Issued in a top-opening glossy gatefold jacket with fold-out panels and two spines. Right panel has a poem written by Taylor on one side and a photo strip with four unique photos on the other. Includes a gatefold lyric booklet with a pocket to hold the record, which is in a clear plastic sleeve.

Issued in a top-opening glossy gatefold jacket with fold-out panels and two spines. Right panel has a poem written by Taylor on one side and a photo strip with four unique photos on the other. Includes a gatefold lyric booklet with a pocket to hold the record, which is in a clear plastic sleeve.

Richard O'Brien - The Rocky Horror Show (Richard O'Brien's Original Demotape Recordings) These original demo recordings, all including Richard O'Brien's commentary storyline, were originally recorded for presentation to The Royal Court Theatre as an outline of the songs and storyline for The Rocky Horror Show. The recordings secured him the gig Upstairs at The Royal Court Theatre and the rest was history. - The Rocky Horror Show is the longest continuously-running contemporary musical anywhere in the world. Seen by millions, it continues to delight audiences on it's sell-out international tours.

History of "Get Back" Bootleg (Revised) For over 20 years, the collecting public has been fed a continuing stream of bootlegs drawn from the Twickenham sessions. These have usually been chopped up, placed out of sequence, and presented in inferior sound quality. Of course, bootleggers can only work from material at their disposal, and in the beginning the only material available was the film "Let It Be". The first Twickenham material to appear, then, came from the soundtrack of the film on a double album called "Cinelogue: Let It Be", which was released in February, 1974 by Contra Band Music. Of course, this was back in the days before home video, so fans were more delighted to be able to enjoy the "Let It Be" soundtrack on record! The release of the "Let It Be" videotape in 1982 provided a new audio source, and bootlegs produced after that date were mastered from the video soundtrack rather than film. The first of these was "In a Play Anyway", a 2 LP set on Circuit Records (matrix number TWK 2262). A further reissue by Beeb Transcri- ption Records (on a new plate TR-2170) was titled "The Last Blast". It was released in 1988 and it's sound quality is slightly inferior. Of course, most of the film soundtrack from Twickenham is completely useless because longer source tapes have surfaced.

2018 five CD collection. The Best 80s Groove Album contains the defining tracks of the soul genre. Including Aretha Franklin, Wham!, S'Express, Billy Ocean, Marvin Gaye, Whitney Houston, Luther Vandross, Donna Summer, Deniece Williams and many others.

When Sun Ra released his debut Saturn release in 1957, he signaled the Arkestra’s mission for the future. The cover declared the album a "21st Century Limited Edition." The compositions on Supersonic Jazz conveyed optimism and hope, bringing a message auguring the World of Tomorrow. Ra declared this the first dimension of a fresh art form, as he set about evolving a new American music — a composite of the past and future, the known coalescing with the unknown. The album, not very well received upon release, reveals a vibrant universe of sound, with highly developed arrangements and sophisticated musicianship, especially Ra’s innovative keyboard work and John Gilmore’s astonishing tenor sax solos. Official expanded 2xLP / 2xCD edition features 14 tracks of alternate versions and studio takes, and the CD contains an additional four bonus tracks. Liner notes by avid Sun Ra fan Ira Kaplan of Yo La Tengo, and additional essay from longtime Ra blogger Rodger Coleman (NUVOID Sun Ra Sundays). Vinyl includes a 12x12 insert reproduction of the alternate Saturn jacket art.

Our mission at Complete 60s Records to collect every U.S. pop instrumental hit of the 1960s produced three spectacular box sets, but when we found it impossible to go forward past 1962, collectors demanded we turn back the clock to 1959, another great year for instrumentals. So now, on two jam-packed CDs, we have collected every charting U.S. pop hit from 1959 in sparkling fidelity, all 66 of them! Nearly a third of these (21) are CD debuts, tracks that appear on CD for the first time ever.Even more exciting, Complete Pop Instrumental Hits of 1959 sports EIGHT iconic 1959 songs in real STEREO for the first time. These aren't just minor hits, but the biggest hits of the year in spectacular new STEREO that will knock your socks off. Check out the sound samples available elsewhere (search for CD Title + Listen). You won't believe your ears!

"For the second time in a matter of weeks, here we have an opportunity to hear more from guitarist Derek Bailey, this time performing with John Stevens. Neither man should need much by way of introduction: both were seminal figures in the world of free improvised music as it took shape in the 1960s and 70s. Thanks to Michael Gurzon’s recording, here they are, in 1989, performing together at The Duke of Wellington in London. The first track, ‘I’m Alright Actually’, begins with a series of slippery shapes, the noise-elements of Bailey’s guitar merging with those of Stevens’ percussion in a non-stop stream of invention. The music reaches a point of stasis before moving off into a series of angular shapes which give way to a stream of more slow-moving ideas. There is always a sense of restlessness though, a feeling that, at any moment, things might get more chaotic, which, inevitably, the do. The music ebbs and flows, but the inventiveness and the sense of restless energy is always there. A few seconds of applause have been left in at the end, which really captures the ambience of the venue (the same goes for both the other tracks, too). The second, ‘What’s the Time?’, begins with more spacious, harmonic-dominated ideas from Bailey, in dialogue with Stevens’ ‘pocket trumpet’. Almost seven minutes in, the music becomes more dense and agitated.

"For the second time in a matter of weeks, here we have an opportunity to hear more from guitarist Derek Bailey, this time performing with John Stevens. Neither man should need much by way of introduction: both were seminal figures in the world of free improvised music as it took shape in the 1960s and 70s. Thanks to Michael Gurzon’s recording, here they are, in 1989, performing together at The Duke of Wellington in London. The first track, ‘I’m Alright Actually’, begins with a series of slippery shapes, the noise-elements of Bailey’s guitar merging with those of Stevens’ percussion in a non-stop stream of invention. The music reaches a point of stasis before moving off into a series of angular shapes which give way to a stream of more slow-moving ideas. There is always a sense of restlessness though, a feeling that, at any moment, things might get more chaotic, which, inevitably, the do. The music ebbs and flows, but the inventiveness and the sense of restless energy is always there. A few seconds of applause have been left in at the end, which really captures the ambience of the venue (the same goes for both the other tracks, too). The second, ‘What’s the Time?’, begins with more spacious, harmonic-dominated ideas from Bailey, in dialogue with Stevens’ ‘pocket trumpet’. Almost seven minutes in, the music becomes more dense and agitated.

The Life of a Showgirl is the upcoming twelfth studio album by the American singer-songwriter Taylor Swift. It is scheduled for release on October 3, 2025, through Republic Records. Swift created the album during the European leg of the Eras Tour in 2024, inspired by her life as an entertainer. She described it as a vibrant and lively project, departing from the bleak lyricism of its predecessor, The Tortured Poets Department (2024). Swift wrote and produced The Life of a Showgirl with the producers Max Martin and Shellback in Sweden, working with the duo for the first time since Reputation (2017). It contains 12 songs, including the lead single, "The Fate of Ophelia". The American singer Sabrina Carpenter is featured on the album's title track. Photographed by Mert and Marcus, Swift adopted a provocative, showgirl-inspired theme for the album, which journalists described as the most glamorous and flamboyant visual aesthetic of her career.

“The Persuaders! & Other Top Seventies TV Themes” is a 2-CD compilation released by Sequel Records in 1999, featuring iconic television themes from the 1970s, performed by leading orchestras and artists of the era.

This release includes the live recording of Suzanne Ciani’s quadraphonic sound performance held on 16 June 2023 in Rome.
On a stage raised above water and surrounded by four stone sphinxes, Ciani performed "Improvisation on Four Sequences" in the garden of Villa Lontana, responding to its natural environment. Using dials, knobs and patch cords, the “Diva of the Diode” engages in an elegant dance with the Buchla 200e to produce her groundbreaking electronic music, while always remaining true to her classically inspired sense of melody. This vinyl is QUARK encoded to play in both stereo and Regular Matrix quadraphonic sound. The digital version offers a two-channel master drawn from the same immersive recording. QUARK is made possible by dublab & the National Endowment for the Arts.

This release includes the live recording of Suzanne Ciani’s quadraphonic sound performance held on 16 June 2023 in Rome. On a stage raised above water and surrounded by four stone sphinxes, Ciani performed "Improvisation on Four Sequences" in the garden of Villa Lontana, responding to its natural environment. Using dials, knobs and patch cords, the “Diva of the Diode” engages in an elegant dance with the Buchla 200e to produce her groundbreaking electronic music, while always remaining true to her classically inspired sense of melody. This vinyl is QUARK encoded to play in both stereo and Regular Matrix quadraphonic sound. The digital version offers a two-channel master drawn from the same immersive recording. QUARK is made possible by dublab & the National Endowment for the Arts.

After two acclaimed disco-funk albums in Prism (2022) and Silver (2023), female Brooklyn-based trio Say She She—named in tribute to Nile Rodgers—return with Cut & Rewind, a record made for the dancefloor that remains socially conscious in its message. The prolific and ever-inspired Nya Gazelle Brown, Sabrina Cunningham, and Piya Malik joined forces once again with Orgone's Dan Hastie (keyboards), Sam Halterman (drums), Dale Jennings (bass), and Sergio Rios (guitar) at Killion Sound Studios in Los Angeles. Often brief, the recording sessions were driven by spontaneity and live energy. "We never record anything that we can't recreate live—it's the same thing when the three of us are up on stage that happens in the studio."

Originally released in March 1976 when members of Yes all concentrated on solo projects, Ramshackled featured some of the finest session musicians in Britain including keyboard player Kenny Craddock, guitarist Pete Kirtley and bassist Colin Gibson (both of whom had played with Alan in the short-lived bands Happy Magazine and Griffin in the late 1960s). The album also featured guest appearances from Jon Anderson and Steve Howe on the track ‘Spring-Song of Innocence’. This edition of Ramshackled has been newly remastered from the original master tapes and features the single versions of ‘Ooh Baby (Goin’ to Pieces)’ and ‘One Way Rag’ as two bonus tracks (issued on CD for the first time). The release also features an illustrated booklet and new essay making this the definitive edition of this wonderful album.