Daniel Lozakovich’s rich, romantic style of playing often sees him likened to the iconic violinists of the 20th century. On his latest album, Spirits, he celebrates some of his forebears in the hope of passing on their style and repertoire to younger generations. “When I hear these violinists play I understand why the violin is my life”, he says. Partnered by pianist Stanislav Soloviev, Lozakovich performs favourite encores by Elgar, Debussy, Falla, Gluck, Brahms and Kreisler.

Violinist Daniel Lozakovich was already a veteran at 18, having made his debut at age nine and signed to Deutsche Grammophon at 15. It may seem that each year brings a prodigal new violinist, but Lozakovich, a charismatic soul who boxes on the side, bow hand be damned, is one of the best. His Tchaikovsky Violin Concerto in D major, Op. 35, is muscular and unafraid of a little gravel in the tone. Sample his finale, a broad, arch-Russian thing where he is ideally backed by his mentor, Vladimir Spivakov, leading the new National Philharmonic Orchestra of Russia. Lozakovich grabs your attention from the start but never overplays the transitions.

Immensely gifted emerging artist" (New York Times) Daniel Lozakovich has been dreaming about recording the Beethoven Violin Concerto since he was eight. He first performed it on stage when he was thirteen, and at fifteen was invited by Valery Gergiev to perform the concerto with him in Moscow. A few short years later, he has reunited with his mentor Gergiev to record the Beethoven with the Mnchner Philharmoniker for Deutsche Grammophon.

Daniel Lozakovich has been dreaming about recording the Beethoven Violin Concerto since he was eight. He first performed it on stage when he was thirteen, and at fifteen was invited by Valery Gergiev to perform the concerto with him in Moscow. A few short years later, he has reunited with his mentor Gergiev to record the Beethoven with the Münchner Philharmoniker for Deutsche Grammophon The new recording captures Lozakovich’s close artistic partnership with Russian conductor Valery Gergiev Lozakovich was clear from the start that this should be a live recording: “There’s a particular magic about a live concert,” he explains. “The audience creates a unique atmosphere, without which, in my opinion, it’s almost impossible to produce a performance that will stand the test of time.”