the funky styles of the 70s! As that decade approached, Jones left behind the cinema to take on some more higher-profile records of his own – but all the charms of those great albums can be found here at their roots – in this stunning collection of soundtrack material, some of which has never been on CD. The package is way more than just a sampler – and includes an album's worth of material from the films The Pawnbroker, Slender Thread, Mirage, The Deadly Affair, In The Heat Of The Night, In Cold Blood, Walk Don't Run, The Italian Job, Lost Man, and John & Mary – plus two versions of the love theme from The Getaway, and a bonus CD with 18 tracks – titled Q's highlights, and featuring tracks from his Mercury records – plus more by Billy Preston, Arthur Prysock, Bill Cosby, Shirley Horn, Letta Mbulu, Toots Thielemans, and others. Even features the "Sanford & Son" and "Ironside" themes!