Celebrating the 300th anniversary of Handel's great Brockes-Passion: a long-neglected masterpiece by this most brilliant composer, from a libretto by his friend, Barthold Brockes, one of Germanys leading poets. The culmination of two years of scholarly research by a team of scholars and musicologists from the University of Oxford, University of Cambridge, King's College London, Open University and more, working alongside Music Director Richard Egarr and editor Leo Duarte. Consulting 15 manuscript sources from 11 collections in 5 countries, this is the most substantial edition of this work yet, including as appendices extra movements and Charles Jennens' partial English translation in their world premiere recordings.

Johann Christian Bach's op 17 sonata's were written considerably later than the op 5 and therefore display a more mature style. The op 5 published for harpdichord or fortepiano were keen to dazilingly exploit the possibilities of the the new piano, the op 17 were written when the piano was more comfortably established (Broadwood was now producing pianos almost exclusively the last harpsichord being produced in 1783), and therefore do not strive to employ such fantastic devices such as extreme contrasts of dynamics and orchestral effects as their predecessors.

A violinist in a class of his own, Renaud Capuçon shows why he is 'Le Violon Roi'; (The Violin King) in this 3-CD collection. As the leading French violinist of his generation, Capucon records exclusively for Virgin Classics and has a rich discography. The set brings together not only some of his best and most popular performances as a soloist but as a collaborator.

Stevie Ray Vaughan had always been a phenomenal guitarist, but prior to In Step, his songwriting was hit or miss. Even when he wrote a classic modern blues song, it was firmly within the genre's conventions; only on Soul to Soul's exquisite soul-blues "Life Without You" did he attempt to stretch the boundaries of the form. As it turns out, that was the keynote for In Step, an album where Vaughan found his own songwriting voice, blending blues, soul, and rock in unique ways, and writing with startling emotional honesty.

Sneak Me In is the seventh album by Lucifer's Friend, an album in which Mike Starrs, formerly of Colosseum II, replaced John Lawton on vocals for a second time. This album and the previous Good Time Warrior (1978) were an attempt at a more commercial, accessible style which met with limited success. Starrs was replaced by the returning Lawton, for 1981's Mean Machine.

Santana, which was renowned for its concert work dating back to Woodstock, did not release a live album in the U.S. until this one, and it's only partially live, with studio tracks added, notably a cover of the Zombies' "She's Not There" (number 27) that became Santana's first Top 40 hit in five years. The usual comings and goings in band membership had taken place since last time; the track listing was a good mixture of the old – "Black Magic Woman," "Soul Sacrifice" – and the recent, and with the added radio play of a hit single, Moonflower went Top Ten and sold a million copies, the first new Santana album to do that since 1972 and the last until Supernatural in 1999.

Crash is the fifth studio album by English singer-songwriter Charli XCX, released on 18 March 2022. It is her last album to be released under her current record contract with Atlantic Records. Charli announced the album title, release date, and artwork on 4 November 2021. Her website was also updated with information about the album's 2022 tour. The album was preceded by the four singles "Good Ones", "New Shapes" featuring Christine and the Queens and Caroline Polachek, "Beg for You" featuring Rina Sawayama, "Baby" and two promotional singles, "Every Rule" and "Used to Know Me".

With just a couple of cursory listens to the few tracks that popped up all over the Internet through 2007, comparisons were made between Adele, the much-hyped brassy British songstress, and Amy Winehouse, the…much-hyped brassy British songstress. However, after a solid listen to 19, the first full sampling by the up-and-coming Adele, listeners are forced to throw all comparisons to the wind; Adele is simply too magical to compare her to anyone. Bluesy like it's no one's business yet voluptuously funky in a contemporary way, Adele rocks out 19 with a unique voice and gritty sound that dazzle endlessly. Synthesizing blues, jazz, folk, soul, and even electric pop, Adele mystifies through her mature songwriting skills and jaw-dropping arrangements.

Gottfried Heinrich Stölzel was a highly esteemed composer mentioned in the same breath as Bach, Telemann, and Handel. Today his name has largely vanished from our concert programs, but not from the cpo catalogue. Stölzel did remarkable things in the field of sacred music, as demonstrated by previous releases on cpo, but the label now presents the composer’s chamber music.

What really makes this chronologically arranged major recording project stand out is the fact that Il Rossignolo have also incorporated all the duplicate movements and different forms by which each sonata has survived to the present day; and because these are also programmed alongside each other, it’s possible to instantly compare the differences worked by a key or instrumental change…Harpsichordist Ottaviano Tenerani’s colourful and responsive partnering is unfailingly enjoyable throughout.

The Bulgarian violinist Kremena Nikolova and her ensemble Vivaldi Society enlarge the spectrum around the solo concertos by Vivaldi presenting a program with concertos for violin and viola d’amore by Vivaldi together with compositions by Sardelli, Martynov and Bersanetti, three contemporary composers that consider themselves as followers of the tradition of the Venetian master.