This 4 CD box set includes a Joe Jones track with Sonny Phillips on organ, a Rusty Bryant track with Melvin Sparks on guitar, a Richard "Groove" Holmes track with Gene Edwards on guitar and Houston Person and Gene Ammons tracks with Sonny Phillips or Leon Spencer on organ. George Freeman plays guitar on one of the Gene Ammons tracks. Also includes a Charles Earland track, a Shirley Scott track and two Eddie "Lockjaw" Davis tracks with Shirley Scott on organ, a Jack McDuff track, a Willis Jackson track with Pat Martino on guitar and Joe Hadrick on drums, a Willis Jackson/Jack McDuff track with Alvin Johnson on drums, and a George Benson track with McDuff on organ.

It's an archetypal story of the modern record business two guys with a dream running their nascent label out of a West Hollywood garage in the summer of 1962. The label quickly gains momentum and eventually becomes one of the most important record companies the world has ever seen. The two guys were Herb Alpert and Jerry Moss, the A and the M in A&M Records. By the way, it was Alpert s garage and that first hit was The Lonely Bull, performed by Herb Alpert & the Tijuana Brass. And this year the two record men and UMe are celebrating the 50th Anniversary of their label. As part of the celebration, UMe is releasing A&M 50: THE ANNIVERSARY COLLECTION. A 60-track, 3-CD set curated by Alpert & Moss, THE ANNIVERSARY COLLECTION perfectly illustrates what a potent effect the legendary label is still having on contemporary popular music. We wanted to make good records, says Herb Alpert, reflecting on the label s genesis. That was our goal. We felt if we made good records there would be an audience. Herb and Jerry s dedication to development resulted in some of the biggest superstars in music ever: Joe Cocker, Procol Harum, Quincy Jones, Billy Preston, Cat Stevens, Carpenters, Peter Frampton, Supertramp, Jeffrey Osborne, Styx, Bryan Adams, Joe Jackson, the Police, Sting, Janet Jackson, Suzanne Vega, Sheryl Crow, Soundgarden, and so many more.

Larkin Poe's new album "Bloom" sees the dynamic sister duo venturing further along on their evolving musical journey with a collection of songs that resonate with introspection, authenticity, and a profound connection to their roots in American music. Produced and largely co-written by Megan, Rebecca, and Tyler Bryant, the album marks a significant evolution for Larkin Poe, reflecting a synergy that extends beyond mere musical partnership. Already hailed for the sincerity of their songcraft, the Lovell sisters now place an even greater spotlight on their gift for storytelling, delving deep into personal narratives with universal themes of self-acceptance and individuality against a backdrop of contemporary blues and rock influences. With their distinctive blend of masterful instrumentation and soulful harmonies, each track unfolds like a chapter, with lyrics that wind deeper and deeper towards the heart of Larkin Poe.

Larkin Poe's new album "Bloom" sees the dynamic sister duo venturing further along on their evolving musical journey with a collection of songs that resonate with introspection, authenticity, and a profound connection to their roots in American music. Produced and largely co-written by Megan, Rebecca, and Tyler Bryant, the album marks a significant evolution for Larkin Poe, reflecting a synergy that extends beyond mere musical partnership. Already hailed for the sincerity of their songcraft, the Lovell sisters now place an even greater spotlight on their gift for storytelling, delving deep into personal narratives with universal themes of self-acceptance and individuality against a backdrop of contemporary blues and rock influences. With their distinctive blend of masterful instrumentation and soulful harmonies, each track unfolds like a chapter, with lyrics that wind deeper and deeper towards the heart of Larkin Poe.

Because The Wonderful Sounds of Female Vocals is a sampler, some music lovers may turn up their noses at the thought of mixing Ella Fitzgerald and Joan Baez on the same disc. For others who may not want to buy all the full-length albums (many double-LP sets) represented here, the compilation functions as a godsend. Analogue Productions owner Chad Kassem did a remarkable job of selecting the collection’s 22 excellent tracks, which range from classic performances to those that are merely pretty damn good. Kassem is no dummy, and I’m sure he thought that once buyers sample the bait here, the hook will be set for the sale of lots of reissue copies of the original albums—most mastered and released by Analogue Productions.

Cardiacs first full-length album gets four disc reissue. Influential British art rock band Cardiacs are to have their debut studio album A Little Man And A House And The Whole World Window, catalogue number ALPHLP007, reissued through The Alphabet Concern label on September 6, 35-years after it’s original release. The new reissue features in a casebound book set has four bonus discs featuring a remastered show from London's Town and Country Club in 1987, all of the BBC radio sessions, the complete studio sessions and a previously unreleased version of Gina Lollabrigida where Tim Smith can be heard counting the players in from the top.

EXCEPTIONAL 1975 TOUR BROADCAST RECORDING\n• Following the release of their debut album in August 1973, Lynyrd Skynyrd\x27s fan base continued to grow rapidly, partly due to their opening slot on the Who\x27s Quadrophenia tour in the United States. Their 1974 follow\-up, Second Helping, featuring Ed King, Allen Collins and Gary Rossington all collaborating with Ronnie Van Zant on the songwriting, cemented the band\x27s breakthrough. Its single ‘Sweet Home Alabama’, reached #8 on the charts that August. Second Helping reached No. 12 in 1974, eventually going multi\-platinum in July of that year.\n• By 1975, personal issues began to take their toll on the group; in January, drummer Bob Burns left the band after suffering a mental breakdown during a European tour and was replaced by Kentucky native and former US Marine Artimus Pyle. The band\x27s third album, Nuthin\x27 Fancy, was recorded in 17 days and released in March ’74 to great success, being Skynyrd’s first to reach the US Top Ten. Midway through the Nuthin\x27 Fancy tour, guitarist Ed King abruptly left the band after falling out with Van Zant. Van Zant and King\x27s guitar roadie was arrested the day before and spent the night in jail. With his guitar roadie unavailable, King played that night\x27s show with old strings that broke and caused his performance to be substandard, and Van Zant subsequently belittled him in front of his bandmates.\n• The tour was the group’s first to venture outside the US, and included many dates across Europe throughout November and December 1974, but they returned back to the States for Christmas. The jaunt continued in the New Year on their home\-turf however, and during this leg, Skynyrd’s finest show took place at Winterland in San Francisco on 27th April ’75, featuring the band at the top of their game. It was also one of the last shows featuring the original three\-guitar line\-up, Ed King left, as noted above, shortly thereafter.\n• Previously unreleased, this entire concert is now available on this new CD.

Dakar (1957) presents half-a-dozen numbers recorded April 20, 1957 by an ensemble credited as the "Prestige All-Stars." On the bandstand for this date are John Coltrane (tenor sax), Cecil Payne (baritone sax), Pepper Adams (baritone sax), Mal Waldron (piano), Doug Watkins (bass), and Art Taylor (drums). Although at the time these were considered "leaderless" units, upon hearing the interaction of the participants, modern ears might desire to qualify that statement.

Celebrating the first anniversary of their latest album, Stereo Mind Game, Daughter announces Live at Middle Farm Studios, a 7-track filmed performance. The session sees the trio of Elena Tonra, Igor Haefeli and Remi Aguilella return to the intimacy of Middle Farm Studios near Dartmoor, England – where much of Stereo Mind Game was recorded – to perform those songs live for the first time, including the singles ‘Be On Your Way’, ‘Party’ and ‘To Rage’.

Thanks to co-producer Chris Jenner for devotion above and beyond; to Keith Hughes for his vast knowledge and research and to our Motown buddies over the pond, Harry Weinger and Andrew Skurow as well as Daryl Easlea and Lisa McErlain here in the UK. Mastered by Gary Moore at Universal Studios, London. Analogue-to-Digital transfers from the original Motown master tapes by Kevin Reeves at Universal Mastering Studios-East. Designed at Bold, London. Special thanks to Silvia Montello. This compilation (P) 2007 Spectrum Music (C) 2007 Spectrum Music.

Sold with Mojo January 2025 (#374). Not for resale.

The very essence of Sunday morning listening, Make Music: Folk Funk Flavours & Ambient Soul is a superbly nuanced collection of spacious, mellow soul cuts from the early '70s – the set's subtitle speaks volumes about the scope and effect of the grooves therein. Unified by their acoustic guitars, gently bubbling basslines, and sweetly funky rhythms, the songs document a more intimate and empathetic side of Black Power-era soul, far more personal than political but no less impassioned – as compiler John Stapleton writes in his excellent liner notes, the music evokes contemporary acts like Zero 7 and 4hero, reflecting an "increasing interest in and return to the song…re-exploring the same roots of folk, blues and country, and quieter ways to make music." Excellent stuff throughout, with highlights including Minnie Riperton's ravishing "Les Fleurs," Bill Withers' "You," and Al Wilson's "The Dolphins."

A wonderful view of what is "American" in contemporary American music from an Italian producer's perspective, with a nice cover photo of Joey's Navajo Cafe and Dining Room framed by several pickup trucks parked outside. Including rhythmic-based music and sound-text rhythms from ordinary speech (Allen Ginsberg's works), some dreamy electronic music by Pauline Oliveros, and solo jazz by Steve Lacy, this is an interesting collection of new recordings and reissues of tracks from out of print or hard to get vinyl releases. The recording contains Allen Ginsberg's "Hum Bomb" (1992), Steve Reich's "Music for 18 Musicians" (live, 1976), Michael Galasso's "Baroque" (live, 1992), Ben Neill's "Bal," John Cage's "Third Construction" (from a 1983 Italian studio recording), David Behrman's "A Traveller's Dream Journal (EWR-LAX)" (1992), Pauline Oliveros' "A Woman Sees How the World Goes With No Eyes" (from the Lovely Music release Crone Music), Steve Lacy performing Thelonious Monk's "Pannonica," John Zorn and Andrea Centazzo's "First Environment for Sextet" (recorded in New York on WKCR radio in 1978 and appearing on Environment for Sextet released by Ictus Records), and Allen Ginsberg's "Father Death Blues."

Released in 1999 by Startel Entertainment. Featuring 60s, 70s, 80s, 90s best singles. Features: The Hollies, The Animals, Fleetwood Mac, Daryl Hall & John Oates, Simple Minds, Lou Reed and many more.

Ce coffret regroupe l'intégralité des enregistrements de Jean Ferrat de 1960 à 1972. Depuis son éclosion à son avènement on découvre, chanson après chanson, l'itinéraire d'un géant. À partir de 'Ma môme' (1960) et 'Deux enfants au soleil' (1961), premiers succès discographiques, Jean Ferrat ne va plus cesser de marquer l'histoire de la Chanson Française. Au moment où il signe chez Barclay, en pleine vague yéyé, il écrit et compose 'Nuit et brouillard' (1963). Porté par ses convictions humaines et littéraires il s'engage dans une ouvre résolument fraternelle et poétique où 'La Montagne' (1964), 'Potemkine' (1965), 'Heureux celui qui meurt d'aimer' (1967), 'Ma France' (1969), 'Camarade' (1969), 'Aimer à perdre la raison' (1971) et bien d'autres l'installent au sommet de notre patrimoine musical et dans le cour de millions de français.