Not Too Late is the third studio album by American singer-songwriter Norah Jones, released on January 30, 2007, through Blue Note Records. It was produced by Lee Alexander, the songwriter and bassist featured on Jones's previous albums, Come Away with Me and Feels like Home. The album debuted at number one on the Billboard 200, making it Jones' third consecutive number one album.

Morgenstund is the tenth studio album of the music project Schiller created by the German electronic musician Christopher von Deylen. The album was released on 22 March 2019. On this album, Schiller has collaborated with the singers Nena, Tricia McTeague, Yalda Abbasi, Schwarz, Jhyve and Rebecca Ferguson, the musicians Giorgio Moroder and Jan Blomqvist and the music group Tangerine Dream. It was released in different editions, including the limited "Ultra Deluxe Edition".

If it feels as if Honk treads familiar ground, it's because it does. Arriving seven years after the career-spanning Grrr! – a compilation available in a variety of iterations, all spanning from the earliest years to the 2010s – Honk focuses squarely on the music the Rolling Stones made after leaving London/Decca, a catalog that now resides with Abkco. In other words, its ground zero is "Brown Sugar," a staple that arrives just after "Start Me Up" kicks off the double-disc set. Such sequencing indicates how Honk bounces through the years, letting the '70s sit next to the '80s, finding space for latter-day songs that only showed up on previous greatest-hits albums (there have been five since 1984), and shining the spotlight on such excellent latter-day cuts as "Rough Justice."

On Air is the second solo studio album by English rock musician Alan Parsons. The album's chief creative force was the Alan Parsons Project's long-time guitarist, Ian Bairnson. Its concept revolves around the history of airborne exploration. Musically, this album is somewhat different from Try Anything Once and the Alan Parsons Project albums, opting for more of a soft rock sound and a more stable band line-up rather than the funky rhythms, symphonic flares, or rotating vocalists of the past. The album follows the history of airborne exploration, from the mythological flight of Daedalus and Icarus to escape the labyrinth of the Minotaur in "Too Close to the Sun", through Leonardo da Vinci's search to design a flying machine, or ornithopter, in long-time Project drummer Stuart Elliott's "One Day To Fly", until finally mankind's aspirations for space exploration placed on the shoulders of a single astronaut in "So Far Away" and the subsequent superpower race to put a man on the moon in "Apollo", a track backed by John F. Kennedy's famous speech of 25 May 1961.

Mungo Jerry Gold, features all 8 of the bands top forty 70s hits across 3CDs. It includes the international hit 'In The Summertime', which topped the charts in over 20 countries around the world, going on to sell over 30 million copies world wide. The track is still regularly used and featured in TV adverts and films. The 45 tracks also include the band's second chart topper "Baby Jump", along with "Lady Rose" (No.5), "You Don't Have To Be In The Army To Fight In The War" (No.13), "Open Up" (No.21), "Alright Alright Alright" (No.3), "Wild Love" (No.32) and "Long Legged Woman Dressed In Black" (No.13).

Guitarist, singer, and songwriter Tom Principato has long been a regional star in Washington, D.C., Maryland, and Virginia. He has toured nationally around the U.S., Canada, and Europe, but often the venues are clubs. His particular blend of blues-rock is highly specific; jazz guitar master Pat Metheny said of Principato, "He has an enormous talent at telling stories in his solos; he doesn't play 'standard' licks." Raised in suburban Washington, D.C., his early guitar-playing heroes included Roy Buchanan and Danny Gatton. He listened to his parents' recordings by the likes of Chet Atkins and the Benny Goodman Sextet with Charlie Christian, and like a lot of kids, discovered the power of Chicago blues in his high-school years.

Even many serious Rolling Stones fans aren't aware that Bill Wyman issued a solo album in the early '90s, as Stuff initially came out only in Japan and Argentina. Like some other Stones projects of the time, it wasn't recorded in a concentrated dose, but pieced together from sessions dating back as far as September 1988. Even had it benefited from a worldwide release, however, it's hard to see how many fans – of the Rolling Stones or otherwise – would have taken to the record, for these are largely basic, repetitious funk-disco-dance-based tunes with a dated 1980s synthetic production. Wyman's thin, hoarse vocals don't help, and while it's possible these are intended more as satires of a trendy style or '80s stars like Prince than serious artistic statements, the wit is so mild that any jokes are wont to pass largely unnoticed.

Steam from overloaded factory smokestacks darken the sky, the infernal heat of a furnace spreads around and lightnings from moaning machine mouths set the atmosphere on fire - „Artificial Extinction“ is the acoustic cenotaph of a humankind executing itself in its madness – and the best and most diverse album in the band history. Since the debut “Odio Bajo El Alma” Hocico stand for destruction, for darkness and pure aggression. Their kind of industrial has always been dirtier and more venomous, without particulate filter, music, that can only be created by Mexican Devils. “Artificial Extinction” is the highlight in this evolution: The unique Hocico sound is evolved to an even more brutal sound between Dark’N’Bass and Aggrotech. Massively pounding beats and roaring accelerations show a band that found strength never known before.

Wielding her violin like a huntress' bow, Lindsey Stirling focuses her classical crossover vision with a deeply imaginative concept for her fifth album, Artemis. Named after the Greek goddess of the hunt and the moon, the effort finds Stirling hitting her artistic stride with a grand soundtrack to a movie that doesn't yet exist, like a neon cyberpunk take on Howard Shore's Lord of the Rings score. Making her early work feel small-scale by comparison – early-2010s tracks like "Song of the Caged Bird," "Beyond the Veil," and "Heist" come closest to what she's offering here – Artemis also benefits from fewer special guests, which was a distraction on her previous full-length, Brave Enough.

It's remarkable that Alanis Morissette's Jagged Little Pill struck a sympathetic chord with millions of listeners, because it's so doggedly, determinedly insular. This, after all, plays like an emotional purging, prompted by a bitter relationship – and, according to all the lyrical hints, that's likely a record executive who took advantage of a young Alanis. She never disguises her outright rage and disgust, whether it's the vengeful wrath of "You Oughta Know" or asking him "you scan the credits for your name and wonder why it's not there." This is such insider information that it's hard to believe that millions of listeners not just bought it, but embraced it, turning Alanis Morisette into a mid-'90s phenomenon.

The attraction of singer-songwriter Jimmy LaFave's music lies in his voice and vision that strikes responsive chords at the heart of folk, blues and American rock & roll. Jimmy's latest album, Favorites 1992-2001, is a collection of songs from his days on Bohemia Beat Records. It includes cuts from all six records as well as three newly recorded versions of songs he wrote during that time period.

STRAY are the power trio of the 21st century as far as rock fans are concerned all over the world. DEL BROMHAM has morphed over the years into a confident and entertaining front man with both striking and individual vocal duties and his renowned and much loved guitar pyrotechnics. Having never played live in Japan before Stray played in 2013 a number of selected dates in Tokyo and this stunning performance was recorded at Club Fever, Tokyo.

Strip away all the hype, controversy, and attendant craziness surrounding Frankie – most of which never reached American shores, though the equally bombastic "Relax" and "Two Tribes" both charted well – and Welcome to the Pleasuredome holds up as an outrageously over-the-top, bizarre, but fun release. Less well known but worthwhile cuts include by-definition-camp "Krisco Kisses" and "The Only Star in Heaven," while U.K. smash "The Power of Love" is a gloriously insincere but still great hyper-ballad with strings from Anne Dudley. In truth, the album's more a testament to Trevor Horn's production skills than anything else. To help out, he roped in a slew of Ian Dury's backing musicians to provide the music, along with a guest appearance from his fellow Yes veteran Steve Howe on acoustic guitar that probably had prog rock fanatics collapsing in apoplexy.

Featuring a mere six tracks, most of them well over six minutes in length, Introspective was a move back to the clubs for the Pet Shop Boys. Over the course of the album, they incorporated various dance techniques that were currently in vogue, including Latin rhythms and house textures. The title isn't entirely an arch joke, however. Like Actually, Introspective was an exploration of distant, disaffected yuppies, which naturally resulted in a good deal of self-analyzation. Melodically, the essential song structures were as strong and multi-layered as the previous album, yet that was hard to hear beneath the varying rhythmic textures that composed the bulk of each track. Nevertheless, the mixes are more compelling than the remixes on Disco, and the songs include several of their best numbers, including "Left to My Own Devices" and "Domino Dancing," as well as the reconstruction of "Always on My Mind" and a cover of Blaze's club classic, "It's Alright."

Secret Treaties is the third studio album by the American hard rock band Blue Öyster Cult, released in 1974. Secret Treaties is regarded by many fans and critics alike as Blue Öyster Cult's best album. The album spent 14 weeks in the US album charts, peaking at No. 53. It was declared gold in 1992. In 1975, a poll of critics of the British magazine Melody Maker voted Secret Treaties as the "Top Rock Album of All Time". In 2010, Rhapsody (online music service) called it one of the all-time best "proto-metal" albums. The cover, with art by Ron Lesser, depicts the band standing beside and sitting on and besides a German Me262 fighter aircraft; this scene is inspired by the song of the same name.