One of the best rock combos to grace the Harvest label in the early 70s - a German trio who've got plenty of proggish inflections, and who really serve up some great keyboards and guitar over heavy drums! There's a bit of vocals on the set, natch, but the best tunes feature lots of jamming on a variety of keyboards that include moog, Hammond, and electric piano - spun out in a really pulsating set of rhythms.

It's fair to say that the Orb never would have reached the British pop Top 40 without the influence and promotion of John Peel, who sponsored three sessions between 1989 and 1995. (There have also been two additional dates for other presenters.) Peel, a veteran of the late-'60s British music scene, appreciated the Orb's blend of futurism and folky traditionalism, seeing them not just as dance saviors but another dot in the line that connected pixilated popsters like T. Rex and the Incredible String Band (both of which Peel had been closely associated with). The Orb's first session was recorded in 1989, well before they had released an album, and it boosted the popularity of both the group and the ambient house phenomenon immeasurably. Although Peel's attention helped, a lot of excitement surrounded the music itself, a gorgeous tableau of music laced with samples taken from Dr. Alex Paterson's immense kit bag of records…

…This is the best you will ever hear of the "Spiritual Choir-Music of Heinrich Schuetz (1585-1672). This one-disk performance is a selection of ten of the 49 motets in Schuetz's 1648 opus, interspersed with six quite distinct selections from the Kleine Geistliche Konzerte of 1636. The two sources are radically different; the earlier works are in the operatic 'secunda prattica' style of Monteverdi, sung by soloists over decorated basso continuo; the later works are superbly old-fashioned choral polyphony of the 'prima prattica' of composers dead before Schuetz was born. As a concert listening experience, the combination is highly effective, offering a variety and sprightliness that a through-reading of the complete Geistliche Chormusic can't provide.

In 1968, six former choral scholars from King’s College, Cambridge established the King’s Singers, later described by The Times as “the superlative vocal sextet”. The group has always comprised two countertenors, a tenor, two baritones and a bass, and over the years it has proved consistently exceptional for vocal distinction and breadth and diversity of repertoire. This celebratory collection of eight CDs focuses on Renaissance composers from Italy, England, France, Spain, Germany and the Low Countries.

Schubert set the poetry of over 115 writers to music. He selected poems from classical Greece, the Middle Ages and the Renaissance, from eighteenth-century German authors, early Romantics, Biedermeier poets, and Heine. The Deutsche Schubert-Lied-Edition presents all Schubert’s Lieder, over 700 songs, grouped according to the poets who inspired him. Thanks to the Bärenreiter’s Neue Schubert-Ausgabe (New Schubert Edition), Tübingen, which uses primary sources, the performers have been able to benefit from the most recent research of the editorial team.

That’s What Happened 1982-1985: Bootleg Volume 7 is the next installment in the celebrated, award-winning archival series that began in 2011, shining an in-depth light onto different eras of the legendary career of Miles Davis. In the 1980s, popular music had moved to a smoother, electronic-based sound that traded the steam of previous years for subdued arrangements meant to elicit peace and deep reflection. Miles Davis embraced this era, pulling inspiration from FM radio and an upstart music video channel called MTV. He was searching for the next frontier, letting his creativity roam. This music on The Bootleg Series Vol. 7 captures that exploration, and finds Miles beginning to re-emerge in a creative landscape far different than the one he left in 1975.

This release in a series of live recordings of concerts from the Fabrik in Hamburg-Altona, one of those hidden treasures from the archive of the NDR, was intended to bring back the memory of changes and revolutions in the world of jazz of more than four decades ago. It has now turned into an obituary - at the end of September 2022 the tenor saxophonist Pharoah Sanders passed away at the age of 81. This recording of the Sanders Quartet from 6 June 1980 is so far the oldest from the Fabrik, predating the great jazz-epoch of the venue. An era, which even today Thomas Engel, the first program planner of the Fabrik, describes as a very special period for popular and not-so-popular culture in Hamburg and far beyond. Furthermore, this concert formed part of the then fifth edition of what was still called the New Jazz Festival, a summit of German, European and US-American musicians.

Think you’ve heard Led Zeppelin covered in every possible way? Think again!! Here, all-female tribe band Lez Zeppelin reimagines Led Zep classics and adds in the beautiful and dramatic elements of a string ensemble. The project, in the form of an EP, is titled The Isle of Skyros, and releases on November 1.

Mastered by Steve Hoffman at Marsh Mastering. SACD Authoring: Stephen Marsh at Marsh Mastering. Jeff Beck's debut solo LP was bound to be a great record with a band featuring talent like Rod Stewart on vocals, Ronnie Wood on guitar plus contributions from Jimmy Page, Nicky Hopkins, Aynsley Dunbar and Keith Moon. The 1968 album got off to a staggering start and peaked at number 15 on the Billboard 200. Astoundingly good for a band that had been utterly unknown in the U.S. just six months earlier.

After an outpouring of seven acclaimed albums over a decade, accompanied by rapturously received touring all over Europe and North America, it's been nearly four years since the Hedvig Mollestad Trio released their triumphal seventh album, “Ding Dong. You're Dead”. Mollestad's pent-up delight in reconnecting with cofounders Ellen Brekken (bass) and Ivar Loe Bjornstad (drums) pervades “Bees in the Bonnet”'s thirty-seven adventurous, invigorating, beautifully baffling yet accessible minutes as they continue to blur boundaries between progressive rock and jazz and heavy psychedelia with their signature telepathic chemistry, nuanced sonority and uplifting spirit.

Performed across two nights at the Royal Dramaten Theatre in Stockholm in March of 2017, Who By Fire is a theatrical staging of Leonard Cohen’s songs, poems and letters. Conceived and anchored by First Aid Kit, the band are joined by an array of guest artists, two actors, an 8 member band and strings and on two songs a 20 strong choir. An incredibly ambitious undertaking, they selected and sequenced all of the material performed and collaborated with the theatre and their music director to stage and orchestrate the show.

Djabe & Steve Hackett line-up made up for the 2020 and 2021 tour postponed due to Covid in 2022. The musicians eagerly awaited to make music together, so on the tour the band was very much together and gave their best performances of all time. At the final stop of the tour, the band also recorded a video, the post-production of which, as usual, was done by Tamás Barabás and Attila Égerházi. The concert, which can be found on Blu-ray, includes several tracks performed live for the first time. Examples include Lake By The Sea from the Back To Sardinia album, the rock band version of Ace Of Wands from the Voyage Of The Acolyte album, or the Gyor Blues compositions. There are several live versions of Steve Hackett and Djabe compositions previously not released on a Djabe & Steve Hackett live albums. Songs like The Steppes, Witchi Tai To, Gyor and Power Of Wings.

'Global superstar Ed Sheeran has announced that his new album ‘Play’ will be released on 12th September 2025. After closing the chapter on his Mathematics series, Ed Sheeran is finally back and stepping boldly into a fresh new phase for 2025. An artist known for constantly evolving, Sheeran’s latest album, 'Play' finds him exploring new musical ground through collaboration with producers and musicians from around the world, as well as diving deeper into the timeless sounds and themes that have made him one of the world’s best-loved pop artists. Inspired by his exposure to Indian and Persian musical cultures—and their surprising connections to the Irish folk tradition he grew up with, through shared scales, rhythms, and melodies—he explored this borderless musical language, giving the album its distinctive, fresh edge. On more familiar ground, Sheeran also reminds us why he remains the most influential singer-songwriter of his generation, delivering a series of stunning ballads and acoustic-driven songs. The result is a collection that plays with both the familiar and the new, creating a bold, pop-driven sound that only Ed Sheeran could deliver — a vibrant showcase of his artistry that feels both exciting and transformative, and promises to be one of the defining albums of the year.

During the rehearsals preceding the Ensouled World Tour 2024, THE THE whittled down their vast catalogue in search of the strongest set list – one that incorporated both the entire new album, Ensoulment, as well as the anticipated and much-loved songs of past decades. One song was sounding weak and nearly did not make it… but before it was dropped from the list, a final attempt at reinventing it proved to be its resurrection and reincarnation as ‘Slow Emotion Replayed’. It stayed in the set and went on tour. Matt Johnson has a penchant for covering and reinventing his own songs as with ‘This Is The Day’, ‘Infected’, ‘Armageddon Days’ and others. The original version of ‘Slow Emotion Replay’, appeared on Dusk, released in 1993. This new version, ‘Slow Emotion Replayed’ was recorded in Studio Cinéola, London, featuring Matt Johnson on Omnichord and vocals, Barrie Cadogan on electric guitar and backing vocals, James Eller on bass and Gillian Glover also providing backing vocals. The B-side of this single is entitles ‘Crow Commotion Displayed’.

4CD REMASTERED CLAMSHELL BOX ANTHOLOGY COMPRISING ALL OF SKIN ALLEY’S RECORDINGS FOR CBS & TRANSATLANTIC RECORDS BETWEEN 1969-1973. INCLUDES ALL THE TRACKS FROM THE ALBUMS ‘SKIN ALLEY’, ‘TO PAGHAM & BEYOND’, ‘TWO QUID DEAL’ & ‘SKINTIGHT’ ALONG WITH ALL TRACKS FROM ‘STOP VERUSHKA!’, THE BAND’S “LOST” 1970 SOUNDTRACK ALBUM & RARE SINGLES. ALL TRACKS REMASTERED FROM THE ORIGINAL MASTER TAPES. Formed in 1968, Skin Alley were part of the infamous Clearwater stable that included fellow acts such as Hawkwind, High Tide, Trees and Cochise. The band’s infectious fusion of jazz and rock was suited to the time and the band became a regular attraction on the underground festival and concert circuit. Skin Alley recorded their self-titled debut album for CBS Records in November 1969 with former Pretty Things guitarist Dick Taylor producing. The band’s second album, ‘To Pagham and Beyond’ was recorded in 1970, along with a shelved soundtrack album for an unreleased film about the German model Verushka.