Following the tremendous success of her 2011 album Kuniko Plays Reich, and subsequent recordings of works by the pioneering composer, percussionist Kuniko has established a reputation as one of the foremost interpreters of Steve Reich. Here she has recorded Kuniko Plays Reich II, a bold programme of innovative works which span Reich's artistic career and showcase some of his groundbreaking techniques. Composed in his early thirties, Piano Phase is performed in Kuniko's own mesmerising arrangement for two vibraphones; characteristically Kuniko plays both parts. While Nagoya Marimbas uses some composition tools which Reich popularised in Piano Phase, Four Organs draws its inspiration from the Middle Ages. Closing this riveting recital, Mallet Quartet sees Reich in a more melodically expansive mood, albeit with his trademark tight rhythmic drive and canonic textures.

For her sixth Linn recording KUNIKO has chosen to pay a personal tribute to one of Japan’s most celebrated post-war composers: Akira Miyoshi (1933–2013). Showcasing Miyoshi’s marimba works from the last four decades of the twentieth century, this recording represents a reference collection commemorating the composer’s significant contribution to this repertoire.

KUNIKO's eagerly awaited second album includes world premiere recordings of the percussionist's new arrangements of popular works by contemporary composers Arvo Pärt, Steve Reich and Hywel Davies.

Composer and trumpeter Ambrose Akinmusire makes his Nonesuch Records debut with Owl Song. The album features a trio with two musicians Akinmusire has long admired, guitarist Bill Frisell and drummer Herlin Riley.

Musically, there is little to delineate the fifth long-player from Quicksilver Messenger Service, What About Me, from their previous effort, Just for Love. Not surprisingly, material for both was initiated during a prolific two-month retreat to the Opaelua Lodge in Haleiwa, HI, during May and June of 1970. The quartet version of Quicksilver Messenger Service - which had yielded the band's first two LPs - expanded once again to include Dino Valenti (aka Chester A. Powers, Chet Powers, and most notably on this album, Jesse Oris Farrow) as well as British session keyboardist Nicky Hopkins. The additional talents of Mark Naftalin (keyboards) were incorporated when Hopkins was unavailable. This began his short stint with Quicksilver Messenger Service, which lasted through their sixth LP, Quicksilver (1972). The most apparent change in Quicksilver Messenger Service's sound can be directly attributed to the return of Valenti…

Jimmy Dawkins is the lead singer and blues guitar extraordinaire on 5 of these 10 blues songs recorded in Reykjavik, Iceland! The 10 songs were chosen from 3 performances recorded April 18-20 1991 with all songs including backup band of Icelandic blues musicians that includes an 18 year old prodigy named Gudmunder Petursson.
All three guitarists ("Blue Ice" Bragason the other) get a chance to solo and shine as does Chicago Beau who is lead singer on 4 songs while adding harmonica, also! Chicago Beau is very good!
There is good version of Tin Pan Alley (Steve Ray Vaughn version probably better…), a Sonny Boy Williamson tune, and an 8 minute blues version of Willie Nelson’s Nightlife. Two songs (Welfare Line; Feel So Bad) Dawkins performed previously on his own Blisterstring album with his early Delmark label (Chicago)…

Sublimely spiritual work from the great John Coltrane - a live album, but one that's easily one of his most important contributions to music in the early 60s - and a set that we'd rank right up there with his best studio sides for Impulse or Atlantic Records at the time! The group here features McCoy Tyner on piano, Reggie Workman on bass, and Elvin Jones on drums - plus the very important addition of Eric Dolphy on the leadoff tune "Spiritual" - a number that features Dolphy on bass clarinet alongside Coltrane's tremendous tenor, as both players open up on extended solos that take the tune to nearly 14 minutes in length! Other numbers omit Dolphy, but are still totally great - and Coltrane picks up the soprano sax for a classic reading of "Softly As In A Morning Sunrise" - and the group shifts slightly for the freer "Chasin The Trane", a 16 minute romp done with only tenor sax, drums, and bass - the latter of which is handled here by Jimmy Garrison instead of Workman.

Ruphus is probably one of the most important 70's Norwegian heavy prog rock band (there were a few of those back then: Aunt Mary, Titanic, Popol Vuh/Ace etc.) but their music evolution would differ greatly from those groups. Their debut "A New Born Day" is certainly one of the best Norwegian albums with a very exciting sound and its extraordinarily communicative enthusiasm, even if a bit dated. But three members left after the album release and a new singer was found for their second album "Ranshart", a more progressive record looking towards Yes and Focus, but it was not quite as exciting as the debut. Future jazz-rock legend Terje Rypdal produced their third album "Let Your Light Shine", a jazz-rock album that had much success in Germany, but again, personnel change struck at the worst of times, but their fourth album "Inner Voice" continued the formula…

"My name is Christopher von Deylen - and I am Schiller." At some point during every Schiller concert, von Deylen speaks these ten words and the crowd goes wild. Schiller’s ethereal “global pop”, as his fans and the press have coined the style, gives the listener a feeling of floating in a dream world. Inspired by electronic classics such as Tangerine Dream, Kraftwerk, and Jean-Michel Jarre, von Deylen is known for creating visionary sounds that are way ahead of their time.