Known for his mariachi-inspired easy listening sound, trumpeter Herb Alpert is one of the most successful instrumental performers in pop history. He is also one of the entertainment industry's canniest businessmen, having co-founded A&M Records – a label that ranks among the most prosperous artist-owned companies ever established – with partner Jerry Moss. Collection includes: The Lonely Bull (1962); South Of The Border (1964); Whipped Cream & Other Delights (1965); !!Going Places!! (1965); What Now My Love (1966); S.R.O (1966); The Beat Of The Brass (1968); Rise (1979); Fandango (1982); Bullish (1984); Keep Your Eye On Me (1987); Classics, Volume 1 (1987); Steppin' Out (Featuring Lani Hall) (2013); In The Mood (2014); Come Fly With Me (2015).

"Feels So Good" is a 1977 jazz album released by Chuck Mangione. It contains his hit single, the title song "Feels So Good", which in an edited form reached No. 4 on the U.S. charts. The song also reached the top of the Billboard adult contemporary chart. It was also frequently referenced on the animated television comedy King of the Hill, on which Mangione had a recurring voice role as himself.

Masterpiece is a spectacularly vibrant, historically monumental, and masterfully synchronized contemporary studio masterpiece led by the legendary Emmy-winning American guitarist, composer, and instrumental vanguard pioneer Chieli Minucci under his iconic Special EFX banner, released in 1999 by Richard Nevins’s premier independent global preservation imprint Shanachie Records. Spanning over 65 minutes of deeply infectious, heavily syncopated rhythms and silky melodic contours across 12 definitive selections, this high-fidelity document serves as an absolute peak monument in late-1990s smooth jazz archaeology. Marking a profound period of creative transition for the group following the departure and eventual passing of co-founder George Jinda, Minucci steps forward to anchor the project entirely, executing a fierce, forward-thinking sonic blueprint that flawlessly fuses his signature soaring guitar lines with organic world percussion, urban neo-soul elements, and sophisticated acid-jazz matrices.

Modern Manners is a spectacularly vibrant, historically monumental, and masterfully synchronized contemporary studio masterpiece led by the legendary American-Hungarian instrumental vanguard duo Special EFX, released in 1985 by Dave Grusin and Larry Rosen's premier independent audiophile preservation imprint GRP Records. Spanning over 52 minutes of deeply infectious, heavily syncopated rhythms and silky melodic lines across 11 definitive selections, this high-fidelity document serves as an absolute peak monument in mid-1980s crossover jazz archaeology. Driven by the brilliant creative partnership of guitarist Chieli Minucci and master percussionist George Jinda, Special EFX utilizes this sophomore studio ledger to execute a fierce, forward-thinking sonic blueprint that completely defined the sophisticated transition from traditional jazz fusion into modern smooth jazz and global world-beat soundscapes.

Everything Is Everything: The Music Of Donny Hathaway is a spectacularly explosive, historically monumental, and masterfully synchronized contemporary soul-jazz studio masterpiece led by the legendary American tenor saxophone vanguard icon Kirk Whalum, released in 2010 by the premier independent jazz preservation imprint Mack Avenue Records under the Rendezvous Music label banner. Spanning nearly 60 minutes of breathtakingly passionate, gospel-drenched instrumental and vocal interactions across 11 definitive selections, this high-fidelity document serves as an absolute peak monument in early-2010s urban jazz archaeology. Conceived by master producer Matt Pierson entirely as a deeply moving, expansive concept tribute to the brilliant compositional and vocal legacy of R&B icon Donny Hathaway, Whalum utilizes this stellar acoustic-electric laboratory to execute a fierce, forward-thinking sonic blueprint that seamlessly marries the crying, preaching textures of his Texas-tenor horn architecture with sophisticated neo-soul rhythmic matrices.

Love And Understanding is a spectacularly vibrant, historically monumental, and masterfully synchronized contemporary studio masterpiece led by the legendary American soprano saxophone vanguard icon and urban-jazz pioneer George Howard, released in 1991 by Dave Grusin and Larry Rosen's premier independent audiophile preservation imprint GRP Records. Spanning over 49 minutes of deeply infectious, funk-infused rhythmic interactions and silky soul grooves across 10 tracking alignments, this high-fidelity document serves as an absolute peak monument in early-1990s contemporary jazz archaeology. Striking a brilliant, highly influential balance between organic woodwind lyrical phrasing and cutting-edge electronic R&B production, Howard utilizes this unique studio ledger to execute a fierce, forward-thinking sonic blueprint that defined the sophisticated multi-era transition from traditional soul-jazz into modern urban soundscapes.

Sade made a strong comeback in 2000 with Lovers Rock, her first album in eight years. She sealed the deal in 2002 with Lovers Live, a collection of performances from her very successful summer tour. It's proof that Sade hasn't lost a note and her fans haven't missed a beat. Above all things, the record is smooth. Sade's new songs mix seamlessly with classics from every stage of her career. An energetic eight-piece band breathes new life to the old tunes and offers another look at the Lovers Rock material.

Told U So is a spectacularly polished, deeply soulful, and masterfully balanced electronic pop studio release by the acclaimed Portland-based husband-and-wife duo Nu Shooz, released in 1988 by the major international imprint WEA. Spanning nearly 50 minutes across 11 beautifully produced tracks, this high-fidelity studio document stands as a vital peak statement in the late-80s sophisti-pop and freestyle crossover movements. Following up on the massive international success of their breakout hits, multi-instrumentalist Valerie Day and producer-songwriter John Smith refined their signature sonic blueprint. The album completely showcases a highly compelling production strategy: weaving crisp electronic basslines, layered freestyle horn arrangements, and bright Oberheim synthesizer chords around Day's smooth, effortless R&B vocal deliveries and Smith's rich, jazzy acoustic saxophone and guitar accents.

Pearls is a spectacularly lush, deeply cinematic, and masterfully tailored orchestral jazz masterpiece by the legendary American alto saxophone icon David Sanborn, released in 1995 by Elektra Records. Spanning over 51 minutes across 10 exquisitely arranged tracks, this high-fidelity studio document captures Sanborn at an absolute pinnacle of late-career mature elegance. Stepping into a grand, traditional pop and vocal standard landscape, Sanborn pairs his signature searing, crying horn tone with the sweeping, ultra-romantic orchestration of a full string section masterfully arranged by Johnny Mandel. Moving away from heavy electronic fusion backdrops, the music delivers an incredibly polished, slow-burning crossover blend of acoustic jazz intimacy and dramatic, big-screen symphonic architecture. The tracklist is an absolute masterclass in emotional depth, showcasing breathtaking, definitive instrumental re-imaginings of timeless standards and soul lore, including Leon Russell's This Masquerade, the brooding romance of Try A Little Tenderness and Smoke Gets In Your Eyes, and a soaring, melancholic reading of Sade's Pearls. Exceptionally preserved in pristine lossless audio quality with full booklet retail artwork scans, this definitive mid-90s archive stands as an absolute mandatory cornerstone and a prized collector's treasure for global purists of modern crossover jazz history, elite alto saxophone balladry, and timeless orchestral pop heritage.

Close-Up is a spectacularly sleek, high-octane, and masterfully tailored crossover jazz masterpiece by the legendary American alto saxophone pioneer David Sanborn, released in 1988 by the prestigious Reprise Records label. Spanning over 50 minutes across 10 deeply grooving, brilliantly produced tracks, this high-fidelity studio document captures Sanborn at an absolute commercial and creative zenith, fully defining the sophisticated soundscape of late-1980s contemporary jazz fusion. Renowned for his instantly recognizable, searing, and emotionally piercing horn tone, Sanborn commands the session with unmatched melodic power. Backed by a flawless, powerhouse vanguard of elite session virtuosos and masterfully polished Marcus Miller production architecture, the music seamlessly blends acoustic jazz elements with driving urban R&B syncopation and sophisticated pop sensibilities. The tracklist is an absolute masterclass in contemporary fusion dynamics, highlighted by the heavy, funk-driven opening hit Slam, the smooth, late-night atmospheric contours of J.T. and Lesley Ann, and the deeply passionate, soul-drenched balladry of You Are Everything and Goodbye. Exceptionally preserved in pristine dual-format lossless and high-bitrate audio with full retail artwork scans, this definitive late-80s archive stands as an absolute mandatory cornerstone and a prized collector's treasure for global purists of modern crossover jazz history, elite alto saxophone artistry, and timeless fusion heritage.

Saxophonist and composer Steve Cole has become one of the most celebrated and popular artists in contemporary jazz since his debut album in 1998. With his new album, Sleight of Hand, Cole pulls no punches, combining the sounds of two cities, Chicago and Minneapolis, that have come to define his musical identity. Partnering with producer David Mann for a collection of 10 new original songs and featuring guitar phenom Cory Wong (Vulfpeck, Fearless Flyers), the album is both familiar and adventurous, exploring the world of jazz within the pulse of disco, energy of house music and influence of the Minneapolis sound.

Sweet Deal is a brilliantly polished, warm, and infectious contemporary jazz milestone by the legendary Japanese alto saxophonist and composer Sadao Watanabe, released in 1991 by the prestigious American imprint Elektra Records. Spanning over 52 minutes across 12 masterfully crafted tracks, this high-fidelity document captures the international jazz icon at his absolute peak as a crossover orchestrator, beautifully blending sharp, bebop-inflected alto phrasing with breezy West Coast fusion, subtle Brazilian MPB warmth, and sophisticated adult contemporary pop textures. Backed by a breathtaking, jaw-dropping dream team of American and Brazilian session titans, Watanabe's crystalline, singing horn lines dance effortlessly over lush arrangements. Keyboard giants Russ Ferrante, Robbie Buchanan, and Don Grusin lay down deep, glossy synthesizer foundations, while elite rhythm sections featuring bass virtuosos John Patitucci, Abraham Laboriel, and Neil Stubenhaus push the groove alongside drum icons Peter Erskine and William Kennedy. World-renowned percussionists Paulinho Da Costa and Alex Acuña inject vibrant global rhythms throughout, highlighted by the sun-drenched Title Track, the rhythmically driving Masai Talk, and a soaring vocal contribution from the legendary Warren Wiebe on After Goodbye. Exceptionally preserved in pristine dual-format lossless and high-bitrate audio, this definitive archive stands as a mandatory cornerstone and a prized collector's treasure for global purists of vintage fusion, smooth jazz history, and sophisticated urban instrumentals.

Mari Nakamoto's 1984 studio release, TV, issued on the JVC label, stands as a polished, highly sophisticated gem of Japanese contemporary jazz and city-pop-infused jazz vocal styling. Renowned for her deep, husky timbre and expressive phrasing, Nakamoto delivers a brilliantly produced session arranged entirely by American keyboard maestro Don Grusin. Supported by the slick instrumental arrangements of the ensemble Spanky, the album expertly bridges the gap between urban adult-contemporary grooves, sleek late-night fusion, and synth-pop textures typical of the mid-1980s Tokyo music scene. From the driving, rhythmic title track and the breezy sophistication of Ciao! to the beautifully evocative atmosphere of Stay Close and Look After Me, Nakamoto commands each melody with exceptional poise and emotional clarity. This release remains a definitive, beautifully recorded artifact of an era when traditional acoustic jazz vocals seamlessly intersected with high-end, smooth Japanese studio production.

Chuck Mangione's 1994 studio release, The Hat's Back, serves as a triumphant, high-spirited comeback album that re-establishes the iconic flugelhornist's footprint in the contemporary jazz-pop landscape. Following a self-imposed hiatus from the recording studio, Mangione returns with his signature warmth, infectious melodic phrasing, and a collection of vibrant compositions. The album is anchored by a stellar rhythm foundation featuring his long-time guitar collaborator Grant Geissman, bassist Charles Meeks, and the legendary master drummer Steve Gadd, whom Mangione affectionately credits as the heartbeat and caretaker of the music. Dedicated to his musical and paternal fathers—Dizzy Gillespie and Papa Mangione—the material ranges from the heartfelt, brassy tribute Dizzy Miles to the upbeat, syncopated rhythms of Fox Hunt and the deeply cinematic atmosphere of Santa Nimpha. Infused with lush synthesizer textures, occasional soulful vocals from Syn Dee Mayes and Rob Mathes, and world-percussion flavors by Cyro Baptista, this release captures the joyful, melodic optimism that made Mangione a household name while introducing a polished, mature 1990s adult-contemporary groove.

Chuck Mangione's Classics Volume 6, released in 1987 as part of A&M Records' 25th Anniversary celebration series, is a definitive, expertly curated retrospective of the legendary flugelhornist's golden era. Throughout the 1970s and early 1980s, Mangione completely redefined the commercial landscape of jazz fusion and contemporary pop instrumental music, crafting a highly accessible signature sound characterized by soaring, infectious melodies and lush orchestral backdrops. This definitive 10-track collection features his most globally recognizable anthems, leading off with the full, majestic nine-minute masterwork version of Feels So Good alongside the joyous Give It All You Got and the beautifully driving, Latin-tinged Hill Where the Lord Hides. Balancing massive radio hits with brilliant soundtrack themes like the iconic Children of Sanchez and Cannonball Run, the album showcases Mangione's brilliant compositional gifts and unmistakable, warm brass tone. Backed by elite session musicians and dynamic orchestral arrangements, this compilation serves as an essential, beautifully transferred archive of smooth jazz history and pop-fusion perfection.