The first hits package from iconic singer/songwriter Mylene Farmer, 2001 release Mots, showcases her musical evolution from French pop chanteuse to feisty rock chick to futuristic dance diva. A celebration of her 17-year career, the two-CD collection includes 27 of her most popular singles and B-sides compiled in chronological order, from her 1989 debut "Maman a Tort" to 2001's "L'Histoire D'Une Fee, C'est…" alongside three new compositions, "C'est Une Belle Journee," "Pardonne-Moi," and the title track collaboration with Seal.

"Silent Piano - Songs for Sleeping 2" is the second collection of pieces composed by Blank and Jones and performed by pianist Marcus Loeber. The album consists of thirteen very quiet and calming piano solos played with delicate perfection by Loeber. For this album, Blank & Jones worked with soundtrack expert Marcus Loeber and created very intimate arrangements of their own classic compositions from the last decade. "Silent Piano - Songs for Sleeping 2" provides more than an hour of a calming, soothing solo piano music and as well as a respite from our crazy, noisy world.

The most famous and probably greatest jazz baritonist of all time, Gerry Mulligan was a giant. A flexible soloist who was always ready to jam with anyone from Dixielanders to the most advanced boppers, Mulligan brought a somewhat revolutionary light sound to his potentially awkward and brutal horn and played with the speed and dexterity of an altoist. Mulligan started on the piano before learning clarinet and the various saxophones. His initial reputation was as an arranger.

Muck Groh was born in 1946 and started his musical life by first learning the trombone before he became more known as a guitarist, first band he was featured in being the the krautrock band Ihre Kinder. Later on he founded Aera which mixed jazz and progressive rock and which he left in the 70's to pursue more solo projects, like his album "Muckefuck" (it is a German word for bad coffee) and another jazz rock group Grotesk. Besides a rich music career, Groh spent much of his time as a freelance painter until 2006 where he initiated a revival of Aera called Neue Aera with which he tours regularly. Groh's musical endeavors can therefore be checked in bands mentioned above while his only solo album in 1979 is a fine record with folk overtones that might also please fans of Frank Zappa's jazz rock oriented albums.

inley Quaye emerged on the U.K. music scene in the mid-'90s, delivering a unique amalgam of pop, trip-hop, soul, and jazz with his critically acclaimed 1997 debut, Maverick a Strike. His first appearance on record came in 1995, providing vocals for "Finleys Rainbow," a track from A Guy Called Gerald's seminal breakbeat album Black Secret Technology. He recorded and co-produced Maverick a Strike, working in Sheffield with Kevin Bacon from the Comsat Angels. The album earned critical and commercial success worldwide, and also gained him a BRIT Award for Best Male Solo Artist. Quaye delivered two more LPs for Epic in 2000's Vanguard and 2004's Much More Than Much Love, the latter of which featured a collaborative single with Beth Orton and William Orbit called "Dice" that became a minor hit. Although it would be another eight years before he delivered a follow-up album, 2008 saw the release of both a new EP, Pound for Pound, and a greatest-hits package, The Best of the Epic Years. A release on the French label Sakifo titled 28th February Road arrived in 2012, followed two years later by a reggae LP called Royal Rasses, which saw Quaye working with Norman Grant of long-tenured Jamaican act the Twinkle Brothers. An album of demos, appropriately titled Demos, was released in the spring of 2016, followed in 2017 by a pair of digital-only concert recordings, Live in Geneva and Live in Jerusalem.

Iconic guitarist Jimmy Raney and legendary pianist Sonny Clark’s paths crossed only during a European tour promoted by Leonard Feather in 1954, which included concerts in several countries and also allowed Feather time to organize a few studio dates here and there.
Jimmy Raney (guitar) and Sonny Clark (piano) are featured with Costa Theselius (tenor sax), Red Mitchell/Simon Brehm (bass) and Bobby White/Elaine Leighton (drums).

Recorded in 1960, Art Pepper’s 5th album release on Contemporary Records, “Intensity”, was released in 1963. A collection of 7 jazz standards the album features Dolo Coker (piano) along with Jimmy Bond (bass), and Frank Butler (drums). This new edition, released as part of the Acoustic Sounds Series, features (AAA) lacquers cut from the original master tapes by Bernie Grundman and is pressed on 180-gram vinyl at QRP, and presented in a tip-on jacket.

Suite italienne is the brainchild of violinist Jonian Ilias Kadesha – his second album on Linn – and the Swiss ensemble CHAARTS Chamber Artists. With Italy as the common thread through each of the three works, the riotous programme includes the premiere recording of Sollima’s TYCHE, a violin concerto that was composed specifically for Jonian. Echoing Jonian and Sollima’s mixed roots, the work absorbs musical ideas from different sources and, as the title suggests, reflects on the Greek goddess of fate, or the Italian equivalent Fortuna, and the ambivalence of life itself.

Cal Tjader fuses Afro-Cuban rhythms and mainstream jazz solos in his1956 album, Latin Kick. Alongside Tjader (vibraphone) the album also features Brew Moore (sax), Luis Miranda (congas), Bayardo Velarde (timbales), Manuel Duran (piano), and Carlos Duran (bass). This new edition of the album is released as part of the Original Jazz Classics Series and is pressed on 180-gram vinyl at RTI with all-analog mastering from the original tapes at Cohearent Audio and presented in a Tip-On Jacket.

E.T.A. Hoffmann was a ‘man for all seasons’. In addition to composing music, he was an illustrator, writer, and attorney who attained a position on the Court of Appeals in Berlin. His primary legacy is in the area of German literature. He wrote many novels and stories concerned with supernatural elements and their impact on humans. Hoffmann’s most famous writings are the stories on which the French composer Jacques Offenbach based his opera "Tales of Hoffmann".
When I read a Hoffmann story, I think of the supernatural operas of Carl Maria von Weber, not Hoffmann’s most well known opera "Undine". The fact is that Hoffmann’s reputation as a composer is slight, and recordings of his works are infrequent. Even during his own lifetime, he had great trouble getting his music published.

Dopo il trionfale successo al Circo Massimo di Roma, Max Pezzali ha iniziato un mega tour negli Stadi dove, inarrestabile ed inossidabile, è stato acclamato e incoronato re assoluto con tutte le date sold out! Non si poteva non pensare di raccogliere tutti i suoi cavalli di battaglia in un album intitolato Max Forever Vol. 1 che vuol essere il primo capitolo di una lunga serie. Max Forever Vol. 1 testimonia la versatilità, l'empatia, l’umiltà e la musica iconica di un grande artista che non ha mai smesso di stupire e attrarre il pubblico, grandi e piccini, grazie ai suoi intramontabili successi! 16 tracce in tutto tra: Live al Circo Massimo (2023) e allo Stadio Olimpico di Roma (2024), brani rivisitati grazie a nuovi missaggi e infine strepitose collaborazioni quali quelle con Cesare Cremonini, J-Ax e Riccardo Zanotti dei Pinguini Tattici Nucleari.

This compilation of late-'60s demos and alternate takes should not be viewed as being on the same level as Nazz's three albums. But when a cult band such as the Nazz only made three LPs, followers hunger for more, and this delivers the goods to satisfy the tastes and curiosities of specialists. A late 1967 demo of 'Hello It's Me,' close to the released version but less fully produced (particularly in regard to the backing vocals), is the highlight. Otherwise there's another song from the same late 1967 tape ('Crowded'), a mid-1968 demo of 'Lemming Song' (a different version of which appeared on their debut album), alternate versions of 'Kicks' and 'Some People,' radio commercials, a slightly different take of 'Open My Eyes' (no phase on the guitar), and some alternates of songs from their second and third albums…

I think Karl Böhm's live performances of Strauss operas represent some of his best work; this is a companion piece to his live Daphne which has yet to be bettered despite being another elderly, live recording, albeit in narrow stereo. It is in comparatively restricted mono but one soon forgets that, given the quality of the performance.

Sony Music Vision and FoxxHole Productions produced the Luther Vandross: Never Too Much which will premiere on CNN on January 1, 2025. Directed by Dawn Porter, the film features interviews with many artists who worked with or were influenced by Luther including Mariah Carey, Roberta Flack, Jamie Foxx, Richard Marx and Dionne Warwick. As a companion piece to the documentary, Legacy will release a greatest hits album. The album features the studio versions of all the songs that were included in the documentary. The album also features 4 previously unreleased tracks including The Beatles classic “Michelle” which was recorded in June 1989.

In the music of Forndom, the past breathes with a vitality that transcends time. “Moþir” is as complex as the deities it portrays, weaving together themes of fertility and loyalty, love and betrayal, light and shadow. It is an exploration of divine ambiguity, where the nurturing embrace of a mother can just as easily turn into the cold hand of inevitability.
Here, Ludvig Swärd strips away the modern trappings of synthesisers, embracing a purely acoustic sound. The music feels as though it has been carved from the very earth, born from instruments fashioned by hand and played with reverence for the ancient…