Formidable psychic warriors, channelers of the mystic and proponents of a spiritual quest that transcends this realm, Goat remain a band shrouded in mystery. Travelling from their origins in the Swedish village of Korpilombo across the stages and festivals of the world in the last decade, this band has created their incendiary music entirely according to their own co-ordinates and conducted their affairs strictly by their own code.

Recorded at the Bijou Theatre in Knoxville, TN, Paper Doll Live, marks Samantha Fish’s first live album release. The tracklist features music from across her catalog and fan-favorite covers showcasing what makes Fish one of the most formidable guitarists of her generation. Fish deals in her own unmatched brand of bravado, bringing both mind-blowing power and extraordinary emotionality to everything she creates. Paper Doll Live, showcases the electrifying stage presence that defines her career.

Olivia Rodrigo returns with you seem pretty sad for a girl so in love, her third studio album following GUTS and SOUR. Building on the directness and bite that defined those records, she continues to explore relationships with a mix of vulnerability and edge. Expect tightly written songs that lean into contrast—intimacy set against doubt, affection tangled with frustration—delivered with the same instinct that made her earlier work resonate.

The fruitful collaboration of French-born saxophonist-clarinetist Robin Fincker and British pianist Kit Downes goes back decades. Their life paths have taken them from London to two different countries in Europe, and they met again five years ago when they teamed up with Irish singer Lauren Kinsella to set traditional songs and contemporary poetry to music. Their internationally acclaimed first album, Ombres (released on BMC Records in 2024) combined folk and contemporary music in the spirit of European jazz, resulting in a musical world that is sometimes magically beautiful, sometimes surprisingly rough. Two Minds follows a similar concept, but with a more polished sound that relies even more heavily on improvisation. Shadowlands thus continues its journey between old and new music, shedding light on the unheard corners of past songs whilst unfolding its own version of contemporary folk music. This new repertoire features traditional Sean Os songs alongside original compositions, completed by works of numerous poets – both men and women – from the 19th century to the present day.

The word frisson describes the moment when music sends a shiver through the body. It is the instant when sound stops being just sound and becomes emotion, memory, and physical sensation. Frisson Noir was created around this idea.

I Wish You Love is the critically acclaimed second studio album by the prominent Hong Kong audiophile jazz singer Susan Wong, initially released in December 2004 through Rock in Music. Known for her smooth, warm, and intimate vocal style, Wong reimagined several classic pop, rock, and jazz standards for this record.

Ten reimagined versions of every song from Joan As Police Woman's Real Life album (Reveal Records 2006). Twenty years in the making. Developed through countless nights on stage, these new arrangements are brought to life by the musical brilliance of the players who helped define their sound. Some transformations are subtle. Others are seismic. All of them were made with an entirely new cast of collaborators. In order of appearance: Will Graefe, Jeremy Gustin, Tony Scherr, Parker Kindred , Danny Blume, Krystle Warren, Oren Bloedow, Thomas Bartlett and Iggy Pop.

Stevie Nicks Sings for the Things Money Can’t Buy on Rock a Little: Platinum Album Features Extravagant Production, Includes the Hit Singles “Talk to Me” and “I Can’t Wait”. Mobile Fidelity’s Hybrid SACD Presents the 1985 Record in Audiophile Sound: Strictly Limited to 3,000 Numbered Copies, 40th Anniversary Reissue Plays with Exceptional Balance and Clarity.

Stevie Nicks Breaks Out as a Solo Force on Bella Donna: 1981 Album Features Extraordinary Vocal Performances and Four Hits, Including “Edge of Seventeen” and “Stop Draggin’ My Heart Around”. Experience the Record’s Spontaneous Feel, Raw Emotions, and Organic Arrangements in Transparent Sound on Mobile Fidelity’s Numbered-Edition Hybrid SACD.

Love Forever, our 2025 set of demos from Grammy-winning singer-songwriter Jackie DeShannon, set collector hearts a-flutter all over the world with it's collection of introspective, folk rock-flavored tunes drawn from her unreleased recordings for Metric Music Publishing. Now, we're one-upping ourselves with Girl of Yesterday-Acoustic Folk Demos, a collection of COMPLETELY UNRELEASED acoustic folk demos from Jackie, taken from the same rich source of material. Folk music came naturally to Jackie. She got her start singing gospel at home and in church as a child in her native Kentucky, and then singing country songs in her teens on her own weekly radio show. And her first, self-titled album for Liberty in 1963 consisted entirely of folk repertoire. But that album only featured folk songs written by other artists. Girl of Yesterday-Acoustic Folk Demos, on the other hand, presents a dozen tunes, all penned by Jackie for an album distributed by Metric in 1964.

Long-awaited CD reissue of La Toya Jackson’s 1981 sophomore album including six additional long-unavailable bonus tracks. Essential collector’s item for all Jackson fans and completists.

Alicia Keys' debut album, Songs in A Minor, made a significant impact upon its release in the summer of 2001, catapulting the young singer/songwriter to the front of the neo-soul pack. Critics and audiences were captivated by a 19-year-old singer whose taste and influences ran back further than her years, encompassing everything from Prince to smooth '70s soul, even a little Billie Holiday. In retrospect, it was the idea of Alicia Keys that was as attractive as the record, since soul fans were hungering for a singer/songwriter who seemed part of the tradition without being as spacy as Macy Gray or as hippie mystic as Erykah Badu while being more reliable than Lauryn Hill. Keys was all that, and she had style to spare – elegant, sexy style accentuated by how she never oversang, giving the music a richer feel. It was rich enough to compensate for some thinness in the writing – though it was a big hit, "Fallin'" doesn't have much body to it – which is a testament to Keys' skills as a musician. And, the fact is, even though there are some slips in the writing, there aren't many, and the whole thing remains a startling assured, successful debut that deserved its immediate acclaim and is already aging nicely.

Grammy-nominated Malian singer, songwriter and guitarist Fatoumata Diawara returns in 2026 with MASSA, her most personal work to date. Introspective and powerful, the album explores motherhood, faith, memory, and resilience, transforming intimate reflection into universal storytelling. Through these songs, Fatoumata invites listeners, of all backgrounds, to embrace gratitude and accept that destiny is an inevitable part of the human journey. The album also carries a moving tribute to her late father, whose love continues to guide her beyond his passing.

Entering a bold new era, Evanescence continues to push boundaries with their new album, Sanctuary. The album features tracks produced by Zakk Cervini & Jordan Fish alongside songs produced by Nick Raskulinecz (Korn, Foo Fighters, Rush) and includes the global phenomenon "Afterlife," which became the fastest-rising single of the band's career and "Who Will You Follow," a track that highlights Amy Lee's signature powerhouse vocals and intensity. Sanctuary signals an exciting new chapter for the band as they continue to captivate audiences worldwide.

Cut from the original master tapes by Kevin Gray and pressed on 180-gram black vinyl at Optimal in Germany, these releases feature glossy gatefold packaging with “tip-on” jackets and newly written liner notes.