Pianist Oscar Peterson has long been such a consistent performer that none of his records are throwaways, but this particular set is weaker than most. Since several of the songs are the type that in the mid-'60s would get requested (such as "People," "The Girl from Ipanema," and "The Days of Wine and Roses"), the program would not seem to have much potential, but Peterson mostly uplifts the material (although not much could be done with "People") and adds a few songs (such as his own "Goodbye, J.D." and John Lewis' "D & E"). Overall, this is a reasonably enjoyable Oscar Peterson session, featuring bassist Ray Brown and drummer Ed Thigpen.

Is There Anybody Out There? The Wall Live 1980–81 is a live album released by Pink Floyd in 2000. It is a live rendition of The Wall, produced and engineered by James Guthrie, with tracks selected from the August 1980 and June 1981 performances at Earls Court in London. The album was first released in the United Kingdom on 27 March 2000, and a US/Canadian release by Columbia Records on 18 April. The shows involved the construction of a wall on stage throughout the first half of the show. Once complete, members of the band performed in small openings in, atop, in front of, or even behind the wall. The album artwork featured the life-masks of the four band members in front of a black wall; the masks were worn by the "surrogate band" during the song "In the Flesh". "Goodbye Blue Sky" and parts of "Run Like Hell" were taken from the 17 June 1981 show, the very last performance by the four-man Pink Floyd until the 2005 Live 8 concert.

This was the first TD album to incorporate lyrics and vocals (from Steve Jolliffe, who also contributed wind instruments and keyboards). By this point, the nucleus of the band was down to Edgar Froese and Christopher Franke, with the sound centering more on shifting arpeggiation over percussive rhythm structures, with "Madrigal Meridian" being an impressive example of this. Jolliffe's vocal contributions on "Bent Cold Sidewalk" and "Rising Runner Missed by Endless Sender" provide an aggressive edge that effectively catapults the listener from the hypnotic pulse that Tangerine Dream are best known for - still, it's by no means a failed experiment, though it does make Cyclone one of the least useful TD albums for working up a good meditative state.

Trilogy is a box set by the German musical project Enigma. This set includes the first three studio albums by Enigma, MCMXC a.D., The Cross of Changes, and Le Roi est mort, vive le Roi!, which comprises their artistic output from 1990–1996. A worldbeat dance fixture of the late 20th century and beyond, having sold tens of millions of albums worldwide, Enigma was formed in 1990 by Bucharest native Michael Cretu. The project is based in Ibiza, Spain, where Cretu has lived and recorded since the early '90s. With its 1991 hit "Sadeness," Enigma brought the new age fascination with Gregorian chants and old-world culture to the clubs; the resulting single was both unique and irresistible.

Camel is the first studio album by English progressive rock band Camel. It was released in 1973. The bonus track "Homage to the God of Light" was originally released in Peter Bardens's solo album The Answer in 1970. By August 1972, Camel were signed to MCA Records. They quickly entered the studio to record their first self-titled album, Camel. A collection of individual songs, chiefly from Andrew Latimer and Peter Bardens, the album was greeted with muted success and MCA did not take an option for a second album. By then, the group had acquired the management team of Geoff Jukes and Max Hole of Gemini Artists (later to become GAMA Records) and had moved to Decca Records, where they would remain for the next 10 years.

This is the story of Phaéton, valiant driver of the Sun’s chariot, led here by Vincent Dumestre and Benjamin Lazar, armed with a rich acquaintance of two decades of Lullyist cooperation. Just like at the time, they will make the Versailles Opera resonate with this production of this flamboyant tragédie lyrique which was first presented in Perm in Russia in 2018.

Vivaldi's many cello concertos are performed here with consummate taste and superb musicality by Roel Dieltiens and the Ensemble Explorations. Dieltiens plays with a rich tone and a light touch and his robust virtuosity and enthusiastic sympathy for the music are irresistible. The seven members of the Ensemble Explorations – five strings plus lute or guitar and organ or harpsichord – play with a sense of cooperation, which leaves this music sounding as concertos from the period should, which is to say more like chamber music.

The programme chosen for this CD by the eminent early music specialist Rinaldo Alessandrini and performed by members of his hand-picked ensemble Concerto Italiano illustrate most of the forms that instrumental music adopted in the course of the seventeenth century. Amongst the composers featured are Giovanni Gabrieli, Frescobaldi, Zanetti, and Torelli, as well as lesser known figures of the period including Giovanni de Macque, Evaristo dall’Abaco, and Giovanni Bononcini.

UK three CD set. Following the demise of The Sex Pistols, Malcolm McLaren formed Bow Wow Wow in 1980 from former members of Adam And The Ants and a 14-year-old Myint Myint Aye (Burmese for "High High Cool"), who was spotted singing while working a Saturday job at her local dry cleaners, and soon renamed Annabella Lwin. Bow Wow Wow found early success with their Burundi-style drumming, pop melodies, surf instrumentals and Annabella Lwin's screams, chants and girlish squeals. But their notoriety soared due to the controversy surrounding Lwin's age, and the fact that she was featured naked on the band's first LP in 1981. Soon to be touring the States and opening for bands of the likes of the Pretenders and the Police, Bow Wow Wow soon released a plethora of singles, many of which came in numerous formats including cassettes, 7 inches, 12 inches and flexi-discs, with many containing alternative versions, b-sides, and remixes - all of which are included here on Your Box Set Pet: The Complete Recordings 1981-1984. Contains the albums See Jungle! See Jungle! Go Join Your Gang Yeah, City All Over! Go Ape Crazy! (1981), When The Going Gets Tough, The Tough Get Going (1983), the EP Your Cassette Pet (1980), plus all of the band's singles, b-sides, remixes and rarities.

It is commonly perceived that the essence of the New York Dolls was never satisfactorily captured by their two albums for the Mercury label, both of which many believe suffered from unsympathetic production. Fortunately for us all, the band's untutored rawness, unencumbered strength of purpose and unique vision is better served by the recordings that are gathered together for the first time on Personality Crisis: Live Recordings & Studio Demos 1972-1975. A trio of pre-Mercury demo sessions - arguably as close as the Dolls ever got to nailing their sound in the cold austerity of the recording studio - are joined by a collection of incendiary live shows (including two American radio broadcasts) that, despite the variable sound quality, capture their unfettered outrageousness and life-affirming vitality.

He almost died by the hand of his father while he was still in his mother's womb. He's lost parts of three fingers, broke his back, suffered a heart attack and a quadruple bypass, had a steel plate put in his neck and 136 stitches in his head, fought drugs and booze, and buried his wife, son, and mother in the span of one year. He's Billy Joe Shaver, and he doesn't just sing outlaw country songs, he lives them. And here are three of his greatest albums plus a non-LP single side, everything he recorded for the Columbia label from 1981-1987.

6 CDs with 168 tracks. This box set contains all the recordings for Reprise Records between march 1966 and 1974 and some recordings from 1983-1985. It's about 452 minutes of play. By 1966, when this retrospective begins, Dean Martin was once again one of the biggest stars in American entertainment…perhaps the biggest! His records were selling more than ever; his top-rated television show was renewed year-after-year; his appearances in Las Vegas were sell-outs; and he was the star of the cult Matt Helm movies.

The vintage age of mix CDs may be long over, but listen to Midnight Ragas, the new album by legendary downtempo electronic music producer Eric Hilton, and you’ll think it never left. Imagine an even more laid-back Khruangbin, soundtracking a vintage Billy Dee Williams malt liquor advert, remixed by Zero 7, and you’re in the right zip code. Midnight Ragas – an addictive listening experience of crushed velvet grooves and late-night slow burners

Somethin' Groovy! does the exact opposite of all those late-'60s vocal albums that charted the course of new '60s pop and rock with a big-band backing. Instead, producer David Cavanaugh and music director Ralph Carmichael drape a set of vocal standards ("Makin' Whoopee," "You Must Have Been a Beautiful Baby," "It Might as Well Be Spring," "Love Is Here to Stay") over a soft, gauzy, quintessentially '60s backing. Lee's voice is generally in good shape for these songs, and she treats them with even more laidback charm than listeners would expect. It's difficult to escape the impression, however, that excessive tinkering with the arrangements ruins Lee's performances; her duet with harmonica player Toots Thielemans on "Makin' Whoopee" is interesting, but so disjointed and loose that it's more camp than quality. The ballads "I Can Hear the Music," "Love Is Here to Stay," and "You Must Have Been a Beautiful Baby" are done much better, but Somethin' Groovy! is an unfortunate album, finding a solid vocal performance trapped in time by weak arrangements and flaccid productions.

Stravinsky, Bartók and Martinů were established international figures when they wrote these works for violin, travelling across Europe as well as the United States. With the onset of World War Two, all three composers would ultimately emigrate because of their rejection of fascism. In an age of political upheaval and cultural displacement, each of them found an individual approach to reinventing the language of tonal music, laying down roots in the west without abandoning their Eastern European identities.