Pink Floyd Some bands turn into shorthand for a certain sound or style, and Pink Floyd belongs among that elite group. The very name connotes something specific: an elastic, echoing, mind-bending sound that evokes the chasms of space. Pink Floyd grounded that limitless sound with exacting explorations of mundane matters of ego, mind, memory, and heart, touching upon madness, alienation, narcissism, and society on their concept albums of the '70s. Of these concept albums, Dark Side of the Moon resonated strongest, earning new audiences year after year, decade after decade, and its longevity makes sense.

New album from acclaimed pianist William Hobbs presents works by Greek-Canadian composer Christos Hatzis and the enigmatic Indian-English composer Kaikhosru Shapurji Sorabji. The two composers share a fluidity of melodic and rhythmic treatment in their music that is rooted in the Western classical tradition but refracted through a lens of Eastern thought. The results are vastly different but equally compelling. They also share a penchant for exploring their spiritual selves in their compositions, which is amply represented in the music on this recording.

Cookin' is the first of four albums derived from the Miles Davis Quintet's fabled extended recording session on October 26, 1956; the concept being that the band would document its vast live-performance catalog in a studio environment, rather than preparing all new tracks for its upcoming long-player. The bounty of material in the band's live sets - as well as the overwhelming conviction in the quintet's studio sides - would produce the lion's share of the Cookin', Relaxin', Workin', and Steamin' albums. As these recordings demonstrate, there is an undeniable telepathic cohesion that allows this band - consisting of Miles Davis (trumpet), John Coltrane (tenor sax), Red Garland (piano), Paul Chambers (bass), and Philly Joe Jones (drums) - to work so efficiently both on the stage and the studio…

2009 four CD antology from the British Jazz/Prog/Art Rock band. Pieced together with the active assistance of band leader Jon Hiseman, Morituri Te Salutant features extended highlights from Colosseum's original albums as well as numerous previously-unissued studio and live outtakes, including BBC session material, the aborted late '60s single `Tell Me Now' and a host of alternative recordings from the tour that was immortalised on what many admirers believe to be the band's definitive work, Colosseum Live. Lavishly packaged with hitherto unpublished photos and a 10,000 word essay, Morituri Te Salutant is the final word on one of the most individual and iconoclastic British bands to emerge from the musical and cultural revolution of the '60s.

The year after J. C. Bach arrived in London he published three sets of works, among them this set of "Favourite Overtures". All but one of them had been heard in the King's Theatre, where he served as resident composer. Only one, the first on this disc, prefaced an opera of his own, Orione; Nos. 2, 4, 5 and 6 were written for pasticcios produced at that theatre between summer 1762 and early 1763, while No. 3, as far as we know, was not known in London, making the title "favourite" seem a little optimistic (it had been written for an opera heard in Turin in 1761). Being opera overtures, and essentially products of his Italian period, they are rather lighter in content and manner than most of J. C. Bach's music.

The Royal Handel of the title of this Alpha release does not refer to music for the king specifically but to the Royal Academy of Music. Founded in 1719, this opera organization gave Handel his first major post in Britain when he was appointed the music director. He traveled back to Italy, returning to London with the singers and instrumentalists who would bring his music to life over the next two decades. He had rivals whom he eclipsed, Giovanni Bononcini and Attilio Ariosti, and they are represented on the program; it's striking how Handelian their music sounds in this context, even if the Handel arias have greater breadth.

This 7CD set is the fruit of the love affair that developed in Paris between Leonard Bernstein and the Orchestre National de France in the 1970s. Beside long-admired studio recordings, featuring Mstislav Rostropovich and Alexis Weissenberg among the soloists, it presents live performances completely new to the catalogue: a 1975 programme to celebrate Ravel’s centenary – with Bernstein himself as soloist in the G major piano concerto – and orchestral suites taken from two of Bernstein’s most celebrated and brilliant works, both infused with jazz: the film score On the Waterfront and the landmark Broadway musical West Side Story.

"Springtime in Nagasaki" is the opening chapter of Tangerine Dream's five-CD project entitled "The Five Atomic Seasons". which were commissioned by a Japanese survivor of the 1945 dropping of the first atomic bomb. The six tracks which feature on this release emerge from two larger works - ‘Navel Of Light’ and ‘Persistence Of Memory,’ which are both divided into separate parts.

Definitely Maybe was originally released in August 1994 and was an immediate critical and commercial success. The fastest selling debut album ever (at the time), it went seven-times platinum in the UK (over 2 million copies), and sold 5 million worldwide. Containing the classic debut single Supersonic, released April 1994, and subsequent singles Shakermaker, Live Forever, and Cigarettes & Alcohol. The album was remastered in 2014 by Ian Cooper at Metropolis Mastering, London.

Formed in Cambridge in 1969 by Tim Souster and Roger Smalley, Intermodulation started out as a 4 piece group with the addition of Robin Thompson and Andrew Powell (who soon moved on to other Cambridge projects, including a pre Chris Cutler Henry Cow). Powell was replaced by Peter Britton, and this incarnation of the group remained for the duration of their existence. Having releasing a box set of works by Gentle Fire it felt necessary to do the same with Intermodulation and thus complete the other half of this missing chapter in British experimental music. Intermodulation have a quite different line up to Gentle Fire, most notably with Peter’s percussion, Robin on bassoon and soprano sax, and the shared use of VCS3’s and electric keyboards. Nonetheless both groups covered similar ground, appeared at the same European festivals, travelled together with Stockhausen to Iran, and they were generally concerned with a similar repertoire of experimental scores. Although Intermodulation released no records during their existence (and Gentle Fire only the one LP), both groups did appear side by side on the recording of Stockhausen’s Sternklang.

In their latest release, the Viano Quartet—one of today’s most dynamic young string ensembles—pays homage to NASA’s Voyager Program, which launched two spacecraft in 1977 on a mission to explore the farthest reaches of our solar system.

Valentin Silvestrov was forced to leave his native Ukraine after the Russian invasion of 2022. His music has a prescient quality that unerringly seems to express the fate of his homeland. The intimate Violin Concerto and the heartfelt, single-span Eighth Symphony are notable for their economy of expression and emphasis on beauty, depth and harmony. This is music that hovers on the edge of silence in an uplifting homage to love and humanity, hope and renewal.

This is the latest addtion to the highly regarded CD series, MARIAN MCPARTLAND'S PIANO JAZZ, which is take from Ms. McParland's highly successful and long-running NPR program. This album features stripped-down, live-in-the-studio performances of Steely Dan Classic "Josie," "Black Friday," and "Chain Lightning."

The Mystery Lights return with their most ambitious offering to date. With Wayne Gordon back in the producer's chair, the group delivers an eclectic mix of real-deal psychedelia, punk, art rock, and even a splash of country via the Kinks(y) pop earworm "I'm Sorry I Forgot Your Name".

KUNIKO’s fifth studio recording sees the hugely talented percussionist return to the music of Steve Reich, a composer she has championed since her debut recording in 2011. In Drumming KUNIKO delivers a tour-de-force performance of the work which is widely considered minimalism’s first masterpiece. Performing all thirteen parts herself, and adopting the same multi-track approach which was so successful on kuniko plays reich, KUNIKO once again displays the technical virtuosity and flawless musicianship for which she is renowned. This seminal work employs Reich’s trademark phasing technique; subtle changes in timing and timbre cause the soundscape to build through a series of rhythmic loops which gradually evolve to create a wholly immersive experience. After hearing her performance on Drumming Reich commented: 'The result is like a microscopic close up of the piece where all the finest details are heard with amazing clarity'. Drumming sees the award-winning percussionist once again demonstrate the musical intelligence and flair which makes such a captivating performer.