Love Is for Suckers is the fifth studio album by the heavy metal band Twisted Sister. It was released by Atlantic Records on July 03, 1987, with the single "Hot Love" being released on July 1. The sound of the album was strongly influenced by glam metal, and was one of the causes of conflict which led to the band splitting after its release. According to interviews contained in the Live at Wacken DVD and in Snider's autobiography, the material was originally meant to be a solo album by Twisted Sister's lead singer, Dee Snider, but the label pushed for it to be released under the Twisted Sister name instead. The tour for the album lasted just over one month and ended in Minneapolis, Minnesota on October 10, 1987. Two days later, on October 12, 1987, vocalist Dee Snider announced his departure from the band. It would be Twisted Sister's final studio album of original material, as all albums since have been compilations, live albums or re-recordings of already written material.

One of the seminal documents of the progressive rock era, a record that made its way into the collections of millions of high-school kids who never heard of Modest Mussorgsky and knew nothing of Russia's Nationalist "Five." It does some violence to Mussorgsky, but Pictures at an Exhibition is also the most energetic and well-realized live release in Emerson, Lake & Palmer's catalog, and it makes a fairly compelling case for adapting classical pieces in this way. At the time, it introduced "classical rock" to millions of listeners, including the classical community, most of whose members regarded this record as something akin to an armed assault. The early-'70s live sound is a little crude by today's standards, but the tightness of the playing (Carl Palmer is especially good) makes up for any sonic inadequacies. Keith Emerson is the dominant musical personality here, but Greg Lake and Palmer get the spotlight enough to prevent it from being a pure keyboard showcase.

With his barbed-wire guitar work and hearty vocal on a marathon rendition of "Catfish Blues," Johnson hauls the time-honored Delta tradition into contemporary blues. The entire album is an eminently solid, doggedly down-home affair, though nothing else quite measures up to the powerhouse attack of that one vicious workout.

Best Shots is a Platinum-certified greatest hits album released by the American rock singer Pat Benatar in 1987 in Europe and in an updated version in 1989 in North America. It peaked at No. 67 on the U.S. Billboard 200 album chart, two years after the album peaked at No. 6 in the UK.

Since Almoraima (1976) Paco had not recorded an album which we could call authentically Flamenco. Not like his early recordings, which centred on classic guitar toques as played in concert. On Siroco, he abandons for the moment the sound of The Sextet to mark out in eight pieces the new vanguard of Flamenco creation. A record for lovers of good music, a mature and worthy work.

It would be a sad day if Haydn and Mozart symphonies were only to be heard on period instruments, but with Sir Georg Solti and Sir Colin Davis jointly perpetuating the tradition of Haydn performances which Beecham created in the 78rpm era, with its combination of elegance and warm humanity, we need have no fears on this score.

1987 German 18-track compilation CD album featuring his greatest songs includes three lives tracks plus two bonus tracks. Fold-out picture sleeve including family tree.

The second solo album from the former Nazareth frontman is a good follow up to his first. Filled with great songs and sung with power and passion, this album is a must have for any McCafferty fan. This gritty vocalist gained early experience as a member of the Shadettes, a mid-60s beat group based in Dunfermline, Scotland. By 1968, the act had evolved into Nazareth, which grew from provincial origins into a leading international attraction. McCafferty’s throaty rasp was an integral part of the unit’s best-known hits, notably ‘Broken Down Angel’ and ‘This Flight Tonight’ (both 1973), but he undertook a concurrent solo project in 1975. Dan McCafferty comprised several of the artist’s favourite songs, including ‘Out Of Time’, which broached the UK Top 50 as a single. The singer then resumed his commitment to the parent group, but re-embarked on an independent career in 1987 with Into The Ring.

Cendres de Lune is the debut album by the French singer/songwriter Mylene Farmer, released on April 1, 1986. The album was precedeed by the hit single "Libertine", and the album was rereleased in 1987 preceded by the song "Tristana". This album, which was Farmer's sole one written and composed by Laurent Boutonnat, achieved a moderate success in France in comparison with the next albums of the singer, but helped launch the career of this one.

Like his teacher Yehudi Menuhin before him, the artist formerly known as "Nige" proves to be an uncommonly dab performer on the viola. He certainly has the full measure of the 26-year-old Walton's astonishingly mature concerto (unquestionably the finest of the composer's three), penetrating to its bitter-sweet core with devastating emotional candour. Similarly, Kennedy's bitingly intense reading of the yearningly lyrical Violin Concerto earns the warmest plaudits in its characterful involvement and edge-of-seat spontaneity.

The Grateful Dead's eponymously titled debut long-player was issued in mid-March of 1967. This gave rise to one immediate impediment – the difficulty in attempting to encapsulate/recreate the Dead's often improvised musical magic onto a single LP. Unfortunately, the sterile environs of the recording studio disregards the subtle and often not-so-subtle ebbs and zeniths that are so evident within a live experience. So, while this studio recording ultimately fails in accurately exhibiting the Grateful Dead's tremendous range, it's a valiant attempt to corral the group's hydra-headed psychedelic jug-band music on vinyl.