"Oh My My (Deluxe)" is an expanded edition of the fourth studio album by American pop rock band OneRepublic, released on October 7, 2016 through Mosley Music Group and Interscope Records. The album became one of the most experimental works of the band led by frontman Ryan Tedder, combining signature pop rock with elements of electronic music, synthpunk and disco.

Four chapters across generations: Danish Resonances sets accordion works by Hans Abrahamsen, Niels Rosing-Schow and Per Nørgård against four newly commissioned world premieres by Anders Skibsted, Loïc Destremau, Matias Vestergård and Gustav Bjerre. Accordionist José Valente threads them into a single, unfolding journey that moves by turns lyrical, virtuosic, introspective and expansive, revealing the full expressive range of the classical accordion.

This album brings together transcriptions that open up an unusual chapter in music history: fin-de-siècle lieder, adapted for an unaccompanied choir. Clytus Gottwald thus turns his attention to a repertoire that was virtually non-existent in the late Romantic period. His arrangements open up new possibilities for these lieder without altering their structure or harmony.

Shaped by fragments and moments of improvisation, the Noctunes are the personal take on the tradition of the Nocturnes?. This album contains a series of pieces dedicated to the quiet hours of the night?. Composer and pianist Clemens Christian Poetzsch is recognized for his unique blend of modern classical, jazz, and electronic music. He studied piano at the Hochschule fur Musik Carl Maria von Weber Dresden, earning his artistic diploma in 2010, followed by composition studies under Thomas Zoller.

Dreamy, comforting, and enchanting. Nina Rompa’s new album ‘Hoog’ (High, as is up in the sky) is atmospheric, compelling – and she sings in Dutch. An unconventional lineup of vocalist, jazz trio, and violas moves effortlessly between different styles and embraces the aesthetic.

Victor Julien-Laferrière and Consuelo continue their complete recording of Ludwig van Beethoven’s symphonies with a triumphant double bill: the ‘Eroica’ Symphony, a grand epic that has left its mark on the history of music, and the whirlwind Seventh, which Richard Wagner would go on to describe as ‘the apotheosis of dance’.

A long-standing musical partnership with Laurent Courthaliac reaches a new chapter with the release of his first album in ten years. A decade in which his artistic voice has quietly deepened and refined itself, as though his musical language had been shedding excess weight, gradually moving toward something more distilled, more precise, more essential. During these years of quiet maturation, Courthaliac has become one of the most sought-after arrangers on the scene, lending his touch to a host of notable recordings.

Jean-Efflam Bavouzet continues his survey of works by Beethoven's contemporaries with this second volume featuring works by Hummel., Clementi, Berger, and Czerny. The pianist comments: 'The deeper I delve into the universe of composers contemporaneous with Beethoven, the clearer I perceive the nature of his originality and the power of his genius, that which he was able to take from others, or that which inspired them. Would this series, The Beethoven Connection, then, not have any further aims than to magnify the genius of Beethoven? Of course it does! If I may make a geographical analogy, a great mountain never rises isolated in the landscape.

The third stage of Filippo Gorini’s piano odyssey as part of his Sonata for 7 Cities project: Hong Kong, October–November 2025. "In a city where every centimetre counts, every second counted, and I was able to connect to every side of its community. I played for the homeless and millionaires, I played for the disabled and refugees, I taught children from disadvantaged backgrounds and elite music students" says Gorini. This album was recorded at Hong Kong City Hall and, as with every work from the Italian pianist’s journey, it combines major works from the repertoire with contemporary compositions: the programme features Beat Furrer’s new Étude, "a tour de force piece full of striking, nervous tension", followed by Johannes Brahms’s "mesmerizing" Fantasies Op. 116 and Schubert’s Sonata in G major.

Phoenix Chorale’s third album for Signum Classics, Christopher Gabbitas and the Phoenix Chorale present ‘Promised Land’ – a new album that surveys two and a half centuries of American choral music, from African American spirituals and Shaker hymns to works by Eric Whitacre, Caroline Shaw, and Frank Ticheli. Arrangements by Alice Parker, Shawn Kirchner, Moses Hogan and others sit alongside original compositions, unified by themes of freedom, longing, and collective resilience. Voices long overlooked by history, among them Shaker eldress Hannah Cohoon and nineteenth-century songwriter Matilda Durham, are restored to the concert repertoire in this rich and purposefully programmed celebration of America’s choral heritage in it’s 250th anniversary year.

Winning Streak emerged from a period of taking stock: leaving Los Angeles, returning to the UK, and reassessing the definition of success. The album looks back at missed opportunities and reimagined futures, sitting with the desire for another chance at moments that have already slipped by. The title is intentionally ironic, less about uninterrupted triumph and more the stubborn act of continuing on, even when direction and momentum fade.

With "25 - Best Of" Laith Al-Deen celebrates his greatest songs. Newly recorded, newly arranged and more emotional than ever. The icon of German-speaking pop looks back on 25 years of music history without becoming nostalgic. Instead, 15 completely new versions of his most important works are created - familiar in the heart, surprising in the sound.

Featuring a full big band, lush string orchestra, and GRAMMY-winning featured artist Ben Williams on the classic “Just One of Those Things,” this nine-song album reimagines beloved Sinatra repertoire with a modern-retro twist. We recently debuted select arrangements from the album at two sold-out performances at Royal Opera House of Muscat.

Morocco's position at the crossroads of Africa, Europe and the Middle East has given rise to one of the world's richest musical traditions. It was perhaps inevitable that the inquisitive artistry of tenor saxophonist and composer JD Allen would eventually lead him there. Drawn by the hypnotic pulse, spiritual depth and communal spirit of Gnawa music, Allen immersed himself in it's rhythms, it's people and, above all, it's capacity to communicate profound emotion through remarkable musical economy.Those experiences became the catalyst for SÖWT, but inspiration alone does not make compelling music. Back in the studio, Allen and his ensemble transformed what they had absorbed through the disciplines of composition, improvisation and collective listening, creating music that reflects their Moroccan encounters while remaining unmistakably their own. At once direct and mysterious, earthy and transcendent, SÖWT is less an attempt to explain another culture than to engage it in conversation, discovering common ground where tradition, imagination and improvisation meet.

Recifense do bairro da Torre, filho de funcionários públicos, EVO DANTAS compõe desde a adolescência.