With the arrival of the 1980s, Nancy Reagan was picking out new White House china, MTV was taking its first baby steps, and Pat Benatar was surging forward as a new kind of female rock star. Brassy, eye-catching, and possessed of a four-and-a-half-octave voice, the small-framed, big-voiced New Yorker first caused a stir in 1979 with the hits "Heartbreaker" and "We Live for Love," the latter penned by lead guitarist and Benatar's future husband, Neil Gerardo. In the early '80s, Benatar scored repeatedly with snarling rockers that combined new-wave energy with Middle American grit: "Hit Me with Your Best Shot," "Invincible," "Love is a Battlefield," "Shadows of the Night," and "We Belong" all charted before she began to lose her luster mid-decade. This three-disc retrospective reflects Benatar's commercial descent with a disc marked by her hits, followed by two discs dominated by lesser-known rock tracks and experiments (which include an unremarkable foray into old-school R&B). Some unreleased numbers are scattered in for good measure. Casual fans would be well advised to leave this one to the devotees and opt for the more-to-the-point Best Shots. –Steven Stolder

This earlier incarnation of the so-called Landlocked sessions duplicates much of the Invasion Unlimited release, but has the good graces to also include several tracks taken from the other lost Brian Wilson album, Adult Child. The tracks from Landlocked include early/alternate versions of several songs which would later appear on Surf's Up, although many of these tracks wouldn't see the official light of day until the Good Vibrations box set (have I mentioned just how great the box set is?) More of a scattershot set than the Invasion Unlimited set, this set boasts better sound, and the inclusion of such dubious rarities as "Mony Mony" and "Ruby Baby", plus the compilers felt the need to hear early versions of the detestable "Hey Little Tomboy" and the laughable "H.E.L.P. Is On The Way."

The Beatles' 1994 Revolution bootleg album, released on the US label Vigotone (catalogue number VT-117), was notable for its unofficial compilation of rare and alternative versions of studio recordings made by the band in the late 1960s.

UK box-set compiles, for the first time, all the British vocalist's single (A & B-sides), rarities, CD debuts, & 19 previously unreleased tracks. The 64-page booklet is lavishly illustrated with photographs & memorabilia from Sandie's own archive. EMI. 2004. Nothing Comes Easy Review by Bruce Eder Four CDs and 101 songs may seem like more Sandie Shaw than most listeners would want to own, much less hear – that's what this reviewer thought, until he started going song by song through this set, and damned if there was not one song in this collection, covering her complete single A- and B-sides from 1964 through 1988, that wasn't worth hearing. Indeed, there are revelations throughout, starting with the superb sound and the use of proper first-generation masters on everything here, and the digital production to back it up with a warm, rich sound that's quietly intoxicating and seductive.

This extravagant six-CD set documents the astonishing life span of the first pop independent label in the U.K., Immediate Records. Founded in 1965, Immediate flipped, flopped, and staggered its own way, competing against unhip American labels like EMI and Decca until late 1969. The label, and the documentary CD set, showcases in particular the Small Faces, who enjoyed a brief U.K. number one hit, Ogden's Nut Gone Flake. More familiar to American listeners will no doubt be the three-chord sock-hop favorite "Hang on Sloopy" by the McCoys, and a number of covers of familiar American folk-rock hits are present as well. The esoteric collector will appreciate inclusions by such café balladeers as the Poets and Les Fleurs-de-Lis, also signed by Immediate before the advent of the swinging London sound, marked by the Rolling Stones revolution and other mod developers influencing the pants off the tiniest studio cover bands.

Celebrating 60 Years of Immediate Records. Features all six Top 40 UK pop hit singles released by Immediate, with A and B sides presented in chronological order. The SMALL FACES – dubbed ‘the most perfect English pop group’ – have continued to grow in popularity over the past sixty years despite a “small” original catalogue comprising three studio albums and a dozen singles. Their Mod styling and sixties sound resonate and influence today arguably more than at the time of recording. This new hits collection features the classic line-up of Steve Marriott, Ian McLagan, Kenney Jones and Ronnie Lane and perfectly captures the sound of Swinging London at a time when London was the centre of the world!

Time Takes Time is the tenth studio album by Ringo Starr. His first studio album since 1983's Old Wave, it followed a successful 1989 tour with his first All-Starr Band. Released in 1992, Time Takes Time was a critically-acclaimed comeback album, and featured several celebrity guests including Brian Wilson, Harry Nilsson and Electric Light Orchestra front-man Jeff Lynne.

This new album by the award-winning Latvian Radio Choir conducted by Sigvards Kļava – recently hailed by the New York Times as ‘astonishing’, ‘superlative’ by the BBC Music Magazine, and ‘perhaps the finest chorus singing today’ by NPR – is focused on the sacred choral works by one of the greatest composers of the Romantic era, Felix Mendelssohn (1809–1847).

IQ are very excited to announce the release of ‘Dominion’, the long-awaited new album. Peter Nicholls: “Hot on the heels of ‘Resistance’ six years ago! Yes, it’s been a long time coming (we couldn’t be accused of rushing these things!) but we're confident this album is really strong and has been worth the wait. To be releasing a new IQ album in our 44th year feels genuinely exciting.” Mike Holmes: “We did actually write a lot more material for 'Dominion', but this choice of songs (and the running order) feels like a cohesive album to me. Even in this age of streaming individual songs I still approach a new IQ release with a ‘side one’ and ‘side two’ thing in my head – the selection and placement of songs for 'Dominion' just feels like a classic album should (I know, I’m using ‘old people’ speak!).

Violinist Joshua Bell reunites with two of his favorite collaborating artists and friends – cellist Steven Isserlis and pianist Jeremy Denk – for Sony Classical’s new recording of the piano trios of Felix Mendelssohn. The new recording follows a unique all-Brahms collection For the Love of Brahms – released by Sony Classical in 2018 – that was also a collaboration of Bell, Isserlis and Denk.

Welcome to the world of hidden treasures and symphonic jewels in "Raiders of the Symphony" with the Danish National Symphony Orchestra and the Danish National Concert Choir. The Danish National Symphony Orchestra is in an adventure spirit, and the iconic music from the Indiana Jones films becomes the highlight of the evening.

Jacob releases his debut Dan Carey produced album on Isand. Alon crashed with Carey while working on new music, of which an overarching theme will be limerence: the state of intense romantic longing for someone who often does not reciprocate. Those who have experienced limerence will know it can lead to obsessive thoughts – an infatuation that overlooks any flaws or, indeed, turns those flaws into an attractive trait.

The Howling Void presents itself to listeners with a new brilliant album that pushes the boundaries of the band's universe. On one hand, it is a return to the boundless soundscapes of the early albums that introduced everyone to their unique vision of funeral doom metal. On the other hand, it is an evolution of the music within the mysterious mythos of The Howling Void. Epic guitar riffs, accompanied by atmospheric keyboards, resonate timelessly, touching on philosophical questions of metaphysics in the lyrics. "The Glow Of A Distant Fire" is a journey into one's inner world, into the microcosm. It is an album without which the picture of the modern heavy scene cannot be complete.

There are good reasons why the names of all those involved in this album are listed as equal partners. "Moving Times" is the result of real teamwork and is the first production of a newly formed group in which everyone acts on an equal footing. This is not self-evident, because singer Esther Kaiser and guitarist Axel Fischbacher represent two established big names in the German jazz scene, who have been independently leading their own bands for many years and have released a large number of their own albums. The two belong to different generations while bassist Genevieve O’Driscoll and drummer/vibraphonist Michael Knippschild represent another one. That means three generations, two women and two men, and it fits as if there were nothing more normal in the world.

On June 9, 2024, drummer Alex Riel—one of the greatest personalities in Danish music history—passed away. For seven decades, he helped shape Danish and European music across several genres.