This is the first official release by The Ducks - a short lived group that Neil played with in 1977. The Ducks featured Neil (guitar, harmonica and vocals), Bob Mosley (bass and vocals), Jeff Blackburn (guitar and vocals) and Johnny Craviotto (drums). Mosley was an original member of Bay Area band Moby Grape; Blackburn had previously fronted his own band and co-wrote with Neil the classic track “My My Hey Hey (Out of the Blue)”.

EXTRAORDINARY 1984 BROADCAST RECORDING FROM NEIL & THE HORSE in 1984, Young toured with both the International Harvesters during the annum s second leg, while earlier, in February, he stepped out, briefly, with Crazy Horse. The 1984 California Club Tour was a 2-date, 4-show residency at Santa Cruz s Catalyst Club, across the 6th & 7th of the month, with two shows played on each day. The late show on the 7th was recorded for FM Radio Broadcast, and is released here, in its entirety, for the first time on CD. A quite extraordinary show for a number of reasons, not least the dynamic performance the band gave, but even more enticing, is that the audience and those listening in on the wireless, were treated to no less than five previously unreleased cuts. Kicking off with a pair of such in Rock, Rock, Rock and So Tired , the group pepper the rest of the gig with three further gems absent from any NY albums, both then and now: I Got A Problem , Stand By Me and Touch The Night .

Legendary guitarist and composer Kurt Rosenwinkel put together visionary jazz musicians Aaron Parks (Piano & Keys), Eric Revis (Acoustic Bass), and Greg Hutchinson (Drums) for his new album. The exhilarating recording Undercover: Live At The Village Vanguard is a selection of seven of Rosenwinkel’s original compositions, captured over three nights of their week-long run at the historic Village Vanguard, the legendary New York jazz club that has been host to the defining artists in jazz, including Bill Evans, John Coltrane, Sonny Rollins, Joe Henderson, and countless others. Undercover: Live At The Village Vanguard captures the joyous, visceral energy of Rosenwinkel’s masterful quartet, and easily finds its place in the continuum of historic recordings made there.

Joy In Repetition is the first ever anthology of some of the best of Hot Chip. It covers the band’s work, from their landmark EMI/DFA debut, The Warning, and traces their artistic evolution up to the present day. Packed with stone-cold bangers from across their career: "Ready For The Floor,” “I Feel Better,” and “Flutes,” to name a few. Alongside, new track, "Devotion", which sees the band in full voice, merging pop hooks with their unique dancefloor mentality.

Ella Fitzgerald virtually invented the live album. The reason is simple: her performances were so consistently great that almost any live show was special enough to release as a record. In a sense, for Ella Fitzgerald, every night was The Moment of Truth. But this previously unknown concert stands out from the pack. In the summer of 1967 Ella Fitzgerald was in a particularly interesting place. She was in the middle of an especially rewarding three-year touring and recording collaboration with Duke Ellington and was incorporating hit pop songs of the late-60s into her concert repertoire—two of which are presented here for the first time on record.

Here you have three absolutely breathtaking jazz performers locked into a studio for a day or so. From this combination of guitar, standup bass, and acoustic drum kit, you've got nine tracks of sheer jazz joy – three guys just blowing for the hell of it, recorded on the fly. There's a strong sense here that engineer Rob Eaton probably tried to get everybody properly set up and balanced before the session started and just gave up when everybody started playing. It's a delight to hear, because everything has gone into the performance, which is spontaneous and graceful – no going back for the next take here. Pat Metheny's playing is definitely modernistic, highly fluid, almost liquid lightning – no effects boxes here, though (he does play Synclavier on the last track, "Three Flights Up," but it's great anyway). Roy Haynes, likewise, should be heard by anybody wanting to get behind the traps: this man has a sense of humor, and he's a blur of motion. Dave Holland, on bass, is no slouch either, keeping pace with Metheny's guitar lines, and balancing up against Haynes' drums. Together, these guys are incredible.

Digitally remastered and expanded edition of this 1969 album from the Psych/Progressive rockers. Formed in 1967, the group signed to Pye Records the following year, following a series of legendary appearances at the MIddle Earth club and a support slot for Jefferson Airplane on their first UK tour. This debut album was a fine piece of work with many classic tracks such as 'Ride With Captain Max' This reissue adds both sides of the band's first single as bonus tracks.

Swedish-based supergroup Crowne is back with their highly anticipated third studio album, “Wonderland”. Continuing their musical evolution, the band builds on their signature blend of melodic rock with heavier, power metal-infused soundscapes. "Wonderland" delivers an unforgettable listening experience filled with epic atmospheres, anthemic choruses and technical solos that showcase the band's impressive musicianship.
At the helm is Alex Strandell, known for his powerful and soaring vocals in bands like Art Nation, Lionville and Nitrate, who brings a level of intensity and passion to the album. Alongside him is Love Magnusson of Dynazty on guitars, whose electrifying solos and riffs contribute to the album’s dynamic energy…

Music evolves and so does Buddha-Bar. This year marks a turning point in the history of the Buddha-Bar music compilations in all aspects such as music and design. On the musical side, this change is performed by DJ Papa, resident DJ of Buddha-Bar Monte Carlo since the opening in 2010. Donato Papadia aka DJ Papa, with Italian origin, started mixing in 1973 in an atmosphere of rock, soul and funk music. Curious by nature, he moved towards new wave music and naturally evolved towards techno and house music. The arrival of ethnic sounds opened the path towards a new world where he flourished as one of the best DJ. Then he played in more than 300 world-renowned clubs and became the resident DJ of Jimmy'z Monte Carlo where he remained for almost 11 years before finding his temple: Buddha-Bar Monte-Carlo. It is the perfect place for Donato to distill his House, minimal and ethnic music gems…

From its title, one might reasonably expect that this Australian compilation would contain some of the Ray Conniff Singers' best-known recordings, such as "Invisible Tears" and "Somewhere, My Love." It doesn't, but it what it does contain is even more surprising. Put simply, this 14-track album consists of seven songs each from two of the Conniff Singers' albums of 1968: the first half from Honey and the second half from Turn Around Look at Me. Versions of many of the big hits of the era – "Love Is Blue," "This Guy's in Love with You," "Mrs. Robinson," etc. – are included and performed with the choral group's usual earnestness as Conniff recreates the arrangements used on the original hit recordings. But the album title is confusing, to put it mildly.