The 1977 Voyager I and II spacecraft contained, among other things, two “Golden Records” that each carried a representation of life and culture on Earth into deep space. The records included the sounds of nature, greetings in 50 languages, and an assortment of music from around the world.

Don’t Trust Mirrors marks one of the most transformative chapters in New York-based composer and producer, Kelly Moran’s career. In 2019, fresh from touring her Warp debut Ultraviolet, she began shaping a more rhythmic follow-up inspired by late nights on the dancefloor. But personal upheaval and the halted tours of the pandemic redirected her path, leading first to 2024’s Moves in the Field, praised by The New York Times as “softhearted but steel-skinned.” Now Moran returns to the project she once paused. Don’t Trust Mirrors explores distortion, reflection, and the slow work of piecing yourself back together. Featuring Warp labelmate Bibio, its 10 tracks shimmer with textural refractions — an immersive journey towards self-reconnection and focus.

On Can't Slow Down, his second solo album, Lionel Richie ran with the sound and success of his eponymous debut, creating an album that was designed to be bigger and better.

This five-disc box collects Reinhardt's first 124 recordings between 1934-1939. Curiously enough, these sides aren't chronological. Rather, while each disc's featured sessions are presented mostly chronologically, the discs themselves are rather awkwardly sequenced, with different discs covering different years in a seemingly random order. That doesn't really detract from the set's appeal, however, as this music is terrific no matter how it's presented. If there is a flaw, it's that the remastering isn't nearly as superb as the fawning front-cover quotation would lead one to believe. To his credit, however, Kendall admits that he has attempted no "enhancement" of the sound, but has instead concentrated on clearing away much of the audio rubble. His work is, in fact, generally excellent - especially on the later sides, many of which are virtually devoid of hiss…

2009 three CD set housed in a collectible metal tin, This fantastic collectors tin features over three hours of fine Smooth Jazz and easy, evocative classics. Relaxing rhythms and graceful grooves sweep through this three disc set like a retro convertible on a sunny Summers day.

This is a two-CD collection capturing King Crimson during a pair of multi-night stands at The Longacre Theater in New York City (November 20-25, 1995) and The Metropolitan Theater in Mexico City (August 2-6, 1996). This double-trio lineup includes the talents of: Robert Fripp (guitar, soundscapes), Adrian Belew (guitar, vocals), Trey Gunn (touch guitar), Tony Levin (basses, stick), Bill Bruford (percussion of all sorts), and Pat Mastelotto (percussion of all sorts). Vrooom Vrooom includes much of the same frenetic energy and immaculate sonics that awaited attendees of these performances. Happily much of the repertoire focuses on materials from the 1995 studio release, Thrak, King Crimson's first in over a decade. Likewise, both the Mexico City and New York City sets are laden with the profound and otherwise solicitous vibes that present themselves whenever this band is running at full capacity on all six cylinders…

Piet Blank and Jaspa Jones - the producers known worldwide. For two they have let out already many albums and tens magnificent singles, reliably having fixed in world history of dancing music. Their hits more than once appeared at tops of charts, and each new album stably got to number 50 of the best to Germany. The first release which has left in 2003 of an album "Relax: Edition One" to a descent has occupied 22 place in charts of Germany, and a chill-miss the version of track Pet Shop Boys "Love Comes Quickly" from this album became the present hit.
Special album compiled by Blank & Jones exclusively for Tchibo GmbH Germany. The CD "Pure Lounge - Chilling Club Sounds" combines cool sounds of famous DJ duo Blank & Jones. Simply sit back, listen and relax!

Born of a friendship formed at London's Royal College of Music over 10 years ago and boasting a discography of seven recordings, the Busch Trio takes its name from the legendary Adolf Busch, whose G.B. Guadagnini violin Mathieu van Bellen has the honour of playing. Van Bellen and the Epstein brothers — Omri on piano and Ori on cello — now launch their ambitious project of recording the complete Beethoven piano trios. The first instalment contains the Op. 1 trios (Nos. 1 and 3), the first compositions by the young Beethoven who had left his native Bonn to study with Haydn in Vienna in 1792. Although Beethoven did not write a concerto for a wind instrument, he did compose a great deal of chamber music for them, including the Trio in B flat for piano, clarinet and cello (1798), although designing it so that the clarinet part could also be performed on the violin. The playful theme of the variations in the finale earned the trio its nickname, "Gassenhauer"; (street or folk song).

For the Point Of Entry tour (titled ‘World Wide Blitz Tour’) Priest performed at New York’s Palladium, 22nd July of 1981, recorded to broadcast at the famous “King Biscuit Flower Hour” for promotional purposes. This Alive The Live release is taken from the original physical sources > sound quality is top notch.Promoting new material alongside now legendary Priest Classics, the entire gig presents a roaring slice of British heavy metal hell with Judas Priest – they really put one of their finest shows from the era.

With her unmistakable trumpet sound, Linnea Jonsson has emerged as one of the most expressive voices on today’s Nordic jazz scene. Now she celebrates the release of Hive Mind – a subtle yet powerful album built on collective artistry, featuring some of the most exciting young players in Scandinavia.

It's easy to argue that Willie Nelson's two albums for Atlantic, 1973's Shotgun Willie and 1974's Phases and Stages, are his two best albums. Recorded between his 1972 departure from his longtime home RCA and before his star-making stint at Columbia, these two albums are the roots of Nelson's brand of outlaw country, where he casually fueled Nashville songwriting with Texan Western swing, pop melodies, folk storytelling, hard country, lazy blues, and a renegade sensibility borrowed from rock & roll, all spiked with a little bit of jazz. Add to this his increasing fascination with themes that played out over the course of a full album – Shotgun Willie was an outlaw's record through and through, Phases and Stages was an explicit divorce album, with a strong narrative pull – and it made for two near-perfect records that worked as a whole, but could stand as collections of perfect songs: these albums contained such Nelson standards as "Shotgun Willie," "Whiskey River," "Sad Songs and Waltzes," "Slow Down Old World," "Pretend I Never Happened," "Bloody Mary Morning," "It's Not Supposed to Be That Way," and "Pick Up the Tempo," after all.

BACH AND BOURBON captures the eclectic spirit of a live concert by The Old Guitarist, including works by Bach, Mozart, Ralph Towner, and six of The Old Guitarist’s own compositions. The album features everything from Irish folk music of the Baroque period to wistful originals with historically sourced arrangements, bridging centuries and traditions. Highlights include Jesu After-Bach Fantasia, a lyrical tribute that imagines Bach as a 20th-century Irish-American guitarist, and Distant Hills by Ralph Towner, whose contrapuntal clarity echoes Pachelbel's Canon. The collection closes with three original pieces reflecting poignant moments in the composer’s life.

The final volume in a new groundbreaking and much-praised complete symphony cycle of Ferdinand Ries’ (1784–1838) symphonies by the Tapiola Sinfonietta and conductor Janne Nisonen includes the composer’s two final statements in the symphony genre. Like most of his symphonies, also Ries’ Symphony No. 6 was premiered in London in 1822. His Seventh Symphony, written a decade later, remained in the shadows and was published only in 2004. Both works, however, are full of discoveries.

Star-violinist Christian Tetzlaff, the BBC Philharmonic Orchestra and conductor John Storgards present in this album two major British violin concertos written between a century, in 1910 and 2005. Elgar's passionate violin concerto, completed in 1910, is a classical-romantic violin concerto in three movements. This huge and highly emotional work was in the wake of modernism neglected for several decades before entering into standard concerto repertoire.

There are guitar gods, and then there’s Michael Schenker. From his early breakthrough with Scorpions and his groundbreaking work with UFO to the formation of the Michael Schenker Group in 1979, Schenker has been a benchmark for the evolution of hard rock and metal. Decades later, MSG remains a vehicle for his uncompromising artistic vision, and ‘Don’t Sell Your Soul’ is its latest manifestation. The album features Michael Schenker alongside longtime allies: drummer Bodo Schopf, bassist Barend Courbois, and Steve Mann on keys.