The 12 tracks that appear on The Best of the Alan Parsons Project include some of their greatest singles, like "I Wouldn't Want to Be Like You" from 1977's I Robot and the inducing "Games People Play" off of The Turn of a Friendly Card. Even though these songs are splendid all by themselves, they seem to lose their conceptual weight when taken away from their original albums. As singles, they do act as a fine representation of how The Alan Parsons Project's music sounds and conveys its mysterious air, but even with a dozen singles on this album there's just too much of their other worthy material that is sadly left off.

Singer/songwriter Michael Bolton emerged in the mid-'80s as a major soft rock balladeer. Originally, he recorded under his real name, Michael Bolotin, turning up on RCA Records in the mid-'70s singing cover tunes and his own blue-eyed soul songs in a voice reminiscent of Joe Cocker. He then became the lead singer of Blackjack, a heavy metal band that made two albums for Polydor before splitting up in the early '80s. Looking to relaunch his career, he changed his name to Michael Bolton and signed to Columbia Records as a solo artist in 1983. Bolton's achievements include selling more than 75 million records, recording eight top 10 albums and two number-one singles on the Billboard charts, as well as winning multiple American Music Awards and Grammy Awards.

A person spends all day building a machine, only for it to torture them all through the night. As if that wasn’t twisted enough, they like it. In fact, they like being tortured so much that, come morning, they wake up rejuvenated, eager to tweak the machine until it runs perfectly in their mind. This is the nocturnal vision that inspired Cryptopsy’s ninth full-length nightmare. “Beware the spotlight”, warns vocalist Matt McGachy before “Dead Eyes Replete” flashes before your eyes with a skull crushing breakdown. An Insatiable Violence mirrors our toxic relationship with social media, but while eerily prescient, the album is influenced by the many mutations that have defined the band’s Hall of Fame discography. Inspired by a mukbang gone horribly wrong, ravenous opener “The Nimis Adoration” is a smorgasbord of gut-busting blasts, Christian Donaldson’s fishhook riffs and a heavy helping of pit-pleasing groove…

All Shook Up is the fifth studio album by American rock band Cheap Trick. Released in 1980, it was produced by former Beatles producer George Martin. As such, this was the first album since their debut to be produced by someone other than Tom Werman. All Shook Up was even quirkier than its predecessor, the platinum-selling Dream Police. Many of its songs were less radio friendly and more experimental, and the cover art, influenced by Magritte's Time Transfixed, led many to question what the band was trying to accomplish. However, at the time, Cheap Trick had severed ties with long-time producer Tom Werman and took the opportunity to take their sound in a different direction. With the assistance of producer George Martin and engineer Geoff Emerick, many of the songs have a dimension not found on any other Cheap Trick album.

Thriller 40 is the 40th-anniversary edition reissue of Thriller (1982), the sixth album by the American singer Michael Jackson. It was released on November 18, 2022, by Epic, Legacy Recordings and MJJ Productions. Thriller 40 is the third reissue of Thriller, following the 2001 special edition and Thriller 25 (2008). Jackson released his sixth studio album, Thriller, on November 30, 1982. With sales estimated to be over 70 million copies worldwide, Thriller became the world's best-selling album of all time; the album was the first in history to yield seven top-ten singles. The success of Thriller put Jackson into the dominating position of pop music, becoming an international pop-cultural icon.

Capital Gold plays only the best music from the major icons of pop and rock history including Elton John, Queen, Simon & Garfunkel, The Animals, Blondie, David Bowie, Tina Turner, The Moody Blues, Genesis, Roxette, Otis Redding and many others.

A rare find for fans of this acclaimed guitarist/songwriter, Seven Worlds is the long-lost solo debut from Eric Johnson. Cut in the late '70s, this album is far more than a promising collection of demos; it's a full length, fully-produced album that showcases all of Johnson's awesome talent – not only as a guitar virtuoso, but as a talented pop/rock songwriter. Tunes such as "Showdown" clearly indicate the talent that Johnson had, even at this early stage. A classy false start to a great career, and a must for fans of Eric Johnson.

AVID Jazz here presents three classic Tony Scott albums plus including original LP liner notes on a finely re-mastered and low priced double CD. Born Anthony Sciacca into a musical family, in New Jersey in 1921, Tony Scott went on to study at Julliard before taking the jazz road to “fame and fortune”. Coming up he played with just about everyone, from mentor Ben Webster to Buddy Rich, Trummy Young, Billie Holiday, Sarah Vaughan and Duke Ellington to name but a few. “52nd Street Scene” acts as a kind of tribute to the New York jazz scene happening between 1942 and 1949 based around the famous 52nd Street area. It features such luminaries as Joe Thomas, Wilbur De Paris, Pee Wee Russell, Coleman Hawkins, Tommy Flanagan, Al Cohn, Roy Haynes and Red Rodney. “In Hi-Fi” is an album of two sides, side one recorded in the studio and side two recorded “on the spot” at Mintons. It features amongst others Dick Katz, Philly Joe Jones, Percy Heath, Milt Hinton, Osie Johnson and Earl May. “The Touch of Tony Scott” finds our man in a number of combinations! With his orchestra, in a tentet and in a more modest quartet!