A Storm Is Coming is a ten-track journey from tension to release, where blues-rock soul and alternative edge collide. Led by Rebecca's characteristic, powerhouse vocal, the album marries guitar punch, Hammond glow and chant-along refrains that will be at home both on radio and in a room full of raised voices.

Racines is the musical project of Laurent Perrault-Jolicoeur, a McGill-qualified jazz bassist, and Zal Sissokho, a korafola known for his off-the-beaten-track projects such as Kora Flamenca and Famalé. Together, the two composers seek to reweave and retrace the links between Mandingo and jazz music through their compositions that hybridise the rhythms, harmony and improvisation of each of these traditions.

Founded in 1998 at Pro Corda, Suffolk, the multi-award-winning Doric String Quartet describes recording Brittens quartets as a significant milestone: In our recording we have endeavoured to tread a line that brings out the humanity in these works but also recognises the need for distance and fragility. This is very personal and intimate music, yet also world-encompassing and timeless. The Quartet continues: Another feature of this recording is that Hélène Clément, our violist, is playing on Benjamin Brittens own viola. This instrument (on loan from the Britten-Pears Foundation) was made in 1843 in Milan by Francesco Guissani. It was previously owned by the composer Frank Bridge who gave it to Britten, as a departure gift when Britten and Pears set sail for the USA in 1939. ​

Here is the work of a genius who died at the age of twenty-six: Pergolesi's Stabat Mater is one of the miracles of eighteenth-century sacred music. Nourished by their experience of ‘setting in resonance’ early and contemporary repertories, Riccardo Minasi and the Hamburg musicians shed an astonishingly modern light on these moving pieces, in which the voices of Giulia Semenzato and Lucile Richardot intertwine in the most sublime of communions. The Stabat is echoed by Joan Rossell’s poignant Salve Regina, long attributed to Pergolesi himself.

The large collection of antique instruments at Les Siècles' command makes its recordings more than just speculative period exercises, but something approaching musical time travel. Led since 2003 by its founder, François-Xavier Roth, this singular French orchestra has given thrilling historically-informed recreations of the repertoire of the 18th, 19th, and early 20th centuries on vintage instruments that were available to the musicians of the time, crafted by hand, and possessing the unique sonorities and tunings of different regions.