Though it appears in the aftermath of their dissolution in 2014, and the deaths of both actual Allman brothers, Duane and Gregg, this 50th anniversary retrospective box set is arguably the only career overview of the band one can call representative. Arranged over ten LPs or five compact discs, Trouble No More examines in depth each incarnation and stage of the pioneering rockers. It convincingly formulates the argument that no other American band accomplished more musically (especially live) by seamlessly marrying rock, blues, jazz, and R&B to each other and to extended improvisation. This set compiles 61 Allman Brothers Band classics, live performances, and rarities – including seven previously unreleased tracks – all painstakingly remastered, with and a hefty 88-page book full of photos and a lengthy historical essay by ABB historian John Lynskey that recaps all 13 incarnations of the band's lineup.

Essentially the Allman Brothers Band's Gold collection is an expanded version of both the Universal Masters and 20th Century Masters collections. It contains two discs that total 30 cuts and cover the band's catalog from 1969's Allman Brothers Band to 1975's Enlightened Rogues. There are five cuts from the first album, including the original studio version of "Whipping Post," and four from Idlewild South, including the studio read of "Midnight Ride." The cuts from At Fillmore East number four with the inclusion of the 13-minute "In Memory of Elizabeth Reed," and five from Eat a Peach, including "Melissa," "Blue Sky," and "Ain't Wasting Time No More."

Live Alive is a magnificent double-length showcase for Stevie Ray Vaughan's guitar playing, featuring a number of extended jams on a selection of most of the best material from Vaughan's first three albums, plus covers of "Willie the Wimp," "I'm Leaving You (Commit a Crime)," and Stevie Wonder's "Superstition." The album may not be exceptionally tight or concise, but then again, that's not the point. The renditions here sound less polished than the studio versions, with Vaughan's guitar tone bitingly down and dirty and his playing spontaneous and passionate.

For his fourth album, Elvin Bishop organized a new backup group and switched to Capricorn Records. Capricorn was known as the standard bearer of the Southern rock movement - the Allman Brothers Band, The Marshall Tucker Band, etc. - and Bishop was able to emphasize the country/blues aspects of his persona and his music in the move from Marin County, California, to Macon, Georgia. The guest artists included the Allmans' Dickey Betts, Marshall Tucker's Toy Caldwell, Charlie Daniels, and Sly Stone, and Bishop turned in one of his best sets of songs, including "Travelin' Shoes" (with its Allmans-like twin lead guitar work), which became his first charting single, just as the album was his first to make the Top 100 LPs.

ZZ Top closed out their tenure with London Records in late 1977 with The Best of ZZ Top, a basic but terrific ten-song retrospective of highlights from their first five albums (well, four, actually, since the underwhelming Tejas is ignored). There are no surprises here, just album rock favorites, which means it does draw heavily on Tres Hombres (four songs, total), adds Fandango's "Tush," "Blue Jean Blues," and "Heard It on the X" for good measure, then rounds it out with two songs from Rio Grande Mud and a selection from the debut. Yeah, there are a couple good album tracks missing, but as a ten-song summary of their early years, this can't be beat.

Lynyrd Skynyrd is an American rock band formed in Jacksonville, Florida, in 1964. The group originally formed as My Backyard and comprised Ronnie Van Zant (vocals), Gary Rossington (guitar), Allen Collins (guitar), Larry Junstrom (bass), and Bob Burns (drums). The band spent four years touring small venues under various names and with several lineup changes before deciding on "Lynyrd Skynyrd" in 1968. The band released its first album, (Pronounced 'Lĕh-'nérd 'Skin-'nérd), in 1973. By then, they had settled on a lineup that included bassist Leon Wilkeson, keyboardist Billy Powell, and guitarist Ed King. Burns left and was replaced by Artimus Pyle in 1974.

Lynyrd Skynyrd 1991 is the sixth studio album by American Southern rock band Lynyrd Skynyrd. It was the band's first new studio album since 1977's Street Survivors and the first following a 1977 plane crash that claimed the lives of three members of the band. Lead vocalist Ronnie Van Zant and lead guitarist Steve Gaines perished in a 1977 plane crash in Mississippi, and Lynyrd Skynyrd 1991 is the first album to feature their replacements, vocalist Johnny Van Zant and guitarist Randall Hall. It also marks the return of original guitarist Ed King, who parted ways with the band while touring in support of Nuthin' Fancy in 1975. It was also the final Lynyrd Skynyrd album to feature drummer Artimus Pyle, who survived the crash. Guitarist and founding member Allen Collins also survived the 1977 plane crash but died in 1990 from chronic pneumonia.

Fresh off the Grammy-nominated success of Happiness Bastards (2024), Chris and Rich Robinson wasted no time getting back to work. In early 2025, the brothers returned to Nashville to reunite with producer Jay Joyce and recapture the spark that powered their last record. This is the result. Reflective of their mood and expression, The Black Crowes have created a rock record that's loose and funky, dark and heavy, sensuous and jagged, flesh and bone… a pound of feathers or a pound of lead. Look out below and mind your head.

After a couple of albums with his band Honeytribe, guitarist and songwriter Devon Allman scored with the Royal Southern Brotherhood. A blues-rock supergroup comprised of Allman and guitarist Mike Zito, drummer Yonrico Scott, and bassist Charlie Wooton from Zydefunk, the band's lone album hit the Top Ten on Billboard's blues chart. But Allman has proven himself restless from the start, and Turquoise is the latest chapter in his musical evolution. For those who've heard his past recordings as exercises in jam band expression, this set will come as a surprise. Produced by Jim Gaines (the Radiators, Huey Lewis, Santana, Ana Popovic, etc.), the album is a deeper, richer, collection of tunes that focuses on the Allman the singer and songwriter rather than the guitarist.