Newly discovered unique prog/beat music from the 1970s! Day Of May was a progressive/avant-garde rock band from the very lively period 1971-1976, based in Nykobing Mors, Denmark. The lyrics are entirely Danish and are about life around us, about love, the universe and the adventure. For fans of Jethro Tull, Santana, Emerson, Lake and Palmer, Alrune Rod and Savage Rose.

Sveriges Radio's recordings of alternative music between 1967 & 1985 (except for disc A01 which was recorded in 2012 specifically for this box). A compilation consisting of 40 cd:s, subdivided thematically into 4 boxes (A, B, C and D). Each box contains 10 cd:s in cardboard covers and a booklet of 16 pages (box A and C) or 24 pages (box B and D). The 4 boxes are housed in a sturdy slipcase with another booklet (12 pages).

Sveriges Radio's recordings of alternative music between 1967 & 1985 (except for disc A01 which was recorded in 2012 specifically for this box). A compilation consisting of 40 cd:s, subdivided thematically into 4 boxes (A, B, C and D). Each box contains 10 cd:s in cardboard covers and a booklet of 16 pages (box A and C) or 24 pages (box B and D). The 4 boxes are housed in a sturdy slipcase with another booklet (12 pages).

When people are affected by a disaster, they often seek comfort. There is a long tradition of disaster songs: by singing together people sought support from each other.

Before you do anything else with Flash, drop the needle on the last half of “Ambitious,” the album’s chug-a-funk leadoff track. Just as singer Jimmy Hall steps back from the song’s skeletal tune and jackhammer rhythm with a Tarzanlike “yeah!” Jeff Beck’s guitar suddenly shoots up into the mix like a runaway jet, cutting a reckless path through Nile Rodgers’ spit ‘n’ polish production with sawtooth distortion and heat-ray feedback. Then, in a daredevil display of rock-guitar heroics that recalls Jimi Hendrix on Electric Ladyland in his full pyrotechnic glory, Beck yanks his guitar up and down flights of freakish harmonic steps, executes breathtaking suicide dives with his vibrato bar, and claws away at the song’s core riff with angry trills and harsh, scraping leads.

Hiram Bullock claimed that he had never done a "jazz" album before this – which is a debatable proposition depending upon how limiting your definition of jazz is. What counts is that he has come up with a beautiful album, drenched in soul-jazz yet touching upon popular music genres as well. Bullock didn't have to change much, utilizing his subdued and rock-tinged guitar styles at will, occasionally bursting out in full rock regalia and making tasty use of electronic additives.