Jazz and film noir are perfect bedfellows, as evidenced by the soundtrack of Louis Malle's Ascenseur Pour L'Echafaud (Lift to the Scaffold). This dark and seductive tale is wonderfully accentuated by the late-'50s cool or bop music of Miles Davis, played with French jazzmen - bassist Pierre Michelot, pianist René Urtreger, and tenor saxophonist Barney Wilen - and American expatriate drummer Kenny Clarke. These complete recordings, including multiple alternate takes, evoke the sensual nature of a mysterious chanteuse and the contrasting scurrying rat race lifestyle of the times, when the popularity of the automobile, cigarettes, and the late-night bar scene were central figures. Davis had seen a screening of the movie prior to his making of this music, and knew exactly how to portray the smoky hazed or frantic scenes though sonic imagery, dictated by the trumpeter mainly in D-minor and C-seventh chords…

Stunning second album from this experimental German group. Within the space of 9 tracks they manage to sound like Led Zeppelin (check out opening number "Hobo!"), Uriah Heep, Genesis and Soft Machine in an excellent mixture of hard rock and surreal progressive music.

Echo celebrates the tenth anniversary of an extraordinary partnership between two virtuosos whose previous releases include 2018's album Soar and their 2013 debut Clychau Dibon. Echo marks the third part of this remarkable trilogy. The harp and kora share centuries of history, and Catrin and Seckou create a unique dialogue in a musical alliance of rare empathy, inspired by differences and similarities. Their atmospheric magic crosses genre boundaries, from folk and world music to classical and contemporary as their fingers flow like opposing tributaries into a single river of sound. Echo is the tender triumph of an extraordinary musical partnership that combines harp and kora, the modern and traditional, different cultures and common humanity.

First Complete, Authorized Release of alto sax giant’s 1972 Olympia performance transferred from the original tape reels recorded by the ORTF and housed in the INA (the Institut national de l'audiovisuel). Released by Elemental Music in cooperation with the Cannonball Adderley Estate and INA France. Includes an extensive booklet with rare photos; essays by acclaimed jazz author and historian BOB BLUMENTHAL and producer ZEV FELDMAN, plus testimonies by TIA FULLER, LOU DONALDSON & VINCENT HERRING, and a never before published 1983 NAT ADDERLEY interview.

This particular live album consists of shows from 1997 and 1998.They mention in the liner notes that there has been no overdubs or remixes and very few edits."The albums title refers obliquely to the effort required to dismantle and relocate the first floor studio (Northern Echo), to the required venue, and in particular to the rather unwielding M400 (mellotron) which was supposedly designed for gigging…" . A mellotron designed for a tour ? Haha that is funny. As per usual we get lots of spacey sounds and electronics with plenty of guitar and mellotron.

This brand-new deluxe edition is part of Decca's anniversary program commemorating the 100th anniversary of the death of the great opera composer Giacomo Puccini. Made in January 1974 at Vienna's Sofiensäle, this recording features the finest ensemble of the era, led by Mirella Freni and Luciano Pavarotti, and conducted by Herbert von Karajan. Upon its initial release, the recording was praised by critics and music lovers alike, with Gramophone magazine describing it as "a set to dream about." This legacy continues with this newly presented edition. Remastered from the original 1975 tapes, the recording is now available on audiophile vinyl and as a hybrid SACD with a resolution of 192 kHz/24-bit.

For Fans of, Gong, The Soft Machine, Hawkwind, and Psychedelic Prog Rock! Daevid Allen is well known as the founder of The Soft Machine in 1966 and Gong in 1969. Weird Biscuit Teatime is a studio project that he did in the early 2000s with producer/keyboardist Don Falcone of Spirits Burning, bassist Michael Clare from Daevid Allen’s University Of Errors, and drummer Trey Sabatelli who has worked with Jefferson Starship, The Tubes, and Todd Rundgren. The band recorded two albums. DJDDAY was the first, recorded and mixed from 2000 to 2004, and then released in England in 2005. For that release, the band considered putting Daevid’s name in the band title. They didn’t and the album got buried in the mass of releases at the time. To avoid making the same mistake twice with the second album, “Elevenses,” the name of the band was changed to Daevid Allen Weird Quartet. Now 20 years later, with a new remaster by Robert Rich and five bonus remixes, “DJDDAY” arrives with the band name Weird Biscuit Teatime Starring Daevid Allen to celebrate its 20th Anniversary. A lost masterpiece by the master of psychedelic/progressive music.