The original 13-track album was remastered for all the new configurations at Abbey Road Studios. The Deluxe Edition contains 18 bonus audio tracks across two discs, featuring previously unreleased demos, written and performed by Paul with Elvis Costello.
Paul McCartney must not only have been conscious of his slipping commercial fortunes, he must have realized that his records hadn't been treated seriously for years, so he decided to make a full-fledged comeback effort with Flowers in the Dirt. His most significant move was to write a series of songs with Elvis Costello, some of which appeared on Costello's own Spike and many of which surfaced here…

This album from Katatonia, their first studio effort since 2006, is as moody and beautiful as their other latter-day work. The group's career can be marked in two stages based on the condition of singer Jonas Renske's vocal cords - basically, after the band's first two albums, he developed health problems that prevented him from performing harsh death growls, and ever since the band has moved in an increasingly melodic direction, even covering songs by Will Oldham and Jeff Buckley. It's unsurprising to learn that Opeth's Mikael Åkerfeldt helped out by performing the harsh vocals on Katatonia's Brave Murder Day album and Sounds of Decay EP in 1996 and 1997, since Night Is the New Day songs "Forsaker" and "Idle Blood" could be outtakes from that band's Damnation or Blackwater Park. Other tracks like "The Longest Year," the hilariously titled "Onward into Battle"…

Japan only release. Songs From The Vaults Vol.1: The Rockers is a collection of outtakes and previously unreleased tracks by progressive rock band Asia. The band had previously completed work on the album Arena in 1995. When they returned to their studio in 1996 they found that a pipe had burst and had ruined thousands of pounds worth of equipment. Despite this a large number of unreleased tracks which had failed to make the previous three albums survived and were quickly considered for a new Asia release.

After two solid jazz recordings, this effort by Dianne Reeves finds her returning a bit to her eclectic ways. She sounds joyous and swinging on "Exactly Like You," and making one wonder why she still spends so much time singing R&B and pop. Other highlights include the sexy and saucy "That Day," a spacy version of "Blue Prelude," and the folkish "The Twelfth of Never," but there are also several less interesting numbers that are only worthwhile due to Reeves' attractive voice. The singer is assisted by a small group that includes pianist Mulgrew Miller and drummer Terri Lyne Carrington.

Winner of the Grammy Award for Best Chamber Music/Small Ensemble Performance. Laurie Anderson and Kronos Quartet's Landfall, inspired by her experience of Hurricane Sandy, is the first collaboration between the iconic storyteller/musician and the groundbreaking string quartet, who perform together on the recording. Landfall juxtaposes lush electronics and traditional strings by Kronos with Anderson's powerful descriptions of loss, from water-logged pianos to disappearing animal species to Dutch karaoke bars. The Washington Post calls it "riveting, gorgeous."

Japan only release. Songs From The Vaults Vol.2: The Proggers is a collection of outtakes and previously unreleased tracks by progressive rock band Asia. The band had previously completed work on the album Arena in 1995. When they returned to their studio in 1996 they found that a pipe had burst and had ruined thousands of pounds worth of equipment. Despite this a large number of unreleased tracks which had failed to make the previous three albums survived and were quickly considered for a new Asia release.

Gazeuse! was the first in a successful line of strictly jazz-rock sessions for percussionist Pierre Moerlen and company - compositions that stressed jazz more than rock and which generally strayed away from lyrical content. This 1976 recording, also released under the title Expresso, was the band's first completely instrumental album, a companion piece to the later, somewhat warmer Expresso II, which is quite similar in sound and structure. To say Gazeuse! is percussive is an understatement. Drummer Moerlen is accompanied by brother Benoit and Mireille Bauer on vibraphones with Mino Cinelu playing other assorted percussion. "Percolations" is a showcase for this foursome: Part one, a display of beautiful vibes and xylophones; part two, a technically superb drum solo. Pierre's playing is fierce in this second part, exhibited by some truly volatile drumming near the close…

Three simple words define gorgeous close harmonies, impeccable fashion sense and trailblazing re-workings of pop and classic songs… The Puppini Sisters! Often copied, never equalled, this truly original trio, founded in 2004 by Marcella Puppini and featuring Kate Mullins and Emma Smith, seamlessly blend elegance and sophistication with a touch of retro and turn it into a must have lifestyle. Ladies and Gentlemen…..it's time for some Extra Steps! Our 2020 album, Dance Dance Dance, was a great success - which is why we enlisted some of the world's greatest Electro Swing Producers to create some amazing remixes, and we created this Double Disc.

Pines of Rome, P 141, is a tone poem in four movements for orchestra completed in 1924 by the Italian composer Ottorino Respighi. It is the second of his three tone poems about Rome, following Fontane di Roma (1916) and preceding Feste Romane (1928). Each movement depicts a setting in the city with pine trees, specifically those in the Villa Borghese gardens, near a catacomb, on the Janiculum Hill, and along the Appian Way. The premiere was held at the Teatro Augusteo in Rome on 14 December 1924, with Bernardino Molinari conducting the Augusteo Orchestra, and the piece was published by Casa Ricordi in 1925.

The Four Last Songs, Op. posth., for soprano and orchestra were composed in 1948 when Strauss was 84. They are – with the exception of the song "Malven" (Mallows), composed later the same year – the final completed works of Richard Strauss.

In 1997 when “Big Men Cry” was originally released on Planet Dog Records, no one could have predicted the chaos that would surround and follow it. The campaign was a classic case of the record company marketing one thing and the artist recording another. In this instance, the label and many of the public alike wanted “another Last Train to Lhasa” but for Toby Marks (AKA Banco de Gaia), another “Lhasa” was the last thing on his mind.
Add to that a breakdown of relations between Toby and the record label and you have all the necessary components for a pretty uncomfortable album release. This was compounded by Ultimate Records, who licensed the Planet Dog label, going into liquidation shortly after the album’s release. As a result “Big Men Cry” never really got the attention it deserved and didn’t come close to the chart success of “Lhasa” or its predecessor “Maya”…

In the first 20 years of his recording career, Devon Allman has made one thing very clear. He doesn’t stand still. As an artist and performer, he is always on the move, eager to stretch his boundaries, forever on the lookout for new sources of inspiration and new musicians to collaborate with. That ethos has driven him to continually create and move on. That’s why his discography to date – though it includes a number of solo albums – also shows releases with Honeytribe (with whom he debuted in 2006) and southern rock supergroup Royal Southern Brotherhood as well as with the Allman Betts Band. The resumé is a work in progress, yet one that is already worthy of the musical legacy handed down to him by his late father Gregg Allman of the legendary Allman Brothers Band. His new project The Devon Allman Blues Summit, is a powerhouse gathering of blues legends that promises to electrify the stage.