On October 17th, 1959, Cliff Richard and The Shadows hit the No. 1 spot in the UK with 'Travellin' Light'. This was the first single credited to Cliff Richard and The Shadows - re-named from their original title - The Drifters. All seven No. 1 singles and a further sixteen Top 10 hits are included going right the way up to their 2009 reunion.

Bruce Springsteen once said he intended to make an album with words like Bob Dylan that sounded like Phil Spector where he sang like Roy Orbison, a nifty summary of many, but not all, of his artistic ambitions and a key to his appeal. Unlike any other singer/songwriters saddled with the appellation of "the new Dylan" in the early '70s, Springsteen never hid how he was raised on '60s AM radio. He loved rock & roll, whether it was the initial blast from the '50s or the mini-symphonies from the days before the Beatles or the garage rockers that surfaced in the wake of the British Invasion, and all this could be heard within his wild, wooly collective E Street Band, a group who debuted on his second album, 1973's The Wild The Innocent & The E Street Shuffle, and who would support him throughout most of his career.

Spanning two historic decades for the genre, the very best of 60s and 70s soul is brought together on one unique album and features classics from Stevie Wonder, The Supremes, Four Tops, Aretha Franklin, Gladys Knight & The Pips, Barry White and many more.

Across 3CDs, “The Best 60s Album In The World… Ever!” brings together 75 of the biggest and most well-loved hits of an iconic and culture-defining decade and showcases some of the most popular artists in recorded music history.Superstar names like Rod Stewart, Bob Dylan, Elvis Presley, David Bowie, The Moody Blues, The Beach Boys on this first class swinging 60s collection… “The Best 60s Album In The World… Ever!

A New York icon and one of the most successful singer/songwriters of the late 20th century, Billy Joel rose to success in the mid-'70s with a melodic piano-led pop sound that merged Beatlesque hooks with elements of rock, jazz, Tin Pan Alley, and even Broadway. A Long Island native with a powerful voice and knack for storytelling, Joel first made the pop charts with "Piano Man," a rousing barroom singalong with a bittersweet old-timey feel that became his signature song. Released in 1977, his fifth album, The Stranger, launched him into superstardom yielding four Top 40 hits including "Only the Good Die Young" and the Grammy Award-winning soft rock ballad "Just the Way You Are."

The Ultimate Collection: Mod brings together 5CDs containing 100 tracks that encapsulate the spirit of a sub cultural youth movement that began in London in 1958 focusing on music and fashion. All genres of “mod” related music are represented in this amazing collection; the early roots of mod jazz, the beat groups/artists of the 1960s, ska, northern soul, Motown plus the key bands from the ska and mod revivals. Including The Jam’s “Town Called Malice”, Frank Wilson’s “Do I Love, Indeed I Do”, The High Numbers’ “I’m The Face”. Plus The Pioneers “Long Shot Kick De Bucket” as well as Martha Reeves & The Vandellas’ Motown classic “Jimmy Mack”. For mods everywhere, young and old this is the ultimate mod collection. We Are The Mods, We Are The Mods , We Are We Are, We Are The Mods..!!

Bruce Springsteen once said he intended to make an album with words like Bob Dylan that sounded like Phil Spector where he sang like Roy Orbison, a nifty summary of many, but not all, of his artistic ambitions and a key to his appeal. Unlike any other singer/songwriters saddled with the appellation of "the new Dylan" in the early '70s, Springsteen never hid how he was raised on '60s AM radio.

Bruce Springsteen once said he intended to make an album with words like Bob Dylan that sounded like Phil Spector where he sang like Roy Orbison, a nifty summary of many, but not all, of his artistic ambitions and a key to his appeal. Unlike any other singer/songwriters saddled with the appellation of "the new Dylan" in the early '70s, Springsteen never hid how he was raised on '60s AM radio.

Recorded Live at the Fillmore West, San Francisco, California, USA 29th April 1970

Grace Jones Grace Jones was one of the more unforgettable artists to emerge from New York City's hedonistic Studio 54 disco scene of the late '70s. Born in Spanish Town, Jamaica, Jones was raised in a strict and devoutly Pentecostal household by her parents, who eventually moved to the U.S. and left Jones and her siblings in the care of their grandmother and an abusive step-grandfather. At the age of 13, the Jones children joined their parents in the States. Jones studied theater at Syracuse University before launching a career as a model, notably evident on the 1973 Philadelphia International reissue of Billy Paul's second album.

The sibling vocal group behind the exemplary togetherness anthem "We Are Family" (1979), a chart-topping, platinum-certified, Grammy-nominated mainstream breakthrough, Sister Sledge reached their commercial peak during the disco era but had been recording since the early '70s, and have remained active in the following decades. The versatile Sledges ably covered Jackson 5-style pop-R&B, Philly soul, funk, and disco before they teamed up with Chic's Nile Rodgers and Bernard Edwards to achieve mainstream fame with the title track off We Are Family, a Top Five pop album with additional dancefloor classics such as "He's the Greatest Dancer" and "Lost in Music." By the end of the '80s, Sister Sledge had also produced their own material and worked with the likes of Narada Michael Walden and George Duke, and topped the U.K. pop chart with the bubbly "Frankie" (1985), produced by Rodgers. They've recorded infrequently since then and have continued to perform into the 2020s with varying lineups.

Back to the past with radio FM Gold – The Ultimate Collection, a box set of 5 CDs for a total of 100 tracks.

Peter Gabriel has long been a proponent of cutting-edge technology and grand theatrics. On his Summer 2003 North American tour, he once again pushed the proverbial envelope, thinking and acting outside the antiquated orbits of the traditional multimedia mega-conglomerates.

Bruce Springsteen once said he intended to make an album with words like Bob Dylan that sounded like Phil Spector where he sang like Roy Orbison, a nifty summary of many, but not all, of his artistic ambitions and a key to his appeal. Unlike any other singer/songwriters saddled with the appellation of "the new Dylan" in the early '70s, Springsteen never hid how he was raised on '60s AM radio.

As the title makes clear, this three-disc, unmixed collection has one simple aim: to soundtrack kitchen discos, living room dances and long car journeys with a jam-packed selection of disco hits and disco-tinged favourites. It does a good job at that, even if some of the selections tend towards the lesser-known end of the commercial disco spectrum, discs showcasing such disco must-haves and part-starting sing-alongs as Dan Hartmans soaring Relight My Fire famously covered Take That in the 90s, Diana Ross's Im Coming Out, Chaka Khan's inspired 'Young Hearts Run Free', Grace Jones' punk-funk Roxy Music cover Love Is The Drug, McFadden & Whiteheads epic Aint No Stopping Us Now and Cheryl Lynns peerless Got To Be Real.