First, a bit of geography. The island of Hvar is located off the Dalmatian coast of Croatia, opposite the city of Split. Fairly narrow (5-11 km in width) and 89 kilometres long, it is renowned for its sunshine – a local hotel tradition offers free bed and board to any visitor who finds himself detained on account of snow or fog –, its limpid waters, some of the clearest in all of Europe, and the warm welcome of its inhabitants. The city of Hvar is the main city, but Stari Grad, owing to its ancient status as the island’s capital, has maintained an important role, perhaps more revealing of local habits and customs.

Opus was formed in 1973 and the original line-up included the founder and organist Miodrag Okrugic, guitar player Miodrag Kostic and bassist Dusan Cucuz (later in Tako), but soon they split. They were named after Okrugic's composition "Opus No. 1" which he scored during his tenure with the band Yu Grupa. Okrugic re-formed Opus in 1975 with bassist Slobodan Orlic, drummer Ljubomir Jerkovic and singer Dusan Prelevic (ex Korni Grupa/Kornelyans) and soon they recorded their debut "Opus 1", done in the symphonic rock style. It failed to draw attention of the public and the band split again. In various incarnations guitar players in this period were Ljubo Sedlar, Zoran Dasic and Vidoja Bozinovic. The final line-up from 1977 re-formation included Okrugic, Orlic, drummer Zelimir Vasic and guitar player Milan Matic, but after fruitless attempts they finally disbanded for good. In addition to their only LP album, they recorded three singles from 1974-77.

Adolf Dado Topic, the key figure of the band, left Korni Grupa in mid-1971, moved to Zagreb and with help from Vladimir Mihaljek formed Time. The original line-up consisted of Topic-vocals, Tihomir Pop Asanovic - organ, Vedran Bozic - guitar, Mario Mavrin - bass, Ratko Divjak - drums and Brane Lambert Zivkovic-piano, flute. The eponymous debut album was released in summer 1972, ranking among the very first LP records of rock music issued in Yugoslavia at the time.
For prog fans the first album "Time" is highly recommended for listening. It is one of the best debuts in the former Yugoslavian rock scene and it influenced many generations of musicians.

Like every record Superchunk has made over the last thirty-some years, Wild Loneliness is unskippably excellent and infectious. It’s a blend of stripped-down and lush, electric and acoustic, highs and lows, and I love it all. On Wild Loneliness you hear echoes of Come Pick Me Up, Here’s to Shutting Up, and Majesty Shredding. After the (ahem, completely justifiable) anger of What a Time to Be Alive, this new record is less about what we’ve lost in these harrowing times and more about what we have to be thankful for.

ASANOVIC recorded two unnoticed jazz-rock solo albums which act as rarity items for collectors nowadays, "Majko Zemljo" (Mother Earth) 1974, and "Pop" 1976. His specialty was Hammond organ. These records are recommended for fans of jazz-rock, funk and fusion styles.