Greatest Hits is a compilation album by the British rock band Queen, released worldwide on 26 October 1981. The album consisted of Queen's best-selling singles since their first chart appearance in 1974 with "Seven Seas of Rhye", up to their 1980 hit "Flash" (though in some countries "Under Pressure", the band's 1981 chart-topper with David Bowie, was included). There was no universal track listing or cover art for the album, and each territory's tracks were dependent on what singles had been released there and which were successful.

The debut international long-player by the Bee Gees may shock anyone who only remembers them for their mid- to late-'70s disco mega-hits, or their quirky early-'70s romantic balladry. Up until 1966, they'd shown a penchant for melodic songs and rich, high harmonies, in the process becoming Australia's answer to the Everly Brothers. When the Bee Gees arrived in London late in 1966, however, they proved quick studies in absorbing and assimilating the progressive pop and rock sounds around them. In one fell swoop, they became competitors with the likes of veteran rock bands such as the Hollies and the Tremeloes, and this long-player, Bee Gees' 1st, is more of a rock album than the group usually got credit for generating.

This two-hour-plus compilation of the first five years of the history of John Mayall and his band the Bluesbreakers in their many permutations covers all the expected bases and then some. Eric Clapton, Peter Green, and Mick Taylor are all represented, but so are Bernie Watson and Roger Dean, both of whom preceded Clapton in the guitarist's spot in the band. What's more, they're not bad; they may not have been the assertive soloist that Clapton came to embody, but Dean plays a pretty hot solo on "Crocodile Walk," which was good enough to make the A-side of a single in 1965. Moreover, there was more to any of the Mayall bands than their guitarists, and Mayall's blues harmonica is showcased throughout, on tracks such as "Crawling Up a Hill" and "Blues City Shakedown."

Sting spent the entirety of his career studiously avoiding the appearance of having a good time, which is why his 2018 collaboration with reggae star Shaggy seemed so odd: at the age of 66, the rock star decided it was finally time to crack a smile. 44/876 – a collaboration named after the phone codes for their respective home countries – is most certainly a party record, albeit one that cooks at a low simmer as it swings between fleet-footed reggae sunsplash tunes and mellow grooves. If Sting seems subservient to Shaggy, that makes sense. Shaggy specializes in doing one thing well, while Sting took it as a point of pride that he could do anything from jazz to symphonies.

Relish can be a sharp, bittersweet condiment; it can also suggest a determined gusto to live to the fullest. Combined, these two images provide a good taste of Joan Osborne's major-label debut (the live Soul Show was self-released in 1992). Grounded in blues, soul, and gospel, the Kentucky native wields her gritty voice with personality and forceful presence, kind of Melissa Etheridge meets Sophie B. Hawkins with a splash of Jann Arden. Osborne's passion for life oozes from the grooves. There's an uplifting fervor to her material and delivery, as if every second, every note, was being individually savored.

Two classic easy-listening albums by Paul Mauriat and His Orchestra, originally released in 1965 on the Philips label, together on one CD and remastered from the original analogue stereo tapes for Vocalion's trademark crystal-clear sound. French composer/conductor Paul Mauriat is a classically trained musician who decided to pursue a career in popular music. His first major success came in 1962, as a co-writer of the European hit "Chariot." In 1963, the song was given English lyrics, renamed "I Will Follow Him," and became a number one American hit for Little Peggy March. Mauriat is best remembered for his 1968 worldwide smash "Love Is Blue."

Tapestry is the second album by American singer-songwriter Carole King, released in 1971 on Ode Records and produced by Lou Adler. It is one of the best-selling albums of all time, with over 25 million copies sold worldwide. In the United States, it has been certified Diamond with more than 10 million copies sold. It received four Grammy Awards in 1972, including Album of the Year. The lead single from the album — "It's Too Late"/"I Feel the Earth Move" — spent five weeks at number one on both the Billboard Hot 100 and Easy Listening charts. In 2003, Tapestry was ranked number 36 on Rolling Stone list of the 500 greatest albums of all time.

Following their massive 1986 European stadium tour for the A Kind of Magic album, Queen took an extended break. Rumors swirled about an impending breakup, but it turned out the break was brought on by a painful marital divorce for guitarist Brian May (who subsequently battled depression and contemplated suicide), and Freddie Mercury being diagnosed with AIDS. Instead of sinking further into misery, the band regrouped, worked on each other's mental state, and recorded one of their most inspired albums, 1989's The Miracle.

What I Did on My Vacation is an official compilation album from Ian Gillan, released in 1986 in UK by 10 Records. The album covers Gillan's recordings between 1977 and 1982 and was released in three formats (2LP, CD, MC). All songs from the album had been previously released. Although not credited on the cover, "Scarabus" is preceded by an instrumental piece by Colin Towns, which was used as the intro to "On The Rocks" (from the Glory Road album).

Mamouna is the ninth solo album by the British singer Bryan Ferry, released on Virgin Records in September 1994. The album name refers to a city in Morocco called Mamouna and means 'safe' in arabic. It was Ferry's first album of original material in seven years and he spent six years writing and recording it, under the working title Horoscope. The album peaked at number 11 on the UK Albums Chart. The album features contributions former members of Ferry's band Roxy Music, including Brian Eno who left the band in 1973.

Blonde on Blonde is the seventh studio album by American singer-songwriter Bob Dylan, released in mid 1966, on Columbia Records. Blonde on Blonde completed the trilogy of rock albums that Dylan recorded in 1965 and 1966, starting with Bringing It All Back Home and Highway 61 Revisited. Critics often rank Blonde on Blonde as one of the greatest albums of all time. Combining the expertise of Nashville session musicians with a modernist literary sensibility, the album's songs have been described as operating on a grand scale musically, while featuring lyrics one critic called "a unique mixture of the visionary and the colloquial". It was one of the first double albums in rock music. The album peaked at number nine on the Billboard 200 chart in the US, where it eventually was certified double platinum, and it reached number three in the UK. Blonde on Blonde spawned two singles that were top-twenty hits in the US: "Rainy Day Women #12 & 35" and "I Want You". Two additional songs—"Just Like a Woman" and "Visions of Johanna"—have been named as among Dylan's greatest compositions and were featured in Rolling Stone's 500 Greatest Songs of All Time list.

Norwegian pop trio A-ha has had their catalog revamped and repackaged a number of times since their inception in the 1980s, but 2016's Time and Again: The Ultimate A-ha brings their canon of hits up to date with the inclusion of material from each of their ten studio albums. The first disc of this set is generally concerned with their hits, beginning, appropriately, with the sunny synths of "Take on Me" and winding chronologically through the years to the sweeping orchestral ballad "Under the Makeup" from their 2015 LP Cast in Steel. The expected tracks like "Touchy!," "The Living Daylights," and their lush cover of the Everly Brothers' "Crying in the Rain" are all included alongside later-era cuts like 2000's "Summer Moved On," which was a number one hit in their home country. The second disc in the set is dedicated entirely to alternate mixes and remixes of their hits, some of which hold some historical value like Jellybean's previously unreleased 1986 remix of "Cry Wolf" and Justin Strauss' rare dub mix of "You Are the One."

Several years after the original art rock supergroup Colosseum disbanded, drummer Jon Hiseman formed Colosseum II, a more jazz fusion-oriented outfit featuring guitarist Gary Moore (Thin Lizzy) and keyboardist Don Airey. Their eclectic debut, Strange New Flesh, shows some impressive chops from all involved, with an emphasis on Moore's soulful guitar leads. Vocalist Mike Starr, while not an immensely engaging singer, does a nice job keeping up with Hiseman and bass player Neil Murray. Highlights include the technically showy but blissfully irreverent ode to Pink Floyd, "Dark Side of the Moog," a nice version of Joni Mitchell's "Down to You," and the funky "Gemini and Leo."

'Plays Live' was compiled from live recordings made at four venues across the American Midwest in late 1982. It is effectively a sign-off to the first phase of Peter Gabriel the solo artist. As such, it's a celebration of all that was achieved on that opening quartet of self-titled long-players, while also standing as confirmation that Peter was an engaged and engaging frontman. At the time, all bar one of the tracks would be familiar to the Gabriel completist, the exception being the previously unreleased 'I Go Swimming'. A studio vocal version of the song has still never been released. The touring band captured by the recordings consists of Peter, alongside Jerry Marrotta (drums and percussion), Tony Levin (bass and stick), David Rhodes (guitar) and Larry Fast (synthesizer and piano), whilst the iconic cover image of Peter in 'monkey mask' make-up was taken by long-time collaborator Armando Gallo.

Two classic easy-listening albums by Paul Mauriat and His Orchestra, originally released in 1966 and 1967 on the Philips label, together on one CD and remastered from the original analogue stereo tapes for Vocalion's trademark crystal-clear sound. French composer/conductor Paul Mauriat is a classically trained musician who decided to pursue a career in popular music. His first major success came in 1962, as a co-writer of the European hit "Chariot." In 1963, the song was given English lyrics, renamed "I Will Follow Him," and became a number one American hit for Little Peggy March. Mauriat is best remembered for his 1968 worldwide smash "Love Is Blue."