For me, Strauss is one of the greatest composers," Diana Damrau has said. "The way he handles the soprano voice is a joy. And to be able to sing his music with my voice feels like coming home." The centrepiece of this album of Strauss songs is the sublime Vier letzte Lieder, in which Damrau - born and trained in Bavaria - joins forces with the Bavarian Radio Symphony Orchestra and it's long-standing Chief Conductor Mariss Jansons. Her partner in a tempting and diverse selection of songs with piano is Helmut Deutsch. "Not only is Strauss's music gorgeous," says Damrau, "there's the way he combines words and notes - and the psychology.

Some music lovers are familiar with Ce qu’on entend sur la montagne, Liszt’s symphonic poem based on Victor Hugo. But who knows that, ten years earlier, César Franck was inspired by the same poem? This early piece is recorded here by the Orchestre Philharmonique de Radio France conducted by Mikko Franck. They couple it with the famous Symphony in D minor, dedicated to Henri Duparc and premiered, without much success, in 1889. Even if the score is quite well-known today, in the end it is performed quite rarely, which is a pity, because it really has all the characteristics of a masterpiece: melodic and harmonic inspiration, refined orchestration, variety of mood, an ingenious structure.

Until it was revived in the late twentieth century, Handel's opera Faramondo was performed just eight times in London in 1738 and then fell into obscurity. According to the conventions of Italian opera of the period, men's roles were often written for women, in spite of the lack of dramatic realism, and the use of castrati was common, so higher voices strongly predominate. Handel wrote the title role, which would have gone to a castrato, usually a male alto, for Cafarelli, who had the range of a mezzo-soprano.

The Ferrymen, the high powerful trio, formed by masterful Swedish guitarist/songwriter/producer Magnus Karlsson (Primal Fear, Magnus Karlsson's Free Fall), awesome vocalist Ronnie Romero (Lords of Black, Sunstorm, Rainow), and thunderous drummer Mike Terrana (Rage, Axel Rudi Pell, etc.), have become an established name amongst European melodic metal fans after their first three successful albums, Fans should now prepare themselves for album four! The Ferryman have wrapped up work on "Iron Will" and once again, the band takes the classic heavy metal sound and combine it with heavier, updated songwriting textures and arrangements. “Iron Will” is certainly a huge shot of adrenaline for all lovers of melodic heavy metal!

ANGE is, no doubt about it, the most popular of the French Progressive rock bands. Its music is based on Christian DECAMPS' unmistakable and melodramatic voice, his brother Francis' powerful organ sounds as well as on the development of energetic and intense medieval lines. The line-up invented its own style, both epic and delirious, and that blends madness, emotions and exacerbated feelings. Guet-apens is the sixth studio album by the French progressive rock band Ange and the first without Jean Michel Brezovar and Daniel Haas. It was released in 1978.