Yes guitarist Steve Howe is to reissue two of his solo albums, 1999's Portraits Of Bob Dylan and 2001's Natural Timbre, on September 12, on CD and also vinyl for the very first time, through his own HoweSound label.

Peg Leg is an album by jazz bassist Ron Carter, originally released on LP in 1978. It was recorded in November 1977 and prominently features Carter on piccolo bass. Often carrying the melody the instrument is a focus of 3 of the albums 6 tracks, while fellow bass player Buster Williams performs the conventional role of the instrument on those tracks. The rhythm section is completed by piano and percussion (on all but 1 track), and guitar on 4 tracks. The standard jazz-ensemble is further augmented, on all 6 tracks, by woodwinds.

Faithful in the Kansas label, I Flashmen released in 1972 their second album "Pensando", moving closer to Italian Prog and abandoning for the first time the pop sinsibilities of their debut. While not on par with the very best Italian albums of the period, I Flashmen's second offering is a deep fanfare of organ-tinged Psych/Prog with a few Classical nuances and still strong 60's inspirations, but the music is pretty harder, rockier and definitely more interesting than on their bittersweet and rather immature first album. Influences from early New Trolls, Le Orme during their transitional period and Hunka Munka are quite obvious with the tracks being led by the blisterring Hammond organ of Silver Scivoli along with his fantastic voice…

Bliss with founding members Steffen Aaskoven, Marc-George Andersen, with Alexandra Hamnede (vocals) and Tchando (vocals) is an international chillout music collective from Denmark, Sweden and Guinea-Bissau, West Africa. Since 2001, they have become one of the true Chillout underground acts. Releasing material on the Danish label, Music for Dreams, appearing on more than 60 compilations worldwide and in such tv shows as CSI: Crime Scene Investigation. Vocalists Tchando and Alexandra Hamnede provide Bliss with soulful performances that reflect their alternately African-tinged and jazz-based foundations, resulting in an ethereal stew of pan-global atmosphere.