Michel Debost, principal flutist of the Orchestre de Paris for many years, a renowned concert artist and highly respected teacher, flew the flag for the French school of flute alongside his close friend Jean-Pierre Rampal. Here we find him alongside his longtime partner Christian Ivaldi in this newly remastered recording of magnificent chamber works by Carl Maria von Weber.

Ennio Morricone: Movie Themes presents a selection of fifteen titles from film music by the legendary composer Ennio Morricone. This is a One Microphone Recording featuring Morricone’s music arranged for solo guitar by the Italian guitarist Mauro Di Domenico. A player, composer , arranger and a personal friend of Morricone. The album also includes three extra pieces arranged by guitarist Agustín Maruri.

This live recording of Georg Philipp Telemann's "Flavius 'Bertaridus" is a rarity: The performance at the Innsbruck Festival of Early Music has been hailed by critics and frenetic. The Frankfurter Allgemeine Zeitung described this world premiere recording under the direction of Alessandro di Marchi - one of the leading specialists in historical performance practice. As "a milestone in German music history," "Not a single scene, no aria want to miss it," the Neue Zürcher Zeitung writes to di Marchis spectacular interpretation with orchestra and chorus of the Academia Montis Regalis. The opera is entirely filled with wonderful singers like Maite Beaumont, Ann-Beth Solvang and Nina Bernstein.

The violinist and composer Pieter Van Maldere was once the most famous musicians in the Low Countries and can be considered among the most important creators of the classical symphony. He uses lively and original melodic language, idiomatic to the violin.

This CD is a well-chosen sample of Biber’s finest ensemble music. One of the supreme violinists and virtuoso composers of the 17th century, much of Biber's work remains underplayed and relatively obscure. However, as Burnley wrote, over 100 years after many of the pieces on this disc were composed, ‘of all the violin players of the last century Biber seems to have been the best, and his solos are the most difficult and most fanciful of any music I have seen of the same period’.

Music for These Troubled Times explores the melancholy of the past through the keyboard repertoire of the English virginalists of the late 16th and 17th centuries, and links this still familiar state of mind with the present — an age of social and political turbulence, uncertainty, and wars — through Maxim Shalygin’s KHORA. Inspired by Robert Burton’s 1621 treatise The Anatomy of Melancholy, which praises music as a remedy for the troubled mind, the programme moves between contemplative pavanes, witty variations, and complex polyphonic works. It includes rarely performed pieces and a first recording of the anonymous A Ground. Recorded on three unique harpsichords, it features a rare copy after 1579 L. Theewes’ earliest surviving English instrument, a reconstruction of the original state of the 1612 I. Ruckers transposing double-manual harpsichord and a copy of the marvellous 1751 H. Hemsch.

This first collaboration between the naive label and Les Musiciens du Prince-Monaco, the ensemble founded in 2016 by mezzo-soprano Cecilia Bartoli and Jean-Louis Grinda (then director of the Opera de Monte-Carlo), marks the 75th volume of the Vivaldi Edition. It explores the realm of the concerti per vari strumenti ("for various instruments"), more than twenty years after the first volume devoted to the genre, which was conceived together with the Freiburger Barockorchester and Gottfried von der Goltz (Vol. 7, Concerti di Dresda, 2003, OP 30283)./quote]