10764232

This release in a series of live recordings of concerts from the Fabrik in Hamburg-Altona, one of those hidden treasures from the archive of the NDR, was intended to bring back the memory of changes and revolutions in the world of jazz of more than four decades ago. It has now turned into an obituary - at the end of September 2022 the tenor saxophonist Pharoah Sanders passed away at the age of 81. This recording of the Sanders Quartet from 6 June 1980 is so far the oldest from the Fabrik, predating the great jazz-epoch of the venue. An era, which even today Thomas Engel, the first program planner of the Fabrik, describes as a very special period for popular and not-so-popular culture in Hamburg and far beyond. Furthermore, this concert formed part of the then fifth edition of what was still called the New Jazz Festival, a summit of German, European and US-American musicians.

Think you’ve heard Led Zeppelin covered in every possible way? Think again!! Here, all-female tribe band Lez Zeppelin reimagines Led Zep classics and adds in the beautiful and dramatic elements of a string ensemble. The project, in the form of an EP, is titled The Isle of Skyros, and releases on November 1.

Mastered by Steve Hoffman at Marsh Mastering. SACD Authoring: Stephen Marsh at Marsh Mastering. Jeff Beck's debut solo LP was bound to be a great record with a band featuring talent like Rod Stewart on vocals, Ronnie Wood on guitar plus contributions from Jimmy Page, Nicky Hopkins, Aynsley Dunbar and Keith Moon. The 1968 album got off to a staggering start and peaked at number 15 on the Billboard 200. Astoundingly good for a band that had been utterly unknown in the U.S. just six months earlier.

After an outpouring of seven acclaimed albums over a decade, accompanied by rapturously received touring all over Europe and North America, it's been nearly four years since the Hedvig Mollestad Trio released their triumphal seventh album, “Ding Dong. You're Dead”. Mollestad's pent-up delight in reconnecting with cofounders Ellen Brekken (bass) and Ivar Loe Bjornstad (drums) pervades “Bees in the Bonnet”'s thirty-seven adventurous, invigorating, beautifully baffling yet accessible minutes as they continue to blur boundaries between progressive rock and jazz and heavy psychedelia with their signature telepathic chemistry, nuanced sonority and uplifting spirit.

Performed across two nights at the Royal Dramaten Theatre in Stockholm in March of 2017, Who By Fire is a theatrical staging of Leonard Cohen’s songs, poems and letters. Conceived and anchored by First Aid Kit, the band are joined by an array of guest artists, two actors, an 8 member band and strings and on two songs a 20 strong choir. An incredibly ambitious undertaking, they selected and sequenced all of the material performed and collaborated with the theatre and their music director to stage and orchestrate the show.

Djabe & Steve Hackett line-up made up for the 2020 and 2021 tour postponed due to Covid in 2022. The musicians eagerly awaited to make music together, so on the tour the band was very much together and gave their best performances of all time. At the final stop of the tour, the band also recorded a video, the post-production of which, as usual, was done by Tamás Barabás and Attila Égerházi. The concert, which can be found on Blu-ray, includes several tracks performed live for the first time. Examples include Lake By The Sea from the Back To Sardinia album, the rock band version of Ace Of Wands from the Voyage Of The Acolyte album, or the Gyor Blues compositions. There are several live versions of Steve Hackett and Djabe compositions previously not released on a Djabe & Steve Hackett live albums. Songs like The Steppes, Witchi Tai To, Gyor and Power Of Wings.

'Global superstar Ed Sheeran has announced that his new album ‘Play’ will be released on 12th September 2025. After closing the chapter on his Mathematics series, Ed Sheeran is finally back and stepping boldly into a fresh new phase for 2025. An artist known for constantly evolving, Sheeran’s latest album, 'Play' finds him exploring new musical ground through collaboration with producers and musicians from around the world, as well as diving deeper into the timeless sounds and themes that have made him one of the world’s best-loved pop artists. Inspired by his exposure to Indian and Persian musical cultures—and their surprising connections to the Irish folk tradition he grew up with, through shared scales, rhythms, and melodies—he explored this borderless musical language, giving the album its distinctive, fresh edge. On more familiar ground, Sheeran also reminds us why he remains the most influential singer-songwriter of his generation, delivering a series of stunning ballads and acoustic-driven songs. The result is a collection that plays with both the familiar and the new, creating a bold, pop-driven sound that only Ed Sheeran could deliver — a vibrant showcase of his artistry that feels both exciting and transformative, and promises to be one of the defining albums of the year.

During the rehearsals preceding the Ensouled World Tour 2024, THE THE whittled down their vast catalogue in search of the strongest set list – one that incorporated both the entire new album, Ensoulment, as well as the anticipated and much-loved songs of past decades. One song was sounding weak and nearly did not make it… but before it was dropped from the list, a final attempt at reinventing it proved to be its resurrection and reincarnation as ‘Slow Emotion Replayed’. It stayed in the set and went on tour. Matt Johnson has a penchant for covering and reinventing his own songs as with ‘This Is The Day’, ‘Infected’, ‘Armageddon Days’ and others. The original version of ‘Slow Emotion Replay’, appeared on Dusk, released in 1993. This new version, ‘Slow Emotion Replayed’ was recorded in Studio Cinéola, London, featuring Matt Johnson on Omnichord and vocals, Barrie Cadogan on electric guitar and backing vocals, James Eller on bass and Gillian Glover also providing backing vocals. The B-side of this single is entitles ‘Crow Commotion Displayed’.

4CD REMASTERED CLAMSHELL BOX ANTHOLOGY COMPRISING ALL OF SKIN ALLEY’S RECORDINGS FOR CBS & TRANSATLANTIC RECORDS BETWEEN 1969-1973. INCLUDES ALL THE TRACKS FROM THE ALBUMS ‘SKIN ALLEY’, ‘TO PAGHAM & BEYOND’, ‘TWO QUID DEAL’ & ‘SKINTIGHT’ ALONG WITH ALL TRACKS FROM ‘STOP VERUSHKA!’, THE BAND’S “LOST” 1970 SOUNDTRACK ALBUM & RARE SINGLES. ALL TRACKS REMASTERED FROM THE ORIGINAL MASTER TAPES. Formed in 1968, Skin Alley were part of the infamous Clearwater stable that included fellow acts such as Hawkwind, High Tide, Trees and Cochise. The band’s infectious fusion of jazz and rock was suited to the time and the band became a regular attraction on the underground festival and concert circuit. Skin Alley recorded their self-titled debut album for CBS Records in November 1969 with former Pretty Things guitarist Dick Taylor producing. The band’s second album, ‘To Pagham and Beyond’ was recorded in 1970, along with a shelved soundtrack album for an unreleased film about the German model Verushka.

Three CD set. 64-track box set of post mod grooves and heavy British R&B. Focussing on music from the late 1960s and early 1970s that avoided Tolkien-esque fantasy and flower power, instead drawing inspiration from the jazz, blues and soul music of black America. This musical journey takes the listener from the heavy Hammond organ groove of Deep Purple's US hit 'Hush' to CCS's funky 'Brother' via British blues from John Mayall's Bluesbreakers, Fleetwood Mac and Chicken Shack, jazz rock from Manfred Mann Chapter Three, The Johnny Almond Music Machine and Satisfaction and the soulful vocals of Stevie Winwood, Sharon Tandy and Rod Stewart. Key artists include Deep Purple, Sharon Tandy (backed by Fleur de Lys), Small Faces, Faces, Peter Green's Fleetwood Mac, Jeff Beck (with Rod Stewart & Ronnie Wood), Georgie Fame, Stevie Winwood with both The Spencer Davis Group and Traffic, Mighty Baby, Julie Driscoll, Brian Auger & The Trinity, Blodwyn Pig and Graham Bond. Many musicians here had been through the British R&B and soul scenes including Satisfaction's Derek Griffiths and Deep Purple's Jon Lord and Keef Hartley with The Artwoods, Jeff Beck with The Yardbirds and Julie Driscoll, Brian Auger and Rod Stewart with Steampacket while Mighty Baby had evolved from The Action and Spooky Tooth from The V.I.P.s.

Recorded at Las Colinas Soundstage, Dallas, TX on April 27th, 1983 [soundboard recording - new upgrade].

Decca Classics proudly announces Shostakovich & Britten, the new album from internationally acclaimed cellist Sheku Kanneh-Mason. Featuring Shostakovich’s Cello Concerto No. 2, performed with John Wilson and the Sinfonia of London, alongside the cello sonatas of Shostakovich and Britten, this deeply personal recording pays tribute to cellist Mstislav Rostropovich, the towering figure who inspired both composers—and Kanneh-Mason himself.

A new page in the history of the NDR Radiophilharmonie opened in 2024 with the arrival of a sought-after chief conductor, Stanislav Kochanovsky. For harmonia mundi, he has chosen to explore a repertoire that he knows inside out, the music of nineteenth- and twentieth-century Russia. Here is a chance to hear an expert interpretation of the famous Capriccio espagnol alongside works by Tchaikovsky and Tcherepnin, perhaps less well-known but utterly thrilling!

The album centers around a never-before-released rendition of "Silentium," the second movement of Pärt's most famous concerto, Tabula Rasa, performed by Boston-based chamber orchestra A Far Cry. The group plays "Silentium" at nearly half the speed of the best-known version, released on ECM in 1984. The piece, known for its healing properties for the dying and often used in palliative care facilities (one patient famously called it "angel music"), is breathtaking at half speed, seemingly stilling time itself.

The idea of putting together songs like impressions of a feeling rather than a collection of recordings from a certain decade or style or genre was at the heart of a discussion I had with Norman in 2019. It was a warm July day on the Riviera. I had just finished putting together the sound system for our first and only festival. “It should paint a picture”… We began a work of compiling. Norm would send tracks and we would try to situate them on the spectrum of a large “carte postale” encompassing in one corner the kitsch resort balneaire, in the other the sail boat in a Caribbean creek, with sandy beaches and glimmering waves in between. With the certainty that the French only seem to possess in matters of taste (my wife Emma is the same), Norm would go: “ah ca c’est 100% Blue Wave” or not at all.