The Game is the eighth studio album by the British rock band Queen. It was released on 30 June 1980 by EMI Records in the UK and by Elektra Records in the US. The Game features a different sound than its predecessor, Jazz (1978). The Game was the first Queen album to use a synthesizer (an Oberheim OB-X). A critical and commercial success,The Game became the only Queen album to reach No. 1 in the US, and became their best-selling studio album in the US, with four million copies sold to date, tying News of the World's US sales tally. It is estimated to have sold a further 4 million copies in other countries. Notable songs on the album include the bass-driven "Another One Bites the Dust" and the rockabilly "Crazy Little Thing Called Love", both of which reached No. 1 in the US. The Game was the first Queen album to be recorded digitally.

Pictures at an Exhibition is a piano suite in ten movements, plus a recurring and varied Promenade theme, written in 1874 by Russian composer Modest Mussorgsky. It is a musical depiction of a tour of an exhibition of works by architect and painter Viktor Hartmann put on at the Imperial Academy of Arts in Saint Petersburg, following his sudden death in the previous year. Each movement of the suite is based on an individual work, some of which are lost.

The Best of Rainbow compiles 16 of the best tracks from Rainbow's first seven studio albums, wisely avoiding 1977's live On Stage release. The first two tracks from their debut album, 1975's Ritchie Blackmore's Rainbow, showcases the instant bond that was formed between Blackmore and Ronnie James Dio, especially on "Man on the Silver Mountain." Blackmore changed the band for the following year's Rainbow Rising, with Jimmy Bain replacing bass player Craig Gruber, and Cozy Powell taking percussion duties away from Gary Driscoll. Adding keyboard player Tony Carey helped tracks like "Starstruck" and the lengthy "Stargazer" to sound a little more dimensional and fluent than the group's first effort.

Some bands turn into shorthand for a certain sound or style, and Pink Floyd belongs among that elite group. The very name connotes something specific: an elastic, echoing, mind-bending sound that evokes the chasms of space. Pink Floyd grounded that limitless sound with exacting explorations of mundane matters of ego, mind, memory, and heart, touching upon madness, alienation, narcissism, and society on their concept albums of the '70s. Of these concept albums, Dark Side of the Moon resonated strongest, earning new audiences year after year, decade after decade, and its longevity makes sense.

Back by popular demand, NOW Music presents the second edition of ‘Forgotten ’60s’, entitled ‘Even More Forgotten ’60s’. Featuring five discs of even more nostalgic hits from the ultimate decade of pop, rock, rnb and soul, this isn’t one to be missed.

Formed in Los Angeles in 1990, Tool emerged with a heavy-prog-metal sound on their first studio album Undertow in 1993, and became a dominant act in the alternative metal movement with the release of their follow-up Ænima in 1996. The group's efforts to combine musical experimentation, visual arts, and a message of personal evolution continued with Lateralus (2001) and 10,000 Days (2006), gaining critical acclaim and international commercial success.

Homespun invites you to turn up the dial and step into pop history with this electrifying live radio broadcast of Madonna, captured on June 22, 1987, at Tokyo's iconic Korakuen Stadium during her ground-breaking Who's That Girl World Tour. At the height of her '80s reign, Madonna delivers a fearless, high-energy performance packed with global hits, daring choreography, and that unmistakable attitude that made her a cultural phenomenon.

La-La Land Records, Paramount Pictures and WEA present an expanded and remastered 2-CD re-issue of legendary composer Jerry Goldsmith’s (THE OMEN, STAR TREK – THE MOTION PICTURE, BASIC INSTINCT) original motion picture score to the 2002 Paramount Pictures espionage thriller THE SUM OF ALL FEARS. Based on the acclaimed Tom Clancy novel, the film stars Ben Affleck, Morgan Freeman and Liev Schreiber, and was directed by Phil Alden Robinson. This Goldsmith treasure returns to La-La Land Records better and bigger than ever in an all-new 2-CD presentation that unleashes the Maestro’s power in all of its brilliance. Striking themes and motifs abound in the composer’s powerhouse orchestral score, expertly weaving patriotism and hope with chilling dread and nail-biting suspense in equal measure – an undoubtedly important work from this iconic maestro’s final chapter.

La-La Land Records, Paramount Pictures and Geffen Records present an expanded and remastered 2-CD re-issue of renowned composer Basil Poledouris’ (CONAN THE BARBARIAN, ROBOCOP, STARSHIP TROOPERS) original motion picture score to the blockbuster 1990 Paramount Pictures espionage drama/thriller THE HUNT FOR RED OCTOBER, Based on Tom Clancy’s debut novel, the film stars Sean Connery, Alec Baldwin and James Earl Jones, and was directed by John McTiernan. Considered to be one of composer Basil Poledouris’ finest musical achievements, his iconic THE HUNT FOR RED OCTOBER masterwork is also heralded by many as among the very best film scores of the 1990s. A powerful orchestral and choral classic that is rousing, thrilling and even romantic, Poledouris also employs a keen grasp of contemporary electronics, resulting in the perfect blend for the film’s mix of Old-World duty, honor and patriotism with modern technological warfare. Expanded, re-mixed and remastered, this deluxe presentation unleashes the composer’s marvel like never before, in all its brilliance and in celebration of the film’s 35th anniversary!

La-La Land Records, Metro-Goldwyn-Mayer, EON Productions and Universal Music Enterprises present a remastered and expanded 2-CD re-issue of renowned composer John Barry’s original motion picture score to the sixth James Bond film, On Her Majesty’s Secret Service. Produced by Albert R. Broccoli and Harry Saltzman, the 1969 film stars George Lazenby as James Bond 007 and is directed by Peter Hunt, who edited the five previous Bond films. With four legendary Bond scores already to his credit, composer John Barry reported for duty for the fifth time to provide the musical continuity and introduce a new 007, as George Lazenby would be first to succeed Sean Connery in the iconic role of Bond. The score, like the film, is thrilling and powerful, bursting with action, drama and glamour – and considered by many to be one of Barry’s finest works, as demonstrated within this deluxe 2-CD release. This remastered and expanded presentation of Barry’s score includes the songs “We Have All The Time In The World,” performed by Louis Armstrong and “Do You Know How Christmas Trees Are Grown?,” performed by Nina, with lyrics by Hal David

Lyricist Richard Palmer-James’ tale of rock stars, chancers, city slickers and those who rest on their laurels is given full voice here by Jakko via a terrific, impassioned vocal. Away from the slashing chords of the verse section, the middle section has an almost dream-like quality. Fripp’s liquid soloing, interspersed with Jamie Muir’s sardonic chuckle sampled from the original LTIA multitracks and triggered by Pat Mastelotto, quickly builds into an intense vocal improvisation and some haunting keyboard work by Rieflin. Except for Interlude between Easy Money and The Talking Drum and Larks’ Tongues In Aspic Part II, this section replicates side two of KC’s 1973 studio album. It’s interesting to note that had Mel Collins accepted an invitation to join a newly revamped Crimson in the late summer of 1972, this is what the Larks’ era band might have sounded like.

Balance (Expanded Edition) 2CD set features Van Halen's multi-platinum 10th studio album with remastered audio, plus a rarities disc featuring B-sides and eight previously unreleased live performances from London's Wembley Stadium (June 24, 1995). Contains the singles "Don't Tell Me (What Love Can Do)," "Can't Stop Lovin' You" and "Amsterdam."

Joan Osborne set the world on fire for a few minutes back in the '90s with her reading of Eric Bazilian's "One of Us," a single that dominated the charts for the better part of a year and continues to get radio play. The album, Relish, sold into the millions, making everybody and her brother (especially the folks at her label Interscope) think she was going to be a superstar. It didn't work out that way. Despite being one of the greatest R&B and soul singers around (before she played in the big leagues she issued a few independent recordings on her own Womanly Hips label that offer stellar proof of this), she got her rep as a pop singer; worse yet, as part of the '90s wave of female acts who dominated the charts for a little while and was a part of the first Lilith Fair, while singing pop songs at half power no less.

All tracks recorded live in concert June 29 2010 in Torshavn, Faroe Islands.Issued in a digipack with front sticker showing date, and inside sticker showing track list.

Roger Waters‘ Us + Them concert film, which chronicles his 2017-2018 world tour, is released on CD, vinyl, blu-ray and DVD. Waters played 156 shows to 2.3m people with a setlist that included Pink Floyd classics from The Dark Side of the Moon, The Wall, Animals, Wish You Were Here and tracks from 2017’s Is This The Life We Really Want?. Directed by Sean Evans and Roger Waters, the film attempts to provide a sense of what it was like to ‘be there’ with Evans using state-of-the-art digital and audio technology available in the arenas and stadia around the world.