A couple of years after the pop hits stopped, Dan Fogelberg took this detour down the bluegrass/traditional acoustic music road. The result is a fine collection of mostly original songs, an album that holds up better than much of his earlier, better-known work. Accompanied by some of Nashville's top studio aces, Fogelberg sings of the California gold rush in the beautiful "Sutter's Mill," accompanies Doc Watson, Jerry Douglas and David Grisman on the instrumental bluegrass workout "Wolf Creek," and leads his all-star group speeding through several other bluegrass-flavored rave-ups. There's a touch of gospel here as well, with Vince Gill and Ricky Skaggs pitching in on vocal harmonies. By the time of this album's release in the mid-'80s, pop radio was no longer playing the music of mellow singer/songwriters like Fogelberg, but the lovely ballad "Go Down Easy" found some airplay on contemporary country stations. Although the set-closing "The Higher You Climb" is a too-long slow drag similar to some of the singer's earlier overblown productions, High Country Snows is a surprising musical high point for Dan Fogelberg.

Recorded in Paris during November 1968, Good Feelin' was the album that rekindled public interest in the life and music of Aaron "T-Bone" Walker throughout Europe and even in some portions of the United States of America. The album begins and closes with informal narration spoken by Walker while accompanying himself on the piano. The band behind him on the other ten tracks includes guitarist Slim Pezin, pianist Michel Sardaby and Cameroonian saxophonist Manu Dibango blowing tenor alongside Pierre Holassian on alto, Francis Cournet on baritone, and a trumpeter whose identity remains a mystery. With T-Bone's electric guitar sizzling in its own juice and the horns signifying together over soulful organ grooves and freshly ground basslines, all of this music is rich and powerful. Each track is delicious; a funky instrumental strut entitled "Poontang" is the tastiest of all.

Esoteric Recordings are pleased to announce the release of Glass Top Coffin, the second album by Ramases. The duo (Martin Raphael and his wife Sel) first came to prominence with the release of the album Space Hymns on the Vertigo label in 1971. The Glass Top Coffin project took several years to write, and Ramases vision of an inter-galactic concept finally appeared on Vertigo in 1975 in an elaborate sleeve. The sessions saw contributions from the Royal Philharmonic Orchestra and the London Symphony Orchestra and was arguably the most fully realised of the two Ramases albums.

Awesome solo disc by this excellent guitarist from Greece featuring 13 songs of retro-classic, blues-based, soul-powered, dynamic hard rock music that lands with supreme excellence. Stavros Papadopoulos is a modern day Greek guitar hero, songwriter & producer who was born to rock…

The band Sitting Bull was formed by Bernd Zamulo (member of the 60's the Lords) at the beginning of the 70's. Their released their debut LP "trip away" for CBS. The album known a certain success that enable the band to reach the charts…

Time Life Music’s Singers & Songwriters: Classics features 20 cuts, almost all of which were culled from the singer/songwriter-rich 1970s. Featuring a solid mix of certifiable classics including “Still Crazy After All These Years” (Paul Simon), “(Sittin' On) The Dock of the Bay” (Otis Redding), and “Everybody's Talkin'” (Harry Nilsson) along with artist high watermarks such as “Leader of the Band” (Dan Fogelberg), “Sundown” (Gordon Lightfoot), and “For What It’s Worth” (Buffalo Springfield), Classics dutifully replicates a classic rock radio Sunday playlist.

The follow-up to the masterful Blizzard of Ozz, Diary of a Madman was rushed into existence by a band desperate to finish its next album before an upcoming tour. As a result, it doesn't feel quite as fully realized – a couple of the ballads are overly long and slow the momentum, and Randy Rhoads' guide solo on "Little Dolls" was never replaced with a version intended for the public…

Here's the question for Small Faces fans: Is it better to own the original Immediate albums or to invest in the splendid double-disc set, The Darlings of Wapping Wharf Launderette? The question is a tricky one, since Darlings contains all of their Immediate recordings, meaning all of Autumn Stone (or There Are But Four Small Faces, as it's known in its American incarnation), plus all of the landmark Ogden's Nut Gone Flake. Granted, Ogden's is divided cleanly in half, with the first side appearing on disc one and the second on disc two, which may irritate listeners who like to hear the concept album uninterrupted…

Living in a Fantasy is the last album to yield hits for Leo Sayer in America, closing out the terrific '70s run as the '80s began. A-ha/Bow Wow Wow/Squeeze producer Alan Tarney chooses to keep the production slick and sparse, the large mix of musicians who helped craft albums like Thunder In My Heart, Endless Flight, Here, World Radio, and others vanishes as the singer goes back to the pared-down format of his Just a Boy period. The big difference is that Sayer had gone beyond the singer/songwriter personality of those early recordings to having marquee value, as well as his own TV show. Songs here like "You Win, I Lose are bouncy pop, this one like five others composed by the singer and his producer.

The result of the meeting of Michael McCartney (brother of Beatle Paul), who would work as Mike McGear to avoid accusations of coat-tailing, and Post Office engineer John Gorman, the Scaffold took a blend of absurd humor and catchy songs to chart-topping glory throughout the 1960s. Their lineup filled out with Roger McGough and Adrian Henri, the group was briefly known as the Liverpool One Fat Lady All Electric Show, to the horror of everyone around them. Henri soon departed. A change of name later, they were gaining a reputation as one of the most amusing outfits on the scene, with a residency at Peter Cook's Establishment Club (where the Bonzo Dog Doo-Dah Band also held court). The Scaffold's biggest successes were their cheerfully silly singles, starting with "Thank U Very Much" and continuing with "Lily the Pink" (a sterilized adaptation of an old rugby song, featuring Jack Bruce on bass) and the somewhat incomprehensible "Gin Gan Goolie," all of which had a knack for sticking in the mind on endless repeat without causing undue annoyance. These three songs, in particular, are well remembered even as the 1990s draw to a close.

After releasing a pair of fine albums for Arista, Willie Nile signed a deal with Geffen Records in 1982, but a dispute with the label put Nile's recording career in limbo, and he ended up not making an album until he struck a deal with Columbia and released Places I Have Never Been in 1991. While in many respects Nile's debut was the purest expression of his music, Places I Have Never Been is where he really nailed the elements of record making; unlike the lean, stark textures of Willie Nile or the overcooked bombast of Golden Down, Places I Have Never Been boasts a sound and an approach that really flatter Nile's songs, and it's certainly his most eclectic and musically adventurous major-label set. T-Bone Wolk and Stewart Lerman produced the album with Nile, and though there's a bit more polish on these tracks than they really need, the team also matched up Nile with some stellar studio players (as well as some Grade-A guest stars, among them Roger McGuinn and Richard Thompson), and they fill out Nile's arrangements with a lot more finesse than on his previous sets.

Legendary lost solo album by veteran rock vocalist Peter Goalby. An 11-track album personally overseen (from tape transfer, mastering and artwork) by the former Uriah Heep and Trapeze vocalist. Peter Goalby was the lead singer of Uriah Heep, Trapeze and Fable but has now retired from the music industry after an illustrious career that also included time working with Shy, Tigertailz, John Parr and Slade.

A collection of songs performed by Norah Jones that did not appear on her studio albums. Norah Jones is an American singer, songwriter, and pianist. She has won multiple awards and her albums have sold more than 50 million records worldwide. Billboard named her the top jazz artist of the 2000s decade. She has won nine Grammy Awards and was ranked 60th on Billboard magazine's artists of the 2000s decade chart.