In terms of hit singles and precise musical vision, it would have been difficult for anyone to have to follow-up the brilliant Spirits Having Flown album, but these industry veterans created a real gem in Living Eyes which seems to have gotten lost in the maze that is their deep catalog. The title track is almost up there with "Spirits Having Flown," which is significant praise, and the song "Paradise" follows suit, pretty and passionate. "Don't Fall in Love With Me" has all three Bee Gees brothers contributing to this ballad with their trademark highly creative hooks.

This disc was given to people who test drove an Audi automobile in 1992, while supplies lasted

Tracks 1-22 are 3 track demos. Tracks 23-26 are full band demos, the last three of which are complete. Recorded in the 70s.

The live performances featured on the album were recorded in March 1983 over two nights at London's famed Marquee Club.

Trumpeter Buck Clayton led a series of exciting studio jam sessions during the mid-'50s. All of the performances are on this superlative three-CD box set including a few "new" alternate takes and several that have been restored to their full length. Among the many soloists (most of them swing-oriented stylists) are Clayton, Joe Newman, Joe Thomas, Billy Butterfield, and Ruby Braff on trumpets; trombonists Urbie Green, Benny Powell, Henderson Chambers, Trummy Young, Bennie Green, Dicky Harris, J.C. Higginbotham, and Tyree Glenn; altoist Lem Davis; tenors Coleman Hawkins, Al Cohn, and Buddy Tate; Julian Dash doubling on tenor and alto; baritonist Charlie Fowlkes; several rhythm sections with pianists Sir Charles Thompson, Jimmy Jones, Billy Kyle, Ken Kersey, and the forgotten Al Waslohn; and a guest appearance by Woody Herman on clarinet. These generally lengthy performances contain plenty of spontaneous riffing behind soloists and lots of special moments; "How Ili the Fi" is quite memorable.

At its quietest moments, 2007's Memory Almost Full played like a coda to Paul McCartney's illustrious career; he seemed comfortable residing in the final act of his legend, happy to reflect and riff upon his achievements. Such measured meditation is largely absent from 2013's New, the first collection of original material he's released since 2007. New lives up to its title, finding McCartney eager, even anxious, to engage with modern music while simultaneously laying claim to the candied, intricate psychedelia of latter-day Beatles.

Mariah Carey claims Rainbow, her first album since divorcing Tommy Mottola, "chronicles my emotional roller coaster ride of the past year," but less subjective listeners could be forgiven for viewing it as simply another Mariah Carey album. After all, all the elements are in place – the crossover dance hits, the ballads, the cameos, the hip producers, the weird cover choice from the early '80s. But dig a little deeper, and her words ring true. Rainbow is the first Carey album where she's written personal lyrics, and allusions to her separation from Mottola are evident throughout the album, even if it doesn't really amount to the "story" she mentions in the liner notes.

"If the voice don't say it, the guitar will play it," raps Saffron on "Pork-U-Pine," the third track on Jeff Beck's minimally titled Jeff. And he does. Beck teams with producer Andy Wright, the man responsible for his more complete immersion into electronic backdrops on his last outing, You Had It Coming. This time the transition is complete. Beck used electronica first on Who Else!, moved a little more into the fire on You Had It Coming, and here merges his full-on Beck-Ola guitar heaviness with the sounds of contemporary spazz-out big beats and noise. Beck and Wright employ Apollo 440 on "Grease Monkey" and "Hot Rod Honeymoon," and use a number of vocalists, including the wondrously gifted Nancy Sorrell, on a host of tracks, as well as the London Session Orchestra on others (such as "Seasons," where hip-hop, breakbeats, and old-school Tangerine Dream sequencing meet the guitarist's deep blues and funk-drenched guitar stylings)…

New Light Through Old Windows is a compilation album by Chris Rea, released in 1988. The album consists primarily of re-recordings of songs released on earlier Rea albums, as well as two new songs, "Working on It" (which gave him a rare U.S. chart single, peaking at #73 on the Billboard Hot 100, and giving him his only #1 single on the Mainstream Rock Tracks chart) and "Driving Home for Christmas.", also the re-recording of "On the Beach" gave him another rare US hit, it peaked #9 on the US AC chart in 1988 and #12 in the UK chart.

Billy Talent (2003). Billy Talent takes its curious handle from a character name in the 1996 mock rockumentary Hard Core Logo, which traced the continuing adventures of an aging Vancouver punk band. The reference is probably more resonant in the Talent's home base of Toronto; everywhere else, it's a little awkward. Fortunately, the quartet's eponymous Atlantic release struggles mightily to make music matter more than moniker or stylized genre revivalism. Over a muscular, relentless, and viciously catchy 40 minutes, the band checks the wiry, melodic punk of the Buzzcocks while working Fugazi's dueling vocalist dynamic and searingly precise guitar breaks into its own three-minute anthems. The Buzzcocks' influence is immediate and easy; indeed, Billy Talent conveniently opened a clutch of dates on the reunited veterans' 2003 tour. Likewise, Talent benefits from production that tweaks its hooks for maximum sonic pugilism…

Analogue Productions (Atlantic 75 Series) Celebrating the 75th Anniversary of Atlantic Records!
1992 multi-platinum album from the Stone Temple Pilots, a cornerstone of 1990s alt rock! Includes "Sex Type Thing" and "Wicked Garden" Hybrid Stereo SACD Mastered by Ryan K. Smith direct to DSD from the original master tape
Stone Temple Pilots roared on to the scene in 1992 with their raucous debut Core. A breakout success, the album peaked at No. 3 on the Billboard 200 chart, dominated radio waves with hits like "Sex Type Thing" and "Wicked Garden," and has been certified 8x platinum by the RIAA. The band also took home the 1994 Grammy Award for Best Hard Rock Performance for their smash single "Plush."

Warner Music presents "Country Songs 80s" including hits from Buck Owens, Emmylou Harris, Dolly Parton, Kenny Rogers etc.

Warner Music presents "Classic Rock Compilation" including hits from Alice Cooper, Blur, The Doors, Grateful Dead etc.

Welcome to the Neighbourhood is the seventh studio album by American rock singer Meat Loaf, released in 1995 as follow-up to the megahit album Bat Out of Hell II: Back into Hell. It went platinum in the United States and United Kingdom. The album is thought of as a concept album, as all of the songs are ordered in the track listing as to tell a story about a relationship throughout the years. Three singles were released: "I'd Lie for You (And That's the Truth)" (a duet with Patti Russo), "Not a Dry Eye in the House" and "Runnin' for the Red Light (I Gotta Life)". They reached #2, #7 and #21 in the UK charts, with the first two written by Diane Warren, who later also wrote songs for Meat Loaf's albums Couldn't Have Said It Better and Bat Out of Hell III: The Monster Is Loose. In some markets, radio stations also played "Amnesty Is Granted", though it was not released as an official single. Despite the chart success of the album and its singles, only "Amnesty is Granted" has appeared on an official live album, Casa De Carne (Live 2008) as a bonus CD with Hang Cool Teddy Bear. "I'd Lie for You (And That's the Truth)" was recorded as a sound check with the Melbourne Symphony Orchestra, but only included as a bonus download track.

Warner Music presents "90s Road Trip Vibes" including hits from RHCP, Madonna, Cher, Green Day, Blur etc.