Legendary Swedish heavy-progressive band who released 6 albums between 1974 and 1992 (plus a retrospective in 1996) and reunited and released a couple of new albums from 2004 and on. However, the only addition to the normal guitar, bass and drums instrumentation is some mellotron here and there. It's musical excellence with plenty of extended gratuitous guitar jams and very intricate lyrics. In several ways, Trettioåriga Kriget ("The 30-year War" in English) can be compare to Änglagård and Landberk to sense their influence. The first, self-titled is in many ways like Rush circa 1980. "Krigssång" is an album that fans of 70's rock in general will enjoy, and not just progressive rock listeners. In sum, this is one of the defining Scandinavian prog albums. The first two albums are necessary for any serious exploration of the region. The albums released after the reunion show that the band hasn't lost their touch!

Rigmor Gustavsson is without a doubt one of Sweden’s most successful jazz singers of all time. She studied in New York in the 90s where she formed her own band and has been touring worldwide since then. After many years with the German label ACT, featuring numerous best-selling albums and collaborations with notable artists like Nils Landgren, Lars Danielsson, various orchestras, and string quartets, she is now releasing her first album ever in her native tongue, Swedish. This album features Rigmor’s interpretation of some of her favorite Swedish songs in classy jazzy arrangements.

Vintersorg returns with their long-awaited new album “Vattenkrafternas Spel”! Merging old and new with a captivating mix of athmospheric Metal and Folk!
Sweden’s elemental force Vintersorg returns with their new album “Vattenkrafternas Spel”! “Vattenkrafternas Spel” merging old and new with a captivating mix of atmospheric Black Metal and Folk! It doesn’t just retrace old steps… it digs deeper! This is not the “let’s drink ale in the woods” version of Folk Metal,Vintersorg deals in frostbitten grandeur and soaring melancholy…

The Finnish-American composer Alex Freeman has been described as being ‘as comfortable in the realm of the pop ballad as in that of the concert hall’ and yet his songs ‘are imbued with the craftsmanship and care one would expect of a composer of his formidable academic training, just as his concert works carry the emotional immediacy of popular music.’ Himself a choral singer, Alex Freeman has written a number of works for choir: music that aims to be sonorous and melodic, but is carefully crafted to avoid the clichés that can burden conventional tonality.