After international success with "Tonight Josephine" Tape Five now steps forward with some 1940's inspired flavours! Tape Five with his pacifist attitude has always been inspired by the Great Big Bands from the 30's and 40's who entertained the troops with their unique, powerful and cleverly arranged swingin´sounds, put him right in the mood. For the "Swing Patrol", the fourth album by songwriter/producer Martin Strathausen and his Orchestra, he recruited singers and musicians from ten different countries - from California to Cameron via Brazil, England, Italy, Ukraine, Romania and of course his home base in Germany. With alliances around the world Tape Five is stationed on hundreds of music compilations. An ever expanding, swinging Universe.

In the mid 1960’s, Detroit Michigan was a thriving industrial city. It was at the edge of a cliff, however. The great ethnic diversity in the inner city was a brewing powder keg of civil unrest. This, coupled with a disillusioned population struggling to make some sense of a questionable war in the rice paddies of Viet Nam, set an uneasy and troubling tempo for the future. Still, there were pockets of communities in the Detroit area where things were good and economic life was vibrant. The Grosse Pointes were such communities. It was on the outskirts of this political and racially tense era, in the affluent suburbs just outside of the city of Detroit, that Index was formed. The music of Index has been lauded by music heads for decades, and with good reason: it is bizarre, atmospheric, and “home-made” (in the best of all possible ways); the band has a druggie sound, with songs full of feedback and fuzzy guitars…

In April 1989, Neil Young released the 5-track mini-album Eldorado on CD in Japan and Australia under the name “Neil Young and the Restless”. Neil (guitar & vocals) was backed by Rick Rosas on bass and Chad Cromwell on drums, with long-time Crazy Horse band-mate Frank “Poncho” Sampedro contributing guitar on the title track. Long sought after by Neil Young fans, this wonderful album and guitar tour-de-force finally gets a worldwide release on CD, and the first US release on vinyl outside of Australia. Number ORS 21 in Neil’s Official Release Series, the album comprises of 4 Neil Young compositions, plus a cover of the American standard “On Broadway”, written by Leiber, Stoller, Weil and Mann.

Neil Young embarked on a 2019 European tour with Promise of the Real only two weeks after the passing of Elliot Roberts, his life-long friend and manager. Young viewed this tour as a living tribute to Roberts, claiming in the liner notes to Noise & Flowers – a 2022 document of the 2019 trek – that "Playing in his memory (made it) one of the most special tours ever. We hit the road and took his great spirit with us into every song." Noise & Flowers does indeed have a unique vibe, one that's far removed from the weird, fevered protest of Earth, the previous live album Young recorded with Promise of the Real.

The Great Performances/Great Songs series by Verve is a new attempt to get prospective buyers interested in its vast jazz catalog by introducing them to large-scale hits by artists who appeared either on its label proper, or on one of its licensees'. In the case of saxophonist Grover Washington, Jr., these are sides he cut for Creed Taylor's Kudu imprint - Motown’s jazz label at the time - between 1971 and 1978. The six selections are all covers of very popular soul or pop numbers, and come from recordings like Inner City Blues, All the King’s Horses, and Soul Box, Vol. 2, though the gorgeous reading of Billy Joel's “All the Things You Are” comes from 1978’s Reed Seed. Other tracks included here are stylish renditions of “Where Is the Love?,” “Georgia on My Mind,” Marvin Gaye's “Mercy Mercy Me (The Ecology Song),” a reggae version of Bill Withers’ “Lean on Me,” and Stevie Wonder’s "You are the Sunshine Of My Life”…

As Robert Fripp had done with King Crimson's first live LP, Earthbound (1972), USA is a single-disc concert package documenting the quartet during its 1974 swing through North America. As with its predecessor, USA was also issued as a sonic cenotaph of the concurrently defunct Krim. So insistent that the band would not be resurrected, Fripp concluded the LP's liner notes at the time with another three-letter epitaph: "R.I.P." The 1973/1974 King Crimson included the collective efforts of Fripp (guitar/Mellotron), David Cross (violin), John Wetton (bass/vocals), and Bill Bruford (drums/percussion).