Though most new age music has rightfully been associated with the cynical postmodern business of sonic backdrop music of the 1980s, '90s, and early 21st century – it was originally an outgrowth of the spiritual adventurousness of the 20th, particularly during the late '60s and '70s. Light in the Attic presents the first overview of the genre from the private-press side; in other words, its most authentic expression, since the vast majority of the records surveyed here were released by artists who had no regard for economic remuneration.

Published by Documents (Membrane) in 2017. Featuring, Elvis Presley, Paul Anka, Pat Boone, Johnny Cash, Fats Domino,Cliff Richard, The Shadows and many more!

For Gustav Mahler's 150th birthday, EMI has assembled a 16-disc box set of his complete works, including not only the ten symphonies, Das Lied von der Erde, and the song cycles, but also the early cantata, Das klagende Lied, and the extant movement from the Piano Quartet in A minor, two works which arguably can be called Mahler rarities. Having all these pieces together in one large collection is undeniably a great convenience, and many will consider buying this set not only for that reason, but also for the historic nature of the recordings. The roster of conductors features such legends as Sir John Barbirolli, Otto Klemperer, Wilhelm Furtwängler, Bruno Walter, George Szell, and Jascha Horenstein, along with later Mahlerians, Klaus Tennstedt, Sir Simon Rattle, and Carlo Maria Giulini, all of whom left remarkable recordings that still are essential listening.

THE BRITISH INVASION: The British Invasion was the signalling event of a gigantic social change that progressed through the decade, a decade in which each year seemed to contain ten years' worth of changes. it was an effect of historical and technological changes outside the purview of a CD review. It may be seen partially as a sub-generation of youth wanting something new of their own rather than inheriting their older sibling's teen scene. In the U.S. some feel the assassination of J.F.K. is often seen as a catalyst. Though Beatlemania was an international phenomenon, it can't be completely discounted as a factor. When it happened it was sudden and it almost totally obliterated the previous pop scene. The few who survived (Gene Pitney, Lesley Gore, Jan & Dean, Beach Boys, Four Seasons, Elvis) mostly had a final big hit or two in '64 then remained in a diminished way never having a Top 10 hit again. Only the Beach Boys and Four Seasons got through relatively unscathed. Another part of the big change in 1964 was the rise of Motown which obliterated most older R&B acts as much as the British Invasion did pop, a fact that is often ignored.

Superb 24 track anthology of rare material by this Manchester based trio featuring the original 12 songs from their 1972 self-titled LP on the Indigo label plus a further 12 tracks from the band's archives with expanded line-up including haunting female vocals. Originally led by ex-Temperance Seven singer 'Whispering' Paul McDowell, Guggenheim's style of music straddled folk, pop-psych and vaudeville with stoner elements, making them a truly unique band. Comes with full band history penned by Pete Sarfas together with rare pictures etc. This is the first legitimate CD release and we are proud to offer such a well-crafted and delightful period piece that fully encapsulates the entire history of this little-known group.

With 1994, Nathan Evans delivers an album that is special on many levels. Because 1994 not only stands for the former postman's year of birth: Rather, the long player is a tribute to you, his fans. Evans stands for Scottish sounds and a lot of emotion. With his unmistakable style, he set course for our playlists, hearts and mindsets a few years ago, with the huge success of his debut. This Deluxe edition adds 5 bonus tracks to the 12-track original release! "It was really a pleasure to put my heart and soul into something I love. Seeing that you react so positively every time I release something makes me so happy!" - Nathan Evans

"Blues Unbound: Classics from the Lomax Archive (1941-1978)" is an unforgettable tour of the haunted landscape that gave birth to the blues, a story told through the work of such legendary figures as Muddy Waters. Fred McDowell and Lead Belly. Recorded between 1941 and 1978. these tracks are the perfect introduction to the wealth of world-changing sound that arose from the American South.

Con "Joanita" Joan Thiele ci consegna un’opera profondamente viscerale, un disco che vive di istinto e di emozioni, frutto di un viaggio personale e di grande spontaneità creativa, ogni brano indaga un’emozione. Per realizzarlo l'artista ha deciso di prendersi il tempo necessario per ascoltarsi davvero e lasciar fluire, in 14 tracce, ogni sensazione senza filtri. Il titolo richiama la sua parte più autentica, quella ragazzina con la chitarra elettrica che ha sempre trovato nel suono il modo più naturale di esprimersi. "Joanita" è un album che alterna momenti delicati a esplosioni sonore, fortemente ispirato, e con una chiara impronta internazionale e cinematografica che richiama più volte le suggestioni delle colonne sonore italiane. "Eco", il brano che Joan porta sul palco di Sanremo 2025, è un tassello essenziale di questo nuovo percorso, un’anticipazione della forza istintiva e melodica che pervade tutto il disco.

OFT MACHINE 'FLOATING WORLD LIVE' notes by Sid Smith An indispensable record of a band at the top of their game…
The arrival of guitarist Alan Holdsworth into the ranks of Soft Machine in December 1973 marked a significant change in tone and style for the venerable jazz-rock institution. Having started out as an experimental pop group in the mid-1960s, Soft Machine had undergone several changes not only in its personnel but in its music. By the early 1970s albums such as Third, Fourth, boasting long-form compositions in complex and adventurous arrangements, secured their reputation as the UK’s leading jazz-rock performers.

OFT MACHINE 'FLOATING WORLD LIVE' notes by Sid Smith An indispensable record of a band at the top of their game…
The arrival of guitarist Alan Holdsworth into the ranks of Soft Machine in December 1973 marked a significant change in tone and style for the venerable jazz-rock institution. Having started out as an experimental pop group in the mid-1960s, Soft Machine had undergone several changes not only in its personnel but in its music. By the early 1970s albums such as Third, Fourth, boasting long-form compositions in complex and adventurous arrangements, secured their reputation as the UK’s leading jazz-rock performers.

Strata-East: The Legacy Begins celebrates the revolutionary spirit of one of the most influential artist-owned independent jazz labels in history. This anthology, a partnership between Mack Avenue Music Group and Strata-East Records, brings together iconic tracks that embody Strata-East’s commitment to artistry and creative freedom. Featuring the explosive brilliance of Charles Tolliver and Stanley Cowell, the soulful expressions of The Heath Brothers, Charlie Rouse, Shamek Farrah, Pharoah Sanders, and more, the collection showcases cult classics from the label’s deep catalog while honoring the extraordinary artists who shaped its legacy. This release not only marks the launch of the partnership between Strata-East and Mack Avenue Music Group but also delivers the label’s highest-quality audio anthology, transferred directly from the original master tapes and available digitally for the first time. A reflection of Strata-East’s dedication to spiritual jazz and social consciousness, this compilation invites listeners to rediscover classics or experience them anew. Strata-East: The Legacy Begins celebrates the timelessness of this music while marking the start of an exciting new chapter.

In 1971 the ever-evolving Soft Machine entered yet another period of transition following the departure of one of their founding members, drummer Robert Wyatt five months after the release of their Fourth album in February 1971. His replacement was Phil Howard, who had come to the UK along with a wave of other top-drawer players from Australia and New Zealand in the 1960s and was part of Elton Dean’s group, Just Us. Whilst this decision may have been born out of necessity, Howard's arrival was a boost to Dean’s desire to move to a looser mode of expression, something he'd been doing since Fletcher’s Blemish (from Soft Machine’s Fourth) and their live blow-out, Neo Caliban Grides, which had been opening live shows of the day to startling effect.

Bittersweet White Light is the ninth studio album by American singer Cher. It is composed mostly of covers of American pop standards and was released in April 1973 by MCA both in the UK and the US. It was the last solo Cher album to be produced by Sonny Bono, then her husband and performing partner. While the album is a favorite among Cher fans critical reviews were mixed, and Bittersweet White Light was Cher's first commercial failure of the 1970s. Bittersweet White Light received mixed reviews from music critics. Rolling Stone said the album "consists entirely of ballad-rocked standards by Kern, Gershwin, etc., and should please the artist's TV fans.

Dopo "Berlinguer - La grande ambizione", IOSONOUNCANE presenta la seconda uscita e volume numero 7 della sua nuova collana "Il suono attraversato" - dedicata alla produzione dell’artista sardo dedicata alle musiche scritte negli ultimi anni per cinema, teatro e sonorizzazioni - "Lirica Ucraina", il documentario omonimo di Francesca Mannocchi. Francesca Mannocchi, una delle migliori corrispondenti di guerra in Europa, continua il percorso che l’ha portata a raccontare diverse zone di conflitto, dalla Libia al Libano, all’Iraq e, più recentemente, all’Ucraina. Lo fa con un documentario che parte dalle strade di Bucha, la città martire in cui la reporter è entrata solo due giorni dopo la liberazione dalle truppe occupanti russe.

The Americana Album That Started It All. Newly Remastered With 8 Bonus Tracks. 2 Tracks Never Before On CD. "It Is Generally Agreed That "So Rebellious A Lover" Was The First Americana Album. Before SRAL albums and artists were referred to as country rock, or acoustic or folk." All Music Guide "A sinewy and exquisitely polished jewel of folk/country that is driven by an abiding sense of care. A record for all times." New York Times. An exquisite pairing of talent, the duo of Carla Olson and Gene Clark apparently came out of casual living room sessions while Clark was preparing for another project. The feeling of spontaneity and closeness of spirit engulfs all of the cuts here. Olson's strident and powerful vocals mesh beautifully with Clark's slightly world-weary, soulful performances. As for the material, both songwriters obviously put their best foot forward here. Olson's "The Drifter" and "Are We Still Making Love" are excellent country-folk outings. Clark contributes one of his finest later compositions, "Gypsy Rider," a multi-leveled song that can easily be viewed as autobiographical. Excellent support is provided by an array of backing musicians, especially Stephen McCarthy (lap steel and dobro) and guest Chris Hillman (mandolin). The only sad thing is that So Rebellious a Lover was to be the only studio effort by the duo before Clark passed away in 1991. This record is important not only for what it is, but for what it could have become.