The Huge World Of Emily Small is the first and only album by British group Picadilly Line. The group consisted of Keith Hodge, Norrie MacLean, Rod Edwards, and Roger Hand. The only known single from this was "Emily Small". Songs 13 to 22 are bonus tracks not on the original album. This is taken from the Japanese CD released by Strange Days Records on 19 December, 2007.

3 CD box set featuring 60-tracks original Monument and MGM recordings, including glossy 4-page insert with track listing, biography and a montage of photographs and memorabilia from the era.

First love Soul boogie vocal quartet. Formed in 1979 in Chicago by producer Donald Burnside.
Denise Austin, Demetrice Henrae, Martha Jackson, Lisa Hudson.

Jackie DeShannon's work is actually too diverse to be satisfactorily captured on an anthology, even one that includes 28 tracks, as this one does. Still, considering how hard the one DeShannon anthology that might be better than this one is to find (the Australian import Pop Princess), this has to be cited as the recommended first purchase. Focusing on her output for Liberty between 1959 and 1970, it has all the essentials: her two Top Ten hits, the minor hits like "A Lifetime of Loneliness," and the original versions of "Needles and Pins" and "When You Walk in the Room," and a host of fine girl group, ballad, folk-rock, and singer/songwriter flop singles. From the collector's viewpoint, the most interesting songs are the rarities. The six previously unreleased tracks include the exuberant "Breakaway," a hit for Irma Thomas; the rocker "Dream Boy," cut in 1964 in Britain with Jimmy Page on guitar; and a cover of Tim Hardin's "Reason to Believe." A couple of interesting rarities are "For Granted" (from the little-seen movie C'mon, Let's Live a Little) and the 45 version of "Splendor in the Grass," a somewhat sloppy folk-rock performance on which DeShannon was backed by the Byrds.

Joensuu, Finland-based melodic death metal band Insomnium have announced that they will issue four-song EP Argent Moon on September 17th, 2021 through Century Media Records. Frontman Niilo Sevänen commented: “When the Corona outbreak forced us to cancel all the tours and shows, we pretty soon adopted a mindset that we better do something and keep ourselves in motion. We wanted to try how the streaming shows might work. We wanted to see what kind of new music might grow in the darkness and misery of the quarantine. And soon these vibes were channeled into songs that came to be the Argent Moon EP. “We wanted to try something a bit different so all the four songs on this release represent the softer side of Insomnium. The ballads and the mellow tunes. Acoustic guitars and clean vocals. The sorrow and agony that creeps into your heart when the nights grow longer. But fear not, we haven’t changed our style. Next album will be something different again. We used all the ballad ideas here so maybe it will be pure blast beats. We shall see.

Ferocious and uncompromising in their execution, CARCASS’s ability to intricately dissect the innards of death metal, and display them for us to sonically understand has been their point of excellence for over three decades. Last December (2019) the band released their first single in over 5 years “Under The Scalpel Blade,” followed by a 4 song EP entitled Despicable (October 2020), setting a potent precedent for the full length album to come in 2021: TORN ARTERIES. With the album title itself referencing an old demo created by original drummer Ken Ownback in the 80’s, TORN ARTERIES sits as a bookend on the modern side of the CARCASS discography, connecting directly back to where everything began over 30 years ago. “I think as our 7th album, it does stand out from the others both sonically and stylistically,” explains Vocalist and Bassist Jeff Walker. “You can definitely tell that it’s CARCASS; when you drop that needle on the vinyl, when you hear that guitar tone, you can tell it’s Bill Steer, but each album is always a product of its time.” Most will find that the only real struggle when indulging in TORN ARTERIES is fighting the desire to start it over the second it finishes. It covers substantial new ground for a band with such a reputation, while still retaining that addictive, time honoured CARCASS sound that has come to represent the face of true death metal.

Four-disc collection features 36 tracks in all, culled from ABB's shows between July 25 and August 10, 2003, in Indianapolis, Pittsburgh, Darien Center, NY, Hartford, CT, Charlotte, NC, and Raleigh, NC. The 2003 lineup of the group included founding members Gregg Allman, Butch Trucks and Jaimoe, plus Warren Haynes, Marc Quiñones, Oteil Burbridge and Derek Trucks.

Before Midland became a household name in country music, the Texas-based trio were just three friends writing music and playing small gigs for fun. The documentary Midland: The Sonic Ranch chronicles those early years, using footage from one of the band’s first recording sessions at the famed Texas studio. This accompanying soundtrack pulls together 12 songs from across the band’s career, including an alternate version of the Let It Roll track “Fourteen Gears” and unreleased fan favorites like “Texas Is the Last Stop” and “Champagne for the Pain.” Other gems include two versions of the band’s original tune “Cowgirl Blues,” the latter of which features guitarist Jess Carson on lead vocal. While The Sonic Ranch may lack the cohesion and road-tested chops of Midland’s two proper studio releases, it’s a fun and fascinating portrait of a young band just on the cusp of striking gold.

Dropkick Murphys release their 10th full-length studio album, Turn Up That Dial, via the band-owned Born and Bred Records. The album was produced by Ted Hutt. With the 11 tracks on Turn Up That Dial, Dropkick Murphys celebrate the simple pleasure of music, the relief and release from worry that comes when you “turn up that dial” and blast your troubles away.

Sheila Jordan (born Sheila Jeanette Dawson; November 18, 1928) is an American jazz singer and songwriter. She has recorded as a session musician with an array of critically acclaimed artists in addition to recording her own albums. Jordan pioneered a bebop and scat jazz singing style with an upright bass as the only accompaniment.Jordan's music has earned praise from many critics, particularly for her ability to improvise lyrics; Scott Yanow describes her as "one of the most consistently creative of all jazz singers." Charlie Parker often introduced Jordan as "the singer with the million dollar ears."

Having been cleared earlier in the year in another lawsuit concerning the supposedly suicide-inducing subject matter of his music, Ozzy Osbourne reinvigorated his sound and expanded his following with his sixth studio album, No More Tears, in the fall of 1991. Finding more sympathetic producers in Duane Baron and John Purdell to replace Roy Thomas Baker (who had helmed his last effort, 1988's No Rest for the Wicked), collaborating with Lemmy Kilmister of Motörhead on four songs, and retaining the services of guitarist Zakk Wylde, Osbourne brought his music into the '90s. Songs like "Desire" and "S.I.N." had an energetic, contemporary metal sound, and Osbourne effectively changed gears to turn out gentle ballads like "Mama, I'm Coming Home," which gave him his first U.S. Top 40 hit on his own. Not cowed by his court cases, he wrote songs about child abuse ("Mr. Tinkertrain") and serial murder ("No More Tears") from the point of view of the criminals. But he also considered his own place in the general scheme of things in the tribute to the rock & roll lifestyle "Hellraiser" and the reflective "Road to Nowhere." It all made for an unusually broad range of material, and the album returned him to the Top Ten and multi-platinum status.

Harking back to the days of homemade mixtapes, BBC's television program Top Gear released its own version of a road-trip album in a two-disc, 38-song compilation they call The Ultimate Driving Experience. According to the label, Family Recordings, the first disc is a selection of "recent" hits (though if the Stone Roses song "Love Spreads" from their 1994 album, Second Coming, really qualifies as recent is debatable), while the second focuses more on atmosphere (aka electronica, techno, and house music). What this basically means is that there is a disc for day and then one for night, though, perhaps because of the incessant rain in Britain and the lack of sun in the winter months, there are some songs on the first that seem to better apply to low-light situations (DJ Shadow's "You Can't Go Home Again," UNKLE's "Panic Attack," and Snow Patrol's "Run," for example).

One of the pioneers of the progressive rock genre. The first official rehearsal of the band was on January 13, 1969. The first line-up comprised guitarist Robert Fripp, lyricist and lighting man Peter Sinfield (who “invented” the name of the band), composer and multi-instrumentalist Ian McDonald, bassist and vocalist Greg Lake, and drummer Michael Giles…

Emerging from the depths of Covid are some of the freshest ideas we have seen in years. Here, a newly formed string quartet takes a 2012 score by the British composer Thomas Adès and intersects it with works of their own making, very old and very new. The Adès piece describes the earth’s 24-hour rotation on its own axis — neat, but not stunningly original in either concept or content.