This set contains all of Sand's one and only album, Golem, from 1974, as well as whole lot of additional Golem-era tracks and three cuts from Born at Dawn, an unreleased solo effort by Sand vocalist Johannes Vester recorded shortly after Sand's demise. Golem is a strange blend of dark, off-kilter folk music with a very heavy dose of electronic effects. In fact, "Helicopter" starts off with several minutes of rotor-blade-sounding electronic pulses and other effects before heavily processed vocals and guitar strums take over. The music moves from abstract soundscapes to surreal songs, and all of it is filtered through a special artificial head recording system to make for particularly good headphone listening. With Klaus Schulze at the controls, many of the songs have a similar cosmic trippiness to his early solo stuff and Ash Ra Tempel, with lots of electronic swooshes and washes…

The Yellow Balloon was Don Grady's (Robbie on TV's My Three Sons) rock & roll group, but even more important, the brainchild of California producer Gary Zekley. Not unlike a Gary Usher, Zekley could grab a bunch of musicians and - filling in the needed holes with his own talent - produce sessions that rivaled Phil Spector or Brian Wilson for big sound and teen spirit. Grady had already been recording for the same label with his own group, the Windupwatch Band, when Zekley started climbing the charts with "Yellow Balloon," creating a need for a new group to go with the hit. Grady became the drummer and other members were recruited from various bands around the country, but in the studio, it was still Zekley's show all the way. This 20-track compilation brings together the 11 tracks from the Yellow Balloon's 1967 album, along with the Don Grady with the Windupwatch Band singles…

Blues Breakers with Eric Clapton was Eric Clapton's first fully realized album as a blues guitarist - more than that, it was a seminal blues album of the 1960s, perhaps the best British blues album ever cut, and the best LP ever recorded by John Mayall's Bluesbreakers. Standing midway between Clapton's stint with the Yardbirds and the formation of Cream, this album featured the new guitar hero on a series of stripped-down blues standards, Mayall pieces, and one Mayall/Clapton composition, all of which had him stretching out in the idiom for the first time in the studio. This album was the culmination of a very successful year of playing with John Mayall, a fully realized blues creation, featuring sounds very close to the group's stage performances, and with no compromises…

Pianist Oscar Peterson has long been such a consistent performer that none of his records are throwaways, but this particular set is weaker than most. Since several of the songs are the type that in the mid-'60s would get requested (such as "People," "The Girl from Ipanema," and "The Days of Wine and Roses"), the program would not seem to have much potential, but Peterson mostly uplifts the material (although not much could be done with "People") and adds a few songs (such as his own "Goodbye, J.D." and John Lewis' "D & E"). Overall, this is a reasonably enjoyable Oscar Peterson session, featuring bassist Ray Brown and drummer Ed Thigpen.

This was the first TD album to incorporate lyrics and vocals (from Steve Jolliffe, who also contributed wind instruments and keyboards). By this point, the nucleus of the band was down to Edgar Froese and Christopher Franke, with the sound centering more on shifting arpeggiation over percussive rhythm structures, with "Madrigal Meridian" being an impressive example of this. Jolliffe's vocal contributions on "Bent Cold Sidewalk" and "Rising Runner Missed by Endless Sender" provide an aggressive edge that effectively catapults the listener from the hypnotic pulse that Tangerine Dream are best known for - still, it's by no means a failed experiment, though it does make Cyclone one of the least useful TD albums for working up a good meditative state.

Trilogy is a box set by the German musical project Enigma. This set includes the first three studio albums by Enigma, MCMXC a.D., The Cross of Changes, and Le Roi est mort, vive le Roi!, which comprises their artistic output from 1990–1996. A worldbeat dance fixture of the late 20th century and beyond, having sold tens of millions of albums worldwide, Enigma was formed in 1990 by Bucharest native Michael Cretu. The project is based in Ibiza, Spain, where Cretu has lived and recorded since the early '90s. With its 1991 hit "Sadeness," Enigma brought the new age fascination with Gregorian chants and old-world culture to the clubs; the resulting single was both unique and irresistible.

Camel is the first studio album by English progressive rock band Camel. It was released in 1973. The bonus track "Homage to the God of Light" was originally released in Peter Bardens's solo album The Answer in 1970. By August 1972, Camel were signed to MCA Records. They quickly entered the studio to record their first self-titled album, Camel. A collection of individual songs, chiefly from Andrew Latimer and Peter Bardens, the album was greeted with muted success and MCA did not take an option for a second album. By then, the group had acquired the management team of Geoff Jukes and Max Hole of Gemini Artists (later to become GAMA Records) and had moved to Decca Records, where they would remain for the next 10 years.

This is the story of Phaéton, valiant driver of the Sun’s chariot, led here by Vincent Dumestre and Benjamin Lazar, armed with a rich acquaintance of two decades of Lullyist cooperation. Just like at the time, they will make the Versailles Opera resonate with this production of this flamboyant tragédie lyrique which was first presented in Perm in Russia in 2018.

Vivaldi's many cello concertos are performed here with consummate taste and superb musicality by Roel Dieltiens and the Ensemble Explorations. Dieltiens plays with a rich tone and a light touch and his robust virtuosity and enthusiastic sympathy for the music are irresistible. The seven members of the Ensemble Explorations – five strings plus lute or guitar and organ or harpsichord – play with a sense of cooperation, which leaves this music sounding as concertos from the period should, which is to say more like chamber music.