Nancy Sandra Sinatra is an American singer and actress. She is the elder daughter of Frank Sinatra and Nancy (née Barbato) Sinatra, and is widely known for her 1966 signature hit "These Boots Are Made for Walkin". Other defining recordings include "Sugar Town", the 1967 number one "Somethin' Stupid" (a duet with her father), the title song from the James Bond film You Only Live Twice, several collaborations with Lee Hazlewood, such as "Jackson", "Summer Wine" and her cover of Cher's "Bang Bang (My Baby Shot Me Down)".

The flute instrument is closely associated with the Prussian King Frederick the Great and his residence Sanssouci, as the Prussian king was a passionate flautist and numerous works were composed for him. For the recorder player Isaac Makhdoomi, it is a special challenge to transfer these works, which were actually composed for a transverse flute, to his instrument. The idea behind this was to bring new aspects and facets to the works originally composed for the transverse flute, which he actually succeeds in doing brilliantly.

Mastered by George Marino at Sterling Sound from the original master tapes to vinyl and PCM. It is undeniable that Billie Holiday's singing changed in her later years. Her voice darkened and shifted to a lower range. Her economy of means distilled her sound to its expressive essence - a kind of heightened speech. The classic LP Songs For Distingue Lovers has also deepened and become burnished with time. Maybe it's that still-arresting word, "distingue"; maybe it's that iconic, tinted image of Lady Day on the cover. But now that legendary LP, with the singer's best studio work of the Fifties, is available as a Hybrid SACD!

SYMPHONY NO. 3 from composer Michael Kurek is a tribute to the history and natural beauty of England. The work is fundamentally Romantic, but is also influenced by Edwardian English music. The composer draws inspiration from personal memories, nature, poetry, and art; “Upon a Walk in the English Countryside,” recalls the composer’s emotional reaction to the lush, pastoral beauty of the English countryside. “Stonehenge” reflects the austerity and timelessness of that ancient monument, while “The Lady of Shalott” nods to Waterhouse’s colorful, pre-Raphaelite depiction of Tennyson’s famous poem. The symphony’s conclusion, “The Major Oak of Sherwood Forest,” celebrates the roughly 1000-year-old tree in Nottinghamshire and is perhaps the most climactic of Kurek’s works.

“‘Blackbirds and the Sun of October’ really represents my influences, even from my past. There is everything in there: my passion for jazz, classical, progressive . music. It’s definitely a song that sets a tone for the rest of the album.” – Federico Albanese Based only on the title and the cover art, you wouldn't be weird for thinking that pianist Federico Albanese has abandoned his primary instrument and his penchant for delicate, ambient classical crossover to indulge in a folksy exploration of Harvest–inspired acoustic indie rock. Albanese has not pivoted to a rustic six-string, some open chords, and a notebook of rhyming couplets, but he has sought to give Blackbirds and the Sun of October a decidedly different tone than his previous records. Though born in Italy, Albanese has spent the last few years working in Berlin; in fact, his entire career has developed while he was living in the city. As may be familiar to those who have entered the family-and-kids phase of life, his roots beckoned him, and, a couple of autumns ago, he left the modern, urban cityscape of Berlin and returned to his more pastoral birthplace where, unsurprisingly, his inspiration experienced something of a shift.

Woo hoo! There’s a new Offspring album And it’s better than I expected The three singles released before it varied in style – with only one of them, “Light It Up“, being traditional 1990s-style punk music – and this made me mildly nervous.

Emmanuel Pahud is one of the most prolific and distinguished flutists active in contemporary France. His repertory is broad, stretching from the Baroque to contemporary music, including jazz. Pahud was born in Geneva, Switzerland, on January 27, 1970. When he was four, he first heard the flute and immediately demanded to be taught how to play it. His family, which was not musical, traveled frequently for his father's work responsibilities, and he lived as a child in Baghdad, Paris, Madrid, and Rome. In the latter city, the family of flutist François Binet lived in the same apartment building as Pahud, and he began studies with 15-year-old Philippe Binet. Soon he graduated to studies with François Binet. At the family's next stop, in Brussels, he studied with Michel Moinil and Carlos Bruneel, playing a Mozart concerto with the National Orchestra of Belgium at 13. Pahud enrolled at the Paris Conservatory, winning several major prizes while he was a student, and after graduating, he soon landed principal flutist slots with the Basel Radio Symphony in Switzerland and the Munich Philharmonic. He continued his studies with Aurèle Nicolet, who had formerly been principal flutist with the Berlin Philharmonic and coached him on how to approach his audition for that ensemble. The stratagem worked, and in 1992, Pahud was invited by conductor Claudio Abbado to join the orchestra as the principal flutist.

Digitally remastered two CD set containing a pair of albums from the British Blues/Rock drummer and his band. These albums, released in 1970 and 1972 on the Fontana and Vertigo labels, show a change in direction from their first two albums. With guitarist Dave Kelly replaced by Nick Pickett, the band moved slightly away from their original blues roots, but didn't really find the commercial success they deserved.

Leaked. Releases: April 11, 2025. The Mars Volta's ninth studio album represents a significant milestone for the band, which has been continually reinventing itself for more than 20 years. With “Lucro sucio; Los ojos del vacio," they deliver an album that celebrates their roots, allowing them to reconnect with their origins. Fans are invited to embark on a musical journey.

Psychocandy is the debut studio album by Scottish rock band the Jesus and Mary Chain. It was released in November 1985 on Blanco y Negro Records. The album is considered a landmark recording: its combination of guitar feedback and noise with traditional pop melody and structure proved influential on the forthcoming shoegazing genre and alternative rock in general. The band moved from its abrasive sound with the release of their second album, 1987's Darklands. In 2003, the album was ranked number 268 on Rolling Stone magazine's "The 500 Greatest Albums of All Time" list, and 269 in a 2012 revised list. The magazine also ranked the album number 45 on its list of the 100 Best Debut Albums of All Time. In 2002 Pitchfork listed Psychocandy as the 23rd best album of the 1980s. In their 2018 update of the list, the album was listed at number 40. The album was also included in the book 1001 Albums You Must Hear Before You Die. PopMatters included Psychocandy in their list of the "12 Essential 1980s Alternative Rock Albums" saying, "it may still be the only noise pop LP anyone ever really needs to own".

Yehudi Menuhin With the passing of violinist Yehudi Menuhin at the age of 82 on March 12, 1999, the world lost one of its truly gifted musicians. Primarily associated with classical music, Menuhin consistently sought diverse forums for his virtuosic playing. His collaboration with Indian sitar player Ravi Shankar resulted in two groundbreaking albums – East Meets West and In Celebration, while his pairing with French violinist Stephane Grappelli yielded four classic albums: Play Berlin, Kern, Porter & Rodgers & Hart, Play Gershwin, Play "Jalousie" and Other Great Standards, and Tea for Two. According to classical violinist Isaac Stern, Menuhin was "an extraordinary musician and a great humanitarian. His style of playing, particularly in his early years, was a stunning patrician elegance with a very natural musical line." Menuhin displayed a talent for music at a very young age. Starting to play the violin at the age of four, he made his professional debut with the San Francisco Symphony Orchestra three years later.

Can't Touch Us Now is the twelfth studio album by the British band Madness, released on their Lucky 7 Records label through Universal Music Catalogue (UMC) on 28 October 2016. Madness are back with their first album in 4 years. The album was produced by Clive Langer and Liam Watson and mixed by Brit Award winner Charlie Andrew. Tracks such as ‘Mr Apples’, ‘Mumbo Jumbo’, the Amy Winehouse referencing ‘Blackbird’ and the title track ‘Can’t Touch Us Now’ capture the band’s inimitable combination of pop, reggae and soul influences. As on many of Madness greatest moments, the lyrics are gloriously observational and humorous, beautifully framing life in London. The album marked the return of founder member Mark Bedford but the departure of Cathal Smyth (Chas Smash).

Reissue double pack of two of Michael Chapman's releases. Includes 1999's Twisted Road and 2005's Plaindealer. Michael Robert Chapman is an English singer-songwriter and guitarist. Chapman originally began playing guitar with jazz bands, mainly in his home town of Leeds in The West Riding of Yorkshire. He became well known in the folk clubs of the late 1960s, as well as on the 'progressive' music scene, and has recorded over 40 albums to date. In 2016 Chapman celebrated 50 years as a professional musician. He still plays professionally and regularly tours in the UK, Europe and US.

It features various orchestral works, including Samuel Barber's famous Adagio for Strings. The pieces are performed by the Berliner Philharmoniker under the direction of Sir Simon Rattle.

6.Februar 2025 - FALCO - “Ultimate Hits – A New Experience“ EP mit Dolby Atmos-Mixen seiner größten Hits - (VÖ 7.2.2025). Zum 27.Todestag von Falco veröffentlicht SONY MUSIC zum ersten Mal Der Kommissar, Junge Roemer, Rock Me Amadeus, Vienna Calling und Jeanny in atemberaubenden Dolby Atmos-Mixen auf Apple, Amazon Music und Tidal.
DOLBY ATMOS ist ein immersives Klangerlebnis, das die Art und Weise, wie Musik erzeugt und genossen wird, verändert. Es bringt Musik auf eine neue Ebene, indem es den Hörer in den Song eintauchen lässt, um Details mit unvergleichlicher Klarheit und Tiefe zu enthüllen. Ob es darum geht, die Schichten von Instrumenten zu hören, die sich rundherum bewegen, den subtilen Atem eines Sängers zwischen den Texten wahrzunehmen oder von einer Welle von Melodien umhüllt zu werden - nichts ist mit dem Hören von Musik in Dolby Atmos vergleichbar. ( @Ronald Seunig Wolfgang Kosmata