DAVID ROBERTS‘ magnum opus ‘All Dressed Up’ (1982) is considered as a milestone in the AOR / Westcoast genre and it’s easy to explain why. Although it was David’s first album, the man knew how to write catchy songs and perform them in a breathtaking AOR way. Add to that the support of an excellent producer in Greg Mathieson and a whole cast of impressive musicians, and it becomes obvious that one can call this record a classic for the genre.

After 1982’s ‘All Dressed Up…’ DAVID ROBERTS concentrated as songwriter. His compositions can be heard on albums by artists like Starship, Bad English, Lee Aaron, Signal, House Of Lords, Jimmy Barnes, Boulevard, and more.
“The Missing Years” features the demos Roberts recorded himself to showcase his songs to other artists, managers and label executives. Roberts performs most the instruments, with some guitars performed by other musicians, including talented Stan Meissner. This is music written between the ’80s & ’90s, so you can expect the AOR / Melodic Rock style of that era, very well produced & recorded. And there’s some real gems from the genre here.

James VINCENT is just one of many excellent musicians from Chicago area. As a guitarist he changed through a lot of styles, and through his career was not just a solo artist but a studio musician, writer and composer.

Active as a solo recording artist between the years of 1975-1981, Chris Rainbow wrote and recorded three very highly regarded albums, Home Of the Brave (1975), Looking Over My Shoulder (1978) and this release, his third full length recording, White Trails (1979), as well as a collection of singles throughout his valued career. Chris Rainbow also worked extensively adding vocal contributions to artists' work of the calibre of The Alan Parsons Project, Culture Club, Elaine Paige and Toyah Wilcox, as well as producing albums for the likes of Scottish Gaelic rock group Runrig.

Emil Vicklický is the acknowledged "Patriarch of Czech Jazz Piano." Known for combining the melodism and tonalities of Moravian folk music with modern jazz harmonies and classical orchestration in a distinctly individual style, Vicklický grew up in the former Czechoslovakia, where his father was a university art professor. He graduated in 1971 from Palacky University with a degree in mathematics. He composes straight-ahead jazz as well as chamber and orchestral works, often utilizing a combination of classical and jazz performers.
Leos Janácek (1854-1928) is considered to rank with Antonin Dvorak and Bedrich Smetana as one of the most important Czech composers. Janácek was inspired by Moravian and Slavic folk music, which he incorporated in a modern, highly original synthesis…

After Family concluded their second stateside tour in mid-1971 they were to again face personnel changes as John Weider (bass) was replaced by John Wetton (bass/guitar/vocals) just in time to chip in for Fearless, their sixth long-player in four years. Listeners who had enjoyed their most recent platters might have been a bit nonplussed when confronted with this disc, as the combo's direction was notably altered. Wetton brought along his trademark propulsive performance style, which is immediately evident on the heavy midtempo opener, "Between Blue and Me." Charlie Whitney (guitar/mandolin/percussion) presents some expressive strings weaving through Wetton's full bottom-end bombs. The decidedly English "Sat'd'y Barfly" recalls the inebriated vibe of lighter-weight numbers à la the Faces, and the Ladbroke Horns do little to help as a prominent tuba rhythmically poots along…

A double-disc compilation of over two and a half hours of remixes, Auntie Aubrey's Excursions Beyond the Call of Duty, Pt. 1 includes Orb reworkings of well-known bands (Primal Scream, Erasure, Depeche Mode, Killing Joke) and more obscure acts (Keiichi Suzuki, Love Kittens). Several mixes sound a bit dated, and the scattershot quality of the set can distract listeners, but the inclusion of several epiphanous moments (Material's "Praying Mantra," Primal Scream's "Higher Than the Sun," and Sun Electric's "O'Locco") makes the album worthwhile for fans.

Leavin' is a studio album by American recording artist Natalie Cole, released on September 26, 2006, by Verve Records. The album consists of ten cover versions of various R&B and pop songs and two original songs: "5 Minutes Away" and "Don't Say Goodnight (It's Time for Love)". It was the second of Cole's albums to be released by Verve Records and her first album in four years, following Ask a Woman Who Knows (2002). Cole promoted the album as a return to her R&B roots, distancing herself from an identification as a jazz artist.

Three CD set containing all the recordings issued by Steppenwolf for the epic label between 1974 and 1976. Steppenwolf was formed in 1967 in LA by John Kay (vocals, guitar, harmonica), Goldy McJohn (organ, piano) and Jerry Edmonton (drums) who were previously members of the Canadian band The Sparrows. They were joined by Michael Monarch (lead guitar) and Rushton Moreve (bass). The band signed to Dunhill / ABC Records and were propelled to success in 1968 with their classic single ‘Born To Be Wild’ which became even wider known when the track was featured to great effect in the classic 1969 counterculture film Easy Rider.