Schubert's two greatest orchestral works on one CD at budget price–if the performances were indifferent this would be no bargain at all, but they are superb. In fact, these versions may have been equaled, but they have never been surpassed. George Szell understood intuitively how to balance Romantic passion with intellectual discipline. In difficult pieces like the Schubert Ninth, he rose to the challenge like an Olympic athlete after a new world record. The recordings he made in his prime with his own Cleveland Orchestra comprise one of the most satisfying legacies in the history of classical music on disc. Within even this impressive legacy, these performances stand high.

Jan Antonín Losy was born around 1650 of a prosperous Bohemian family. After the death of his father, the first Count of Losinthal, he inherited not only his title but also considerable wealth. He was therefore able to devote his life to music, and his skill as a lutenist became famous throughout Europe. Unlike professional players, Losy had no need to sell or publish his music but fortunately it has survived in numerous manuscript copies. Today we have almost 200 pieces by Count Losy, many of which once belonged together in larger suites or partitas.

Giacomo Facco was born on 1676 in the Most Serene Republic of Venice, in the small village of Marsango. The first documentary records of his work are in a series of cantatas, dated 1702, kept in Naples. It is there he may have started working for Antonio Spi?nola. The Spi?nola family was part of the high Spanish nobility and Antonio, during the War of the Spanish Succession, was appointed Viceroy of Sicily, where he lived until 1713. Facco also moved there with the marquis’ court, and had a period of intense activity, during which he premiered several operas and oratorios, as well as some cantatas.

Contains alternative mixes, outtakes, etc. Comes with OBI "No Anthology Tracks" printed on the sleeve.

Previously unreleased version of Public Image Limited’s debut album that was re-recorded and remixed for release (with alternate artwork from original release) in 1979 via Warners in the US and Canada, but ultimately shelved. This is the holy grail for fans of John Lydon’s post-Sex Pistols band. A stunning debut and landmark release for the post-punk movement of the late ‘70s.

Wu-Tang DJ/producer/artist Mathematics comes with a collection of songs featuring fellow group members from the iconic Wu-Tang Clan as well as other legendary artists. The album has no shortage of bangers, including lead-off singles “Mandingo” and “Claudine.” It features performances by Method Man, The RZA, Cappadonna, Inspectah Deck, Ghostface Killah, Raekwon, The GZA, U-God, Kool G Rap, Nicole Bus, Kameron Corvet, Crooked I, Masta Killa, 38 Spesh, Willie the Kid, Benny the Butcher, Kurupt, Ralph McDaniels and R.J. Payne – with added production by The RZA.

Pulp confirms ‘Forty Odd Years’ compilation album will release alongside new studio album ‘More’.Pulp has confirmed the Forty Odd Years compilation album will be released alongside their upcoming eighth studio album, More. The Forty Odd Years compilation will be featured as a freebie in the June 2025 MOJO Magazine edition. A post to Pulp‘s Instagram confirmed the compilation would release later this year, with the covermount CD featuring a live version of deep cut Sheffield: Sex City, as well a series of BBC Session recordings.

Charlie Poole wasn't a particularly brilliant banjo player (although his later three-finger-style picking would set the table for the advent of bluegrass banjo a couple of decades after his death), and he wasn't the world's greatest vocalist either, but he had a certain devil-may-care charisma that made him a superstar in the string band era of the 1920s. Poole's greatest talent – aside from an ability to go on long drinking sprees and to manage to be at the center of things even in his absence – was in his song adaptations, which drew from sources outside the standard Appalachian fiddle tunes and reels, including pop, ragtime, and blues. This extensive 96-track, four-disc box set from Britain's JSP Records collects the lion's share of his recordings on Columbia, Poole's label from 1925 until his death in 1931 at the age of 39. Also included are a handful of cuts Poole made under the table for Paramount (where his North Carolina Ramblers were called the Highlanders) and Brunswick (which saw the band disguised as the Allegheny Highlanders).

Chester Burnett, better known as Howlin' Wolf, was one of the most important and influential figures in Chicago Blues through the 1950s, and along with Muddy Waters helped to establish the electric blues style that laid the foundations for rock music in subsequent decades. With his imposing physical presence and loud, almost fearsome voice, he was a powerful and impressive performer, who wrote and popularised songs which have become classic standards of the genre, like "Spoonful", "Smokestack Lightning", "Killing Floor" and "Red Rooster", which became fixtures in the repertoire of bands like The Rolling Stones, who very much championed his cause and widened his reputation in the latter years of his career. This collection brings together both sides of all the singles he released through the RPM and Chess labels during the first hugely important decade of his career, along with bonus tracks comprising recordings made at sessions during this period which were not released as singles at the time. It's a great-value 80-track 3-CD set, which showcases one of the major personalities of the blues.

Mr. Bungle was an American experimental rock band from Eureka, California. The band was formed in 1985 while the members were still in high school, and was named after a 1950s children's educational film regarding bad habits which was later featured in a 1981 Pee-wee Herman HBO special. Mr. Bungle was known for its highly eclectic style, often cycling through several musical genres within the course of a single song. Many of its songs had an unconventional structure and utilized a wide array of instruments and samples. Live shows often featured members dressing up (usually in masks earlier in the band's career) and an array of cover songs. Collection includes: 'Mr. Bungle' (1991); 'Disco Volante' (1995); 'California' (1999).

Nearly five years after the release of "#13", Swiss rockers GOTTHARD are making a powerful comeback with their highly anticipated new album, "Stereo Crush", due on March 21, 2025, via Reigning Phoenix Music (RPM).

RPM welcomes Southern German metal band Brainstorm, whose new album Plague of Rats releases on February 28, 2025. Produced by Sebastian Seeb Levermann with artwork by Gyula Havancsák, Plague of Rats features 11 tracks, including guest appearances by Elina Siirala and Alexander Krull, and a bonus cover of Rick Springfield’s “Celebrate Youth.” Brainstorm will embark on a release tour with co-headliners Arion and special guests Stranger Vision from February 27 to March 6, 2025, across Germany and Switzerland, with additional shows scheduled in Spain, the Netherlands, and festivals throughout 2025.

The sonatas presented in this recording, labelled as Sonate à Violino e Viola in the autograph score at the Biblioteca Musicale Greggiati in Ostiglia and as Sonate Per Violin solo con accompagnamento di Viola in the parts at the Salzburg Museum, are likely to date back to the very beginning of Gatti’s stay in Salzburg. The autograph is written on paper whose watermarks suggest a date of about 1783. If so, the works were probably commissioned by archbishop Colloredo, for whom a similar cycle of six sonatas was composed in the same year by Michael Haydn, MH 335–38, and W. A. Mozart, K 423–24. (Another set of six by Joseph Hafeneder in the Toggenburg Collection of Bolzano, minus the first sonata, may share the same origin). In which case, the violin part was probably intended for Colloredo himself, a “good performer on the violin” according to Charles Burney.The archbishop was also said to “enjoy performing on the violin, which he played very well” and to be in the habit of “mingling with the court musicians and playing the violin with them” before dinner. Liner notes by Alessandro Lattanzi, the world’s leading authority on Luigi Gatti.

Catch a Fire is a 1973 album by Bob Marley and the Wailers. It was their first album released by Island Records. The album's supporting concert tour throughout England and the United States helped establish the band as international stars. Catch a Fire peaked at number 171 on the Billboard 200 and number 51 on the Billboard Black Albums charts. Critical acclaim has included the album being listed at number 126 on Rolling Stone's 500 greatest albums of all time, second only to Legend among five Bob Marley albums on the list. It is regarded as one of the top reggae albums of all time.

Taken from Post Malone’s livestream tribute to Nirvana that took place on April 24, 2020. Featuring blink-182’s Travis Barker on drums, guitarist Nick Mack and bassist Brian Lee. This previously unreleased performance is now available on yellow vinyl exclusively for Record Store Day 2025.