Living in a Fantasy is the last album to yield hits for Leo Sayer in America, closing out the terrific '70s run as the '80s began. A-ha/Bow Wow Wow/Squeeze producer Alan Tarney chooses to keep the production slick and sparse, the large mix of musicians who helped craft albums like Thunder In My Heart, Endless Flight, Here, World Radio, and others vanishes as the singer goes back to the pared-down format of his Just a Boy period. The big difference is that Sayer had gone beyond the singer/songwriter personality of those early recordings to having marquee value, as well as his own TV show. Songs here like "You Win, I Lose are bouncy pop, this one like five others composed by the singer and his producer.

Legendary lost solo album by veteran rock vocalist Peter Goalby. An 11-track album personally overseen (from tape transfer, mastering and artwork) by the former Uriah Heep and Trapeze vocalist. Peter Goalby was the lead singer of Uriah Heep, Trapeze and Fable but has now retired from the music industry after an illustrious career that also included time working with Shy, Tigertailz, John Parr and Slade.

A collection of songs performed by Norah Jones that did not appear on her studio albums. Norah Jones is an American singer, songwriter, and pianist. She has won multiple awards and her albums have sold more than 50 million records worldwide. Billboard named her the top jazz artist of the 2000s decade. She has won nine Grammy Awards and was ranked 60th on Billboard magazine's artists of the 2000s decade chart.

Swedish progressive rock band CAP OUTRUN was formed in 2007 by Andrée Theander (guitars) and Erik Wiss (keyboards) while they were studying music and sound production in Skara/Skövde. The band released a self-produced EP, “Influence Grind” in 2008 before going on a hiatus until Andrée and Erik decided to resurrect the band. Their goal was to develop a sound which could encompass their AOR and Melodic Rock influences with their Progressive Rock and metal influences, plus add in a few fusion elements. With a line up now featuring Chandler Mogel (OUTLOUD) on lead vocals, 24-year old prodigy Carl Tudén on drums (ex-Creye), and Linus Abrahamson on bass (ex-Constancia) Cap Outrun are now ready to unleash “High On Deception” on the world!

As a longtime member of one of the groups that helped create heavy metal (Deep Purple, for the uninitiated), it's understandable to expect a solo outing by bassist Roger Glover to be geared toward headbangers. But as evidenced by his fifth solo album overall, 2011's If Life Was Easy, Glover has opted to follow a bluesier, roots rocky path. Which is understandable, because the whole point of doing a solo album should be to step out from under Purple's high-decibel shadow. As a case in point, a pair of tunes feature Glover's daughter Gillian Glover on vocals: "Set Your Imagination Free" and "Get Away (Can't Let You)," with the former falling in "ballad" category while the latter is a blues-rocker with blaring horn work.

Hello, I Must Be Going! is the second solo studio album by English singer-songwriter Phil Collins. The album brought Collins his first nomination for British Male Artist at the Brit Awards in 1983. The album contains the cover version of The Supremes' hit "You Can't Hurry Love", one of Collins' best-known singles. Nine of the album's ten tracks made some sort of chart worldwide, although "You Can't Hurry Love" was the album's most significant hit. Other notable tracks include the modern-jazz instrumental "The West Side", and "Thru These Walls", a dark voyeuristic song about a man listening through the wall to his neighbours partaking in unseemly nighttime activities. The dark "I Don't Care Anymore" reached No. 39 in the U.S., giving Collins his first Grammy Award nomination for Best Rock Vocal Performance, Male in 1984.

"Almighty Dollar" heralds Rod Piazza's latest achievement in a career that spans well over four decades and twenty-five recordings. This time out, the Mighty Flyers rocket into the stratosphere as Piazza pilots his crew through another harp-fueled voyage propelled by some very special guests including Bay Area guitarist Rusty Zinn, Mississippi-bred bluesman Johnny Dyer, So Cal bassists Hank Van Sickle on upright and Norm Gonzalez on electric bass, along with saxophonist Jonny Viau from San Diego. In these tough economic times the power of the almighty dollar may not be what it used to be… but in the hands of Rod Piazza and the All Mighty Flyers you can rest assured that their music retains a value that is unequivocally built to last.

This is the stuff guitar heroes are made of. Henderson doles out everything from straight-up rock & roll to slow, nasty blues and twangy country on this album. The quality and clarity of the sound on this recording serve to enhance and complement Henderson's in-you-face guitar style too. The opening track "Hit the Bricks" is fairly weak, and there are a few others that don't necessarily light any fires (the title track and "Love Somebody"), but the rest of the CD smokes. The seven instrumentals include Henderson's favorite Link Wray song "Rawhide," and a twangy, two-part version of Duane Eddy's "Rebel Rouser." The Ventures medley is a true delight (he breaks out the whammy bar a bit). "Brandon's Song" features some double-lead guitar and sounds like something you might hear from Clapton.

Giant released their first studio album in 12 years, entitled Shifting Time, on January 21, 2022. Giant is an American melodic rock band that was formed in 1987. The band originally consisted of founding members Dann Huff (lead vocals and guitar) and Alan Pasqua (keyboard), and had Dann's brother David Huff on drums and Mike Brignardello on bass. The Huff brothers were part of the founding members of the Christian rock band White Heart. The band scored one hit, the 1990 power ballad "I'll See You in My Dreams", written by Alan Pasqua and Mark Spiro. Giant disbanded in the early 1990s after recording two albums, but resurfaced in 2000 minus Alan Pasqua and released the album III in late 2001.

On August 28, 1999, power pop masters Cheap Trick played a special show for fans at Davis Park in their hometown of Rockford, IL, to salute their 25th anniversary as a band together. The show included several musical celebrities making cameo appearances (as well as relatives of Cheap Trick bandmembers) and the inclusion of the Rockford Symphony Orchestra String Quartet on several tracks, while the 29-song set list dipped deep into the band's catalog – including at least one song from every album of their career thus far. The evening's proceedings have been captured on the 2001 double-disc Silver, the band's second live release in two years.

One would be hard-pressed to find a band more perfectly symbolic of the good-times politics-be-damned esprit de cannabis that symbolized a good chunk of 70's rock. While the Beach Boys were busy becoming an anachronism, the Doobs effectively took their mantle, fusing an array of musical Americana - be it blues, country, folk, or gospel - into a remarkably popular string of albums and radio hits by simply asking not much more of us than to "Listen to the Music." And if they didn't get much more controversial than to declare "Jesus Is Just Alright," well, that was kind of the point. This Rhino anthology is typically exhaustive. All the familiar radio hits are here, as well as a good sampling of deep catalog from the band's various line-ups, not to mention a few standout Tom Johnston and Patrick Simmons solo outings. Hardcore Doobie Bros. fans should be especially pleased by the fourth disc, which contains a wealth of outtakes and demos from the band's early '70s and '80s prime.

For the first time since a clutch of incomplete demos and outtakes were unearthed from Marc Bolan's mid-'60s vault in 1972, and sent into the world as the (hastily withdrawn) Hard on Love album, the compilers haven't simply recycled the 20 solo and T. Rex cuts that made up the original track listing, they have also scoured both private and record company collections for a full picture of every track Bolan recorded during 1966-1967 and, for the first time, brought his early years into the same vivid focus as his later career. The 20 songs that comprised the original Hard on Love/Beginning of Doves album, plus the "Perfumed Garden" bonus track appended to Retroactive's 1998 remastering, are now joined by a further 16 performances, including both alternate takes and previously unreleased songs.

The quirky synthesized noises of Swiss duo Yello have been dance club staples since the early '80s. Early recordings such as Solid Pleasure and You Gotta Say Yes to Another Excess were experimental but tuneful synth-pop experiments, combining Dieter Meier's bizarre vocals and Boris Blank's gurgling synthesizer effects to create distinctive, strange, yet compelling dancefloor anthems like "Bostich" and "I Love You." By the mid-'80s, Yello began to incorporate Latin rhythms into its sound, finding a larger U.S. audience along the way; the immortal "Oh Yeah," by far the duo's most recognizable song after being featured in Ferris Bueller's Day Off, The Secret of My Success, and countless commercials, even crossed over to the U.S. pop chart in 1987.

…Featuring Norah Jones is a compilation album by American singer Norah Jones that was released on November 16, 2010, by Blue Note Records. The album includes songs by other artists on which Jones is featured, including songs by her side bands The Little Willies and El Madmo. The album includes "Here We Go Again", a duet with Ray Charles, which won the Grammy Award for Record of the Year in 2005. The song "Little Lou, Ugly Jack, Prophet John" by Belle & Sebastian had only been released one month prior to the release of this album on the group's October 2010 album Belle and Sebastian Write About Love.

Robert William Gary Moore was a Northern Irish guitarist and singer-songwriter. During his teenage years in the 1960's, Moore played in the line up of a number of local Belfast based bands, before a move to Dublin, Ireland, after being asked to join the Irish band Skid Row, whose soon to depart lead singer, was one Phil Lynott. Later on, Moore could be seen playing in the likes of Thin Lizzy and British jazz-rock fusion band Colosseum II, as well as having his own, highly successful solo career split between the genres of heavy metal and blues. Moore shared the stage with such blues and rock musicians as B.B. King, Albert King, John Mayall, Jack Bruce, Ginger Baker, Albert Collins, George Harrison, and Greg Lake.