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    https://sophisticatedspectra.com/article/drosia-serenity-a-modern-oasis-in-the-heart-of-larnaca.2521391.html

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    Christopher Hogwood, The Academy of Ancient Music - Johann Christian Bach: Six Favorite Overtures (1986)

    Posted By: ArlegZ
    Christopher Hogwood, The Academy of Ancient Music - Johann Christian Bach: Six Favorite Overtures (1986)

    Christopher Hogwood, The Academy of Ancient Music - Johann Christian Bach: Six Favorite Overtures (1986)
    EAC | FLAC | Image (Cue & Log) ~ 202 Mb | Total time: 40:06 | Scans included
    Classical | Label: L'oiseau Lyre | # 417 148-2 | Recorded: 1983

    The year after J. C. Bach arrived in London he published three sets of works, among them this set of "Favourite Overtures". All but one of them had been heard in the King's Theatre, where he served as resident composer. Only one, the first on this disc, prefaced an opera of his own, Orione; Nos. 2, 4, 5 and 6 were written for pasticcios produced at that theatre between summer 1762 and early 1763, while No. 3, as far as we know, was not known in London, making the title "favourite" seem a little optimistic (it had been written for an opera heard in Turin in 1761). Being opera overtures, and essentially products of his Italian period, they are rather lighter in content and manner than most of J. C. Bach's music.

    Eva Zaïcik, Le Consort - Royal Handel (2020)

    Posted By: ArlegZ
    Eva Zaïcik, Le Consort - Royal Handel (2020)

    Eva Zaïcik, Le Consort - Royal Handel (2020)
    EAC | FLAC | Image (Cue & Log) ~ 306 Mb | Total time: 64:59 | Scans included
    Classical | Label: Alpha | # ALPHA 662 | Recorded: 2020

    The Royal Handel of the title of this Alpha release does not refer to music for the king specifically but to the Royal Academy of Music. Founded in 1719, this opera organization gave Handel his first major post in Britain when he was appointed the music director. He traveled back to Italy, returning to London with the singers and instrumentalists who would bring his music to life over the next two decades. He had rivals whom he eclipsed, Giovanni Bononcini and Attilio Ariosti, and they are represented on the program; it's striking how Handelian their music sounds in this context, even if the Handel arias have greater breadth.

    Leonard Bernstein, Orchestre National de France - An American in Paris [7CDs] (2018)

    Posted By: ArlegZ
    Leonard Bernstein, Orchestre National de France - An American in Paris [7CDs] (2018)

    Leonard Bernstein, Orchestre National de France - An American in Paris: Berlioz, Bloch, Milhaud, Ravel, Schumann, Rachmaninov (2018)
    EAC | FLAC | Image (Cue & Log) ~ 1.87 Gb | Total time: 06:41:06 | Scans included
    Classical | Label: Warner Classics | # 9029568954 | Recorded: 1975-1979

    This 7CD set is the fruit of the love affair that developed in Paris between Leonard Bernstein and the Orchestre National de France in the 1970s. Beside long-admired studio recordings, featuring Mstislav Rostropovich and Alexis Weissenberg among the soloists, it presents live performances completely new to the catalogue: a 1975 programme to celebrate Ravel’s centenary – with Bernstein himself as soloist in the G major piano concerto – and orchestral suites taken from two of Bernstein’s most celebrated and brilliant works, both infused with jazz: the film score On the Waterfront and the landmark Broadway musical West Side Story.

    Franz Welser-Möst, Münchner Rundfunkorchester - Carl Orff: Catulli Carmina; Trionfo di Afrodite (1995)

    Posted By: ArlegZ
    Franz Welser-Möst, Münchner Rundfunkorchester - Carl Orff: Catulli Carmina; Trionfo di Afrodite (1995)

    Franz Welser-Möst, Münchner Rundfunkorchester - Carl Orff: Catulli Carmina; Trionfo di Afrodite (1995)
    EAC | FLAC | Image (Cue & Log) ~ 313 Mb | Total time: 79:11 | Scans included
    Classical | Label: EMI Classics | # 7243 5 55517 2 6 | Recorded: 1995

    After "Carmina Burana" - Carl Orff's most famous piece - the composer went on to write two large compositions for soloists, chorus and instruments which completed the trio of "Trionfi." The current recording presents very fine performances of these two compositions, the "Catulli Carmina" (1943) and "Triumph of Aphrodite" (1951). The last of these is a genuine discovery, a very interesting and attractive take on Greek culture.

    Enrico Gatti - Francesco Maria Veracini: Sonate a Violino Solo e Basso (2018)

    Posted By: ArlegZ
    Enrico Gatti - Francesco Maria Veracini: Sonate a Violino Solo e Basso (2018)

    Enrico Gatti - Francesco Maria Veracini: Sonate a Violino Solo e Basso (2018)
    EAC | FLAC | Image (Cue & Log) ~ 333 Mb | Total time: 59:30 | Scans included
    Classical | Label: Arcana | A 456 | Recorded: 1994

    Of the many important anniversaries occurring in 2018, it is worth remembering the 350th death anniversary of the violin virtuoso Francesco Maria Veracini. What better occasion to (re-)discover Enrico Gatti’s first reference recording for the label Arcana?

    Elisa La Marca - The Queenes Maskes: A Varietie of Lute Music from the Early English Court (2025)

    Posted By: ArlegZ
    Elisa La Marca - The Queenes Maskes: A Varietie of Lute Music from the Early English Court (2025)

    Elisa La Marca - The Queenes Maskes: A Varietie of Lute Music from the Early English Court (2025)
    EAC | FLAC | Image (Cue & Log) ~ 194 Mb | Total time: 53:14 | Scans included
    Classical | Label: Arcana | # A 572 | Recorded: 2022

    Throughout its Golden Age, England cultivated the masque, an elite entertainment featuring dialogue, song, and dance. As part of these spectacles, courtiers—and at times even the queen herself—often graced the dance floor. But it was hired professionals who provided the musical heart of these productions. Lutenists in particular were especially adept at creating music for any occasion. The dances, variations on popular songs, and fantasias they composed are full of versatility and virtuosity. This recording features lute works by the foremost composers of the Elizabethan-Jacobean era, with music by Dowland, Holborne, Bacheler, Ferrabosco, and other contemporaries who participated in The Queenes Maskes.

    Christophe Rousset, Les Talens Lyriques - Wolfgang Amadeus Mozart: Betulia liberata (2020)

    Posted By: ArlegZ
    Christophe Rousset, Les Talens Lyriques - Wolfgang Amadeus Mozart: Betulia liberata (2020)

    Christophe Rousset, Les Talens Lyriques - Wolfgang Amadeus Mozart: Betulia liberata (2020)
    EAC | FLAC | Tracks (Cue & Log) ~ 635 Mb | Total time: 66:52+65:12 | Scans included
    Classical | Label: Aparté | # AP235 | Recorded: 2019

    Composed in 1771 to a libretto by Metastasio tracing the well-known biblical story of Judith and Holofernes, La Betulia liberata was Mozart’s first oratorio. Often described as a stroke of genius, this recording by Les Talens Lyriques and Christophe Rousset, with Sandrine Piau, Amanda Forsythe and Teresa Iervolino, shows the dramatic intensity of which he was already capable at the age of just fifteen and the influence of his early experiences with opera.

    Bernhard Klapprott, Capella Thuringia, Cantus Thuringia - Reinhard Keiser: Der blutige und sterbende Jesus (2019)

    Posted By: ArlegZ
    Bernhard Klapprott, Capella Thuringia, Cantus Thuringia - Reinhard Keiser: Der blutige und sterbende Jesus (2019)

    Bernhard Klapprott, Capella Thuringia, Cantus Thuringia - Reinhard Keiser: Der blutige und sterbende Jesus (2019)
    EAC | FLAC | Image (Cue & Log) ~ 730 Mb | Total time: 128:54 | Scans included
    Classical | Label: CPO | 555 259-2 | Recorded: 2018

    Reinhard Keiser’s Der blutige und sterbende Jesus is not only the very first German Passion oratorio but also a highly suspenseful contribution to the Passion season. Lost for many years, it is now available for listening on CD in the revised version of 1729. The dramatic and musical design of Keiser’s work is astonishing. As in the Italian oratorio type that gained currency after 1700, there is no Evangelist or other narrator, which means that the work has a purely dramatic structure. Even though Keiser’s librettist Christian Friedrich Hunold, whose pseudonym was »Menantes,« did not cite any one of the four Evangelists word for word in his adaptation of the Passion narrative, it is quite evident that the poetic elaboration is (primarily) modelled on Luther’s translation of the Gospel of Matthew.

    Sophie Junker, Franck-Emmanuel Comte, Le Concert de l'Hostel Dieu - La Francesina, Handel's nightingale (2020)

    Posted By: ArlegZ
    Sophie Junker, Franck-Emmanuel Comte, Le Concert de l'Hostel Dieu - La Francesina, Handel's nightingale (2020)

    Sophie Junker, Franck-Emmanuel Comte, Le Concert de l'Hostel Dieu - La Francesina, Handel's nightingale (2020)
    EAC | FLAC | Image (Cue & Log) ~ 361 Mb | Total time: 67:44 | Scans included
    Classical | Label: Aparté | # AP233 | Recorded: 2019

    For the French soprano Élisabeth Duparc, known as ‘La Francesina’, Handel composed no fewer than twelve principal roles in major works - operas and oratorios - written towards the end of his life. She took the title role in Semele, for instance, and the parts of Michal in Saul and Nitocris in Belshazzar. Sophie Junker and the Concert de l’Hostel Dieu pay tribute to her here, through some of her most successful roles as the composer’s muse.

    Russian Piano Concertos [15CDs] (2018)

    Posted By: ArlegZ
    Russian Piano Concertos [15CDs] (2018)

    Russian Piano Concertos [15CDs] (2018)
    XLD | FLAC | Image (Cue & Log) ~ 3,68 Gb | Total time: 15:45:59 | Scans included
    Classical | Label: Brilliant Classics | # 95520 | Recorded: 1964-2014

    This fascinating survey of the Russian (and Polish!) piano concerto includes the masterworks of Pyotr Ilyich Tchaikovsky and Rachmaninov - beloved examples at the pinnacle of both Russian music and the piano concerto genre - along with more- and lesser-known yet all eminently worthy works by composers from both Imperial and Soviet Russia and those by Paderewski, Scharwenka and Moszkowski, who were born in what today is Poland. Though the piano concerto is now inextricably linked in modern minds to the Russian repertoire, the area's isolation meant that it would take some time for the genre to take hold there, but that it would grow into a unique, characteristic and varied expression. Apart from the jaw-dropping virtuosity and orchestral brilliance of these works, they share that common Slavonic flavor, an undefinable mixture of melancholy and passion, whether smoldering or blazing. The recordings on this release date from between 1964 and 2016.
    Sergei Lyapunov Anton Rubinstein Nikolai Medtner Mily Balakirev Rimsky-Korsakov Tchaikovsky Glazunov Rachmaninov Dmitri Kabalevsky Moritz Moszkowski Franz Xaver Scharwenka Anton Arensky Scriabin Ignace Jan Paderewski Tikhon Khrennikov Prokofiev Dmitri Shostakovich Alexander Mosolov Sergei Bortkiewicz Boris Tchaikovsky Concerto Classical Music Lossless FLAC Image Shorena Tsintsabadze Dmitry Yablonsky Russian Philharmonic Orchestra Michael Ponti Felicja Blumental Wiener Symphoniker In-Ju Bang Oxana Yablonskaya Hsin-Ni Liu Philharmonia Hungarica Hamburg Symphony Orchestra Richard Kapp Evgeny Kissin Vladimir Fedoseyev Derek Han Klara Wurtz National Symphony Orchestra of Ireland Kun-Woo Paik Polish National Radio Symphony Orchestra Antoni Wit Boris Giltburg Royal Liverpool Philharmonic Orchestra Vasily Petrenko Olga Solovieva Steffen Schleiermacher Rundfunk-Sinfonieorchester Berlin Johannes Kalitzke Stefan Doniga Janacek Philharmonic Orchestra 2018

    ]Wolfgang Sawallisch, Bayerisches Staatsorchester - Felix Mendelssohn: Elias (2023)

    Posted By: ArlegZ
    ]Wolfgang Sawallisch, Bayerisches Staatsorchester - Felix Mendelssohn: Elias (2023)

    Wolfgang Sawallisch, Bayerisches Staatsorchester - Felix Mendelssohn: Elias (2025)
    EAC | FLAC | Image (Cue & Log) ~ 244 Mb | Total time: 2:06:16 | Scans included
    Classical | Label: Bayerische Staatsoper Recordings | # BSOREC0003 | Recorded: 1984

    The live recording of Elias (Elijah) is the first historic release from the archive on the Bayerische Staatsoper Recordings label. It is historic in many respects, not only with regard to the almost four decades which have passed since 4 July 1984, but most of all because it brings together a phenomenal ensemble that shaped an entire era at the National Theatre in Munich within the genres of opera, lieder and symphonic music – thus representing something of a dream team of classical music at that time.

    Marius Bartoccini, Ilario Gregoletto - Leopold Kozeluch: Complete Music for Piano 4-Hands (2022)

    Posted By: ArlegZ
    Marius Bartoccini, Ilario Gregoletto - Leopold Kozeluch: Complete Music for Piano 4-Hands (2022)

    Marius Bartoccini, Ilario Gregoletto - Leopold Kozeluch: Complete Music for Piano 4-Hands (2022)
    XLD | FLAC | Image (Cue & Log) ~ 363 Mb | Total time: 01:24:30 | Scans included
    Classical | Label: Hänssler | # 96025 | Recorded: 2020

    The recent Kozeluch revival, featuring recordings of his solo, chamber and orchestral music, has demonstrated his status as one of the most important figures in the whole of Viennese Classicism. This double album dedicated to Kozeluch’s works for fortepiano four-hands provides further confirmation of his compositional mastery, on a level bearing comparison with his contemporaries.

    Paul Agnew, Les Arts Florissants - Carlo Gesualdo: Madrigali. Libri Primo & Secondo (2019)

    Posted By: ArlegZ
    Paul Agnew, Les Arts Florissants - Carlo Gesualdo: Madrigali. Libri Primo & Secondo (2019)

    Paul Agnew, Les Arts Florissants - Carlo Gesualdo: Madrigali. Libri Primo & Secondo (2019)
    EAC | FLAC | Image (Cue & Log) ~ 365 Mb | Total time: 81:43 | Scans included
    Classical | Label: Harmonia Mundi | HAF 8905307.08 | Recorded: 2019

    Having thoroughly explored the madrigals of Monteverdi, Paul Agnew returns to the genre, this time focusing on the work of Gesualdo, whose mastery of chromaticism and dissonance eventually turned these expressive devices into a defining feature of his musical style. A fascinating repertoire that Paul Agnew and his team delight in offering here.

    Marc Minkowski, Les Musiciens du Louvre - Wolfgang Amadeus Mozart: Mass in C Minor (2020)

    Posted By: ArlegZ
    Marc Minkowski, Les Musiciens du Louvre - Wolfgang Amadeus Mozart: Mass in C Minor (2020)

    Marc Minkowski, Les Musiciens du Louvre - Wolfgang Amadeus Mozart: Mass in C Minor (2020)
    EAC | FLAC | Image (Cue & Log) ~ 210 Mb | Total time: 48:28 | Scans included
    Classical | Label: Pentatone | # PTC 5186 812 | Recorded: 2018

    Marc Minkowski and Les Musiciens du Louvre present a new recording of Mozarts Mass in C Minor, the iconic opening Kyrie of which is among the most cherished religious music ever written. Mozart performed parts of the Mass in 1783, but the score remained unfinished, making the use of a scholarly edition necessary for a complete performance. Despite its unfinished state, Mozarts Mass in C Minor has gained popularity and now enjoys a place in the choral core repertory. For this recording, made in connection to live performances, Minkowski has chosen Helmut Eders 1985 edition for the Neue Mozart-Ausgabe.

    Masaaki Suzuki, Bach Collegium Japan - Johann Sebastian Bach: St Matthew Passion / Matthäus-Passion (2019)

    Posted By: ArlegZ
    Masaaki Suzuki, Bach Collegium Japan - Johann Sebastian Bach: St Matthew Passion / Matthäus-Passion (2019)

    Masaaki Suzuki, Bach Collegium Japan - Johann Sebastian Bach: St Matthew Passion / Matthäus-Passion (2019)
    EAC | FLAC | Image (Cue & Log) ~ 754 Mb | Total time: 163:14 | Scans included
    Classical | Label: BIS | BIS-SACD-2500 | Recorded: 2019

    Masaaki Suzuki and his Bach Collegium Japan made their first recording of the St Matthew Passion in March 1999. Twenty years later, in April 2019, it was time once again, as the singers and players gathered in the Concert Hall of the Saitama Arts Theater in Japan. ‘A profound joy’ is how Masaaki Suzuki describes his emotion at the opportunity to record Bach’s great fresco of Christ’s Passion for a second time. And this time, he and his ensemble have brought with them into the concert hall a profound and collective familiarity with Bach’s choral music, after having recorded more or less all of it in the meantime, including the complete sacred cantatas.